pesce! The finest, freshest fish in all of Florence, madonna, you will not be sorry.’
Isabella laughed at the fishmonger’s solicitations, waving him away as she guided her horse around the edges of the mercato. He shrugged and turned to the next passer-by and soon the acrid scent of fish rotting in the sun faded behind her, giving way to the sweetness of ripe fruit, the spiciness of cinnamon-coated nuts.
How odd, she mused, to find something so prosaic as fish in such a dreamland.
Ever since they’d entered through one of Florence’s twelve gates, the Gate of Fortune, and headed towards the Strozzi palazzo, Isabella felt caught up in a swirling fantasy, a land she could not have summoned up even on a canvas. Descriptions in books, and from her father’s friends, could never fully conjure such a place.
It was slow going on their horses; Isabella was trailed by Mena and two footmen, plus mules for their baggage. It gave her time to stare, to inhale deeply of the scents and sights, to absorb all of it into herself. She had to remember all of this, all the faces and facades, so she could commit it to her sketchbook. Then one day, when she was an old woman buried again in the country, she could gaze at the faded drawings and remember the day she came fully to life.
Florence was a city of twisting streets, some of them so narrow she and her party were forced to move in single file, their horses’ hooves clacking on the uneven flagstones. There were open squares, tall towers, fortresslike palazzi with massive, unbreachable stone walls, overhanging balconies where beautifully dressed ladies lounged and laughed on this sunny day, their hair spread out to catch the golden rays.
The old churches, silent and dignified in their ancient sanctity, presented facades of geometrical patterns of faded marble in black, white, green, pink. Behind them were high, crowded buildings where the workers and artisans lived, bursting with shouts, cries, shrieks of laughter. Behind them were convents and abbeys, barred, secure, mysterious.
The sheer life of the place was overwhelming. Isabella was used to her Tuscan home, a place where olive trees outnumbered people, where quiet contemplation reigned. Here, a rich cacophony blended and echoed all around. The patter of merchants selling fabric, vegetables, candles, feathers, perfumes. The pleas of beggars, the screams of children chasing down the calles, the barking of stray dogs, and snorts of pigs as they were led to market. It was crowded, hot, the air close with the smells of cooking meat, spilled wine, pungent perfumes, unwashed skin, sweet flowers in hidden courtyards.
Isabella loved it. She adored every reeking, noisy fragment of it all. Her heart lifted in her breast, rising up on those first tentative wings of freedom she had thought never to find. Life had been waiting here all along, in these narrow streets of Florence.
Isabella twisted her head around to study a church tower laid out in an intricate pattern of coloured marbles, all green and pink and bright white in the sun. She wished she had her sketchbook with her, so she could capture the lines and shapes of it all. It held her spellbound for a long moment.
She heard a shout somewhere ahead of her and spun back around, startled. Mena and the others had vanished and all around her was the press of strangers. People jostling together, roughly dressed, loudly laughing.
She felt a sudden cold stab of panic. At home she wandered alone everywhere, but those were fields and vineyards, her own gardens. This place that had seemed so beautiful and enticing only a moment ago suddenly seemed frightening, strange, an alien world, and she had no idea how to make her way in it.
She steered her horse down a narrower, quieter street. She tried to remember Caterina’s letter, which was tucked up now in one of the footmen’s saddlebags, the location of her cousins’ palazzo, but suddenly all the lovely buildings that held her so captivated seemed so very alike. The children who dashed past, the women who peered out from behind latticed windows, seemed as if they watched her with suspicions.
Confused and growing a little frightened, Isabella turned another corner and found herself in a small courtyard, tall houses leanings in on all sides, casting a shadow on the cracked cobblestones under her horse’s hooves. These buildings were certainly not as fine as the ones that lined the river. The plasterwork was flaking, the windows free of fine glass and velvet curtains, and the fountain at its centre was broken and silent. Surely this was far from where Caterina lived.
She tugged on the reins to turn the horse. But the entrance to the courtyard was blocked by two men she hadn’t noticed before and it angered her that she had let her guard down. They were both tall, brawny in their rough russet doublets, their bearded faces shadowed. One of them grinned at her, a horrible flash of yellowed, broken teeth behind his black beard.
‘Look what pretty little bird just landed here,’ the smiler said. His companion just grunted, which seemed even more fearsome.
‘Scusi, signor,’ Isabella murmured, keeping her head high even though she was shivering. She tightened her grip on the reins and tried to slide past them in the narrow passageway.
It all happened in an instant. One of the men reached up and grabbed her horse’s bridle and the other seized her arm in a bruising grip. He dragged her towards him and a sharp bolt of pain shot all down her side. She screamed and tried to kick out at him, but her skirts wrapped around her legs. She managed to catch his cheek with her nails and he cursed and drew back his fist.
Just as suddenly as she was attacked, the man who held on to her was wrenched away and she stumbled over the uneven cobblestones. Her hat tumbled from its anchoring pins and blinded her for a moment. She felt dizzy, nauseated, as the sound of shouts and a loud, bruising thud hit her ears.
Isabella tossed her hat aside and shook back the tangle of her loosened hair. The scene that flashed in front of her was like something in a painting, a judgement fresco in a church, a violent swirl of movement and blurred faces against a swirl of colour. She instinctively scrambled out of the way and pressed herself tight to a stucco wall as she tried to make sense of what was happening right before her horrified eyes.
One of her would-be attackers lay still on the cobbles, a dark stain spreading beneath him. The other man was locked in combat with a tall figure all in black, like some avenging spirit. He moved with a terrible grace, as if mortal combat was nothing to him at all, his fists and booted feet like lethal weapons that looked so elegant and moved with sudden, sharp force.
The man who had tried to attack her landed with a horribly soft crack on the stones near his cohort. He scrambled to his feet with an inhuman cry, lifted up his groaning companion under the shoulders and the two of them fled from the deserted courtyard. In their wake there was an almost deafening silence, where the sound of the dark angel’s breath seemed to rush past her like feathered wings.
Isabella was astonished, appalled—and fascinated. How had the world changed around her so suddenly?
She wanted to flee, to run and hide from the sudden violence and fear that had grabbed hold of her and shaken her. Yet somehow she was held there, staring at him in astonishment.
Her rescuer slowly turned to look directly at her and she bit her lip to hold back a gasp. He did look like an angel in truth, a fallen angel. Glossy dark hair was tumbled over his forehead and a bleeding cut arced across his sun-bronzed cheek, but nothing could detract from that strangely otherworldly beauty. His face was all austere, sharply carved angles, his lips full and sensual, just as she would paint an angel in need of redemption.
But his eyes—his eyes were a bright, pale sea-green, almost glowing in the shadowed courtyard. She glimpsed a flash of something in them that spoke
