they march to, slow and steady. They are in no hurry. They walk slowly to the pounding of a human heart.
In the first day they travel perhaps twenty miles. They stop and make camp with the efficiency of those who have done this a hundred times. Tents are raised. Fires built up. Food prepared. The camp is filled with the usual bustle of armies. Women tend children or tout for business. Gamblers and loan sharks and pawnbrokers ply their trades. Soldiers dice or drink or sit quietly talking. A few even read. But no matter how long they have fought for Him, how far they have marched with Him, they turn, now and again, every one of them, to the great red tent in the centre of their encampment, where He sits. They say a baby can tell its mother by smell and texture, before its eyes are fully working, before it can see more than dark and light. So they know Him. So they feel Him. They whisper His name, sometimes, a prayer before any action taken. No other god they have but Him. They are hushed and reverent, knowing He is there.
They march again the next morning. Days and days they march. It is neither too hot nor too cold for marching. Though they would march through drought and snow and raging storm for Him. A light wind blows from the west, smelling of cut grass. They hold their heads high and march into it, the sun warm on the backs of their heads. He rides at the very front, with His guard in red and silver, mounted on His great white horse. His armour is too bright to look at. His cloak flutters around Him red as blood. The column stretches behind Him for hours, ten times a thousand faces set. A second column, a second army of camp followers, behind them. A city, marching.
On the sixth day, they come to the borders of His Empire. Excitement burns through them. The enemy is awaiting them, gathered already, horses and footmen and archers and even a few great weapons of war. Impossible to keep the enemy ignorant that they are coming. The trample of their feet on the dry ground alone must signal their approach like the roar of water signals the coming of a flood. They make camp that night in sweet meadows where the grass is tall and golden, scattered with pink flowers that smell drowsily sweet. The stars shine down on them brilliant as daylight. The Maiden. The Tree. The single red star of the Dragon’s Mouth. They sharpen their weapons and polish their armour and sing the paean. When the dawn comes they are roused and arranged in their lines. Birdsong all around them. Dew on the grass. His tent glows red in the morning. A second sun. The drums start up, beating out the rhythm of their blood pumping. The horses nicker and stamp. Leather creaking and shifting. The snap of their banners in the wind. All these sounds are graven on their hearts. They line up in battle order. Men. Women. Children. The old. The sick. The maimed. The half-dead. Red plumes bobbing on their helmets. Spears at their shoulder. Swords at their hip.
They are the army of Amrath, the World Conqueror, the King of Dust, the King of Shadows, the Dragon Kin, the Dragonlord, the Demon Born. For all eternity, they will fight for Him.
They wait.
Three days, they wait. The enemy is a coward who does not dare to engage them. A west wind blows, smelling of cut grass. A rich country, this, warm earth and tall trees and a fair sky. Good growing land. He wants it. Wants the orchards and the vineyards and the white-gold ripples of the wheat. Some to feed His armies, His cities, the march of His will across the world. The rest to burn and trample and sow with salt.
On the fourth day, they burn three villages, strip every leaf from the fruit trees and hang the inhabitants’ bodies from the bare branches. On the fifth day, they dump the fly-blown bodies into the sacred River Alph, whose waters run clear as the evening sky. The water churns and boils and distant voices beneath the surface cry out in pain. Poison flows downriver, towards the rich towns and cities of the plains. Samarnath, city of towers. Tereen, city of the wise. The wheat fields of Tarn Brathal. Bloated bodies bringing disease.
On the eighth day, the enemy is forced to confront them. And so they march out in silence, heads held high, filled with pride. The drums beat slow and steady. Loud. The tips of their spears glitter in the sun. A light breeze blows the plumes of their helms, sets the horse hair nodding.
A blare of trumpets, bright and sparkling. He rides up and down the battle front, inspecting them, checking their lines, raising love and fearlessness in their hearts. They shift and tighten their grip on their weapons, hunger rising. They look over into the south and see the enemy waiting. They sing the paean. The enemy beat their sword blades on the bosses of their shields.
It is beginning to get hot. Sweat drips down their faces, runs inside their tunics and their bronze armour. Sticky on their foreheads beneath their helms. The two lines shift and stare at one another. They sing the paean again. The drums beat louder. A heartbeat. The first and last sound of a human life.
A trumpet sounds. They lower their sarriss and begin to move forward. A slow careful walk. The gap between the armies closes. Arrows shower down on them, clattering on their armour with a sound like rain. The enemy begins to march, coming towards them, a wall of spears. They put their weight behind their sarriss and grit their teeth.
The gap closes. The two lines meet.
The dust rises. The enemy line is broken. The enemy is surrounded and shattered and killed and destroyed. They are the army of Amrath. They will conquer the world. They were born for this. As indeed all men are.
Death! Death! Death!
The candle was still burning at the Low Altar that night, though it had melted down to a pool of golden wax. The Great Chamber still blazed and shone with light. A few worshippers still knelt in prayer, whispering praise and desperation, clinging on to the promise of hope or of a kind death.
In her bedroom high above, the High Priestess of Great Tanis the Lord of Living and Dying leaned out of her window, looking down at the gardens, her girl’s face tired and drawn. Another priestess, also young, also tired-faced, sat cross-legged on her floor. They were drinking smoky-scented tea and eating small cakes flavoured with cimma fruit: the High Priestess always craved sweet things after her long days of fasting. The room smelled of fresh mint and lavender oil.
‘I really should go to bed,’ the other priestess said. She munched on a cake and gave no sign of moving.
‘Yes …’ The High Priestess gave no sign of moving either. ‘It went well, this evening, I think. The child cried a bit, at the end, but I think it went well enough.’
‘It went well. It always goes well. You should go to bed, Thalia. You must be exhausted.’
The High Priestess, Thalia, came away from the window and sat down beside her friend. She was indeed exhausted, so tired her legs ached. Three days’ fasting, a night and a day kneeling on the stone floor before the High Altar in the blazing light of the Great Chamber, and then the Small Chamber and the child and the knife. Her left arm was heavily bandaged: she had cut herself deeply, this evening, her hand had shaken a little on the handle of the blade as she raised it to her own skin. But she could never sleep, after. She felt wide awake, filled with a dizzy feeling that was part joy, part horror, part excitement, part shame. It took a long time to recover from it, to be able to think about sleeping and being alone.
‘Yes.’ She frowned at the other girl. ‘You really think it went well? The child was … was so little.’
‘Of course it did. You worry too much. You looked so beautiful, kneeling before the altar. Like you always do.’ The other priestess, Helase, looked at her companion in envious admiration. ‘It’s no wonder there are so many poems about you.’
‘They’re not really about me,’ said Thalia. ‘I keep telling you that. I don’t suppose
