taste and the heat it left as it washed over his tongue and down his throat. He was only half-listening as Jed McEwan, his friend and steward, sitting in the chair on the opposite side of the desk, covered each point on his agenda. Rather, Hunter was thinking over the day, of Bullford and Linwood’s appearance in Glasgow, and more so over the happenings upon the road—of the highwaymen and the woman. Inside his pocket his fingers touched the small white-lace handkerchief.
‘And finally, in less than a fortnight, it is the annual staff trip to the seaside. Do you plan to attend, Hunter?’ The inflection at the end of McEwan’s voice alerted him to the question.
‘I do.’ It was a tradition passed down through generations of the Hunter family, and Hunter would keep to it regardless of how little he wanted to go.
‘We have covered every item on the list.’
Hunter moved to top up McEwan’s brandy glass, but McEwan put a hand over it and declined with thanks.
‘Mairi been giving you a hard time?’ Hunter asked as he filled his own glass.
‘No, but I should be getting back to her.’ McEwan smiled at the thought and Hunter felt a small stab of jealousy at his friend’s happiness. The darkness that sat upon his soul had long since smothered any such tender feelings in Hunter. ‘My father is arriving tonight.’
Hunter felt the muscle flicker in his jaw. He turned away so that McEwan would not see it.
But McEwan knew. And Hunter knew that he knew.
Through the open window, over the whisper of the wind and the rustle of the heather from the moor, came the faint rumble of distant carriage wheels.
Hunter raised an eyebrow and moved to stand at the window once more. He stared out over the moor, eyes scanning the narrow winding moor road that led only to one place—all the way up to Blackloch. ‘Who the hell …?’ And he thought of Bullford and Linwood again.
‘Sorry, Hunter. I meant to tell you earlier, but I got waylaid with other things and then it slipped my mind.’ McEwan picked up his pile of papers and came to stand by Hunter’s side. ‘That will be your mother’s companion, a Miss Phoebe Allardyce. Mrs Hunter sent Jamie with the gig to Kingswell to meet the woman from the last coach.’
Hunter frowned. He did not know that his mother had a companion. He did not know anything of his mother’s life in Glasgow, nor why she had suddenly arrived back at Blackloch yesterday, especially not after the way they had parted.
Hunter watched the small dark speck of the gig grow gradually larger and he wondered fleetingly what the woman would be like—young or old, plain or pretty? To the old Sebastian Hunter it would have mattered. But to the man that stood there now, so still and sullen, it did not. What did he care who she was, what she did? Hunter glanced at McEwan.
‘My mother’s companion is of no interest to me.’ He felt only relief that it was not Bullford or any other of his old crowd. And gladder still it was not Linwood.
McEwan made no comment. He turned away from the window and its view. ‘I will see you in the morning, Hunter.’
‘That is Blackloch Hall, over there, ma’am,’ said the young footman driving the gig and pointed ahead. ‘And to the left hand side, down from the house, is the Black Loch itself, Mr Hunter’s private loch, for which the house and the moor are named.’
Phoebe peered in the direction the boy was pointing. Across the barren moorland a solitary building stood proud and lonely, sinister in its bearing, a black silhouette against the red fire of the setting sun. And beyond it, the dark waters of the loch. The gig rounded the bend and the narrow track that had been winding up to this point straightened to become an avenue of approach to the house. At the front there was nothing to differentiate where the moor stopped and the house’s boundary began. No wall, no hedging, no garden. The avenue led directly up to the house. With every turn of the gig’s wheels Phoebe could see Blackloch Hall loom closer.
It was a large foreboding manor house made to look like a castle by virtue of its turrets and spires. As they drew nearer Phoebe saw the rugged black stonework transform to a bleak grey. All the windows were in darkness; not the flicker of a single candle showed. All was dark and still. All was quiet. It looked as if the house had been deserted. The great iron-studded mahogany front door, beneath its pointed stone arch of strange carved symbols, remained firmly closed. As the gig passed, she saw the door’s cast-iron knocker shaped like a great, snarling wolf’s head and she felt the trip of her heart. The gig drove on, round the side of the house and through a tall arched gateway, taking her round into a stable yard at the back of the house.
The young footman jumped down from the gig’s seat and came round to assist her before fetching her bag from the gig’s shelf.
‘Thank you.’ Phoebe’s eyes flicked over the dismal dark walls of Blackloch Hall and shivered. It was like something out of one of Mrs Hunter’s romance novels, all gothic and dark and menacing. Little wonder the lady had chosen to make her home in Glasgow.
The boy shot a glance at her as if he was expecting her to say something.
‘What a very striking building,’ she managed.
The boy, Jamie he said his name was, gave a nod and then, carrying her bag, led on.
Taking a deep breath, Phoebe followed Jamie towards the back door of the house. He no longer spoke and all around was silence, broken only by the crunch of their shoes against the gravel.
From high on the roof the caw of a solitary crow sounded, and from the corner of her eye she saw the flutter of dark wings … and she thought of the man against whom her father had warned her—Sebastian Hunter. A shiver rippled down her spine as she stepped across the threshold into Blackloch Hall.
Phoebe did not see Mrs Hunter until late the next morning in the drawing room, which to Phoebe’s eye looked less like a drawing room and more like the medieval hall of an ancient castle.
Suspended from the centre of the ceiling was a huge circular black-iron chandelier. She could smell the sweetness of the honey-coloured beeswax candles that studded its circumference. The rough-hewn walls were covered with faded dull tapestries depicting hunting scenes and the floor of grey stone flags was devoid of a single carpet rug. A massive medieval-style fireplace was positioned in the centre of the wall to her left, complete with worn embroidered lum seats. A fire had been laid upon the hearth, but had not been lit so that, even though it was the height of summer, the room had a distinct chill to it. The three large lead-latticed windows that spanned the wall opposite the fireplace showed a fine view over the moor outside.
The furniture seemed a hodgepodge of styles: a pair of Italian-styled giltwood stools, a plainly fashioned but practical rotating square bookcase, a huge gilded eagle perched upon the floor beside the door, its great wings supporting a table top of grey-and-white marble, a small card table with the austere neoclassical lines of Sheraton, and on its surface a chessboard with its intricately carved pieces of ebony and ivory. Farther along the room was a long dark-green sofa and on either side of the sofa was a matching armchair and, behind them, in the corner, a suit of armour.
Mrs Hunter was ensconced on the sofa, supervising the making of the pot of tea. She watched while Phoebe added milk and a lump of sugar to the two fine bone-china cups and poured.
‘How was your father, Phoebe? Does he fare any better?’
‘A little,’ said Phoebe, feeling the hand of
