Death in the Clouds. Agatha Christie

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Death in the Clouds - Agatha Christie Poirot

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spend half of it, dear, and keep the other half for a rainy day. You never know.’

      ‘I’d buy a fur coat, if I was you—a real tip-top one.’

      ‘What about a cruise?’

      Jane had wavered at the thought of a ‘cruise’, but in the end she had remained faithful to her first idea. A week at Le Pinet. So many of her ladies had been going to Le Pinet or just come back from Le Pinet. Jane, her clever fingers patting and manipulating the waves, her tongue uttering mechanically the usual clichés, ‘Let me see, how long is it since you had your perm, Madam?’ ‘Your hair’s such an uncommon colour, Madam.’ ‘What a wonderful summer it has been, hasn’t it, Madam?’ had thought to herself, ‘Why the devil can’t I go to Le Pinet?’ Well, now she could.

      Clothes presented small difficulty. Jane, like most London girls employed in smart places, could produce a miraculous effect of fashion for a ridiculously small outlay. Nails, make-up and hair were beyond reproach.

      Jane went to Le Pinet.

      Was it possible that now, in her thoughts, ten days at Le Pinet had dwindled down to one incident?

      An incident at the roulette table. Jane allowed herself a certain amount each evening for the pleasures of gambling. That sum she was determined not to exceed. Contrary to the prevalent superstition, Jane’s beginner’s luck had been bad. This was her fourth evening and the last stake of that evening. So far she had staked prudently on colour or on one of the dozens. She had won a little, but lost more. Now she waited, her stake in her hand.

      There were two numbers on which nobody had staked, five and six. Should she put this, her last stake, on one of those numbers? If so, which of them? Five, or six? Which did she feel?

      Five—five was going to turn up. The ball was spun. Jane stretched out her hand. Six, she’d put it on six.

      Just in time. She and another player opposite staked simultaneously, she on six, he on five.

      ‘Rien ne va plus,’ said the croupier.

      The ball clicked, settled.

       ‘Le numéro cinq, rouge, impair, manque.’

      Jane could have cried with vexation. The croupier swept away the stakes, paid out. The man opposite said: ‘Aren’t you going to take up your winnings?’

      ‘Mine?’

      ‘Yes.’

      ‘But I put on six.’

      ‘Indeed you didn’t. I put on six and you put on five.’

      He smiled—a very attractive smile. White teeth in a very brown face, blue eyes, crisp short hair.

      Half unbelievingly Jane picked up her gains. Was it true? She felt a little muddled herself. Perhaps she had put her counters on five. She looked doubtingly at the stranger and he smiled easily back.

      ‘That’s right,’ he said. ‘Leave a thing lying there and somebody else will grab it who has got no right to it. That’s an old trick.’

      Then with a friendly little nod of the head he had moved away. That, too, had been nice of him. She might have suspected otherwise that he had let her take his winnings in order to scrape acquaintance with her. But he wasn’t that kind of man. He was nice… (And here he was sitting opposite to her.)

      And now it was all over—the money spent—a last two days (rather disappointing days) in Paris, and now home on her return air ticket.

      ‘And what next?’

      ‘Stop,’ said Jane to her mind. ‘Don’t think of what’s going to happen next. It’ll only make you nervous.’

      The two women had stopped talking.

      She looked across the gangway. The Dresden china woman exclaimed petulantly, examining a broken finger-nail. She rang the bell and when the white-coated steward appeared she said:

      ‘Send my maid to me. She’s in the other compartment.’

      ‘Yes, my lady.’

      The steward, very deferential, very quick and efficient, disappeared again. A dark-haired French girl dressed in black appeared. She carried a small jewel case.

      Lady Horbury spoke to her in French:

      ‘Madeleine, I want my red morocco case.’

      The maid passed along the gangway. At the extreme end of the car were some piled-up rugs and cases.

      The girl returned with a small red dressing-case.

      Cicely Horbury took it and dismissed the maid.

      ‘That’s all right, Madeleine. I’ll keep it here.’

      The maid went out again. Lady Horbury opened the case and from the beautifully fitted interior she extracted a nail file. Then she looked long and earnestly at her face in a small mirror and touched it up here and there—a little powder, more lip salve.

      Jane’s lips curled scornfully; her glance travelled farther down the car.

      Behind the two women was the little foreigner who had yielded his seat to the ‘county’ woman. Heavily muffled up in unnecessary mufflers, he appeared to be fast asleep. Perhaps made uneasy by Jane’s scrutiny, his eyes opened, looked at her for a moment, then closed again.

      Beside him sat a tall, grey-haired man with an authoritative face. He had a flute case open in front of him and was polishing the flute with loving care. Funny, Jane thought, he didn’t look like a musician—more like a lawyer or a doctor.

      Behind those two were a couple of Frenchmen, one with a beard and one much younger—perhaps his son. They were talking and gesticulating in an excited manner.

      On her own side of the car Jane’s view was blocked by the man in the blue pullover, the man at whom, for some absurd reason, she was determined not to look.

      ‘Absurd to feel—so—so excited. I might be seventeen,’ thought Jane digustedly.

      Opposite her, Norman Gale was thinking:

      ‘She’s pretty—really pretty—She remembers me all right. She looked so disappointed when her stakes were swept away. It was worth a lot more than that to see her pleasure when she won. I did that rather well… She’s very attractive when she smiles—no pyorrhoea there—healthy gums and sound teeth… Damn it, I feel quite excited. Steady, my boy…’

      He said to the steward who hovered at his side with the menu, ‘I’ll have cold tongue.’

      The Countess of Horbury thought, ‘My God, what shall I do? It’s the hell of a mess—the hell of a mess. There’s only one way out that I can see. If only I had the nerve. Can I do it? Can I bluff it out? My nerves are all to pieces. That’s the coke. Why did I ever take to coke? My face looks awful, simply awful. That cat Venetia Kerr being here makes it worse. She always looks at me as though I were dirt. Wanted Stephen herself. Well,

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