A French Pirouette. Jennifer Bohnet

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      or chat to her on Twitter: @jenniewriter

      For my mum who loved dancing and instilled a love of ballet in me.

      (Evelyn Page 1918 - 2008)

       Chapter One

      Suzette

      Suzette Shelby, the world-famous French ballerina, was soaking her feet in the bathroom of her Paris apartment. Something she did routinely even when she was ‘resting’. Ruefully she lifted her feet out of the water and studied them.

      Misshapen old lady’s feet with bunions and callouses stuck on the end of her thirty-eight-year-old legs. Legs that were still shapely with the taut muscled calves and thighs of a dancer. Picking up the soft-as-down large white towel she’d hung over the heated rail, she carefully wrapped her feet in it and gently began to pat them dry. The warmth cocooned her feet. Bliss.

      The ballet company’s official chiropodist was always stressing about her feet these days but aside from emergencies she refused to let anybody touch them. Removal of the callouses would only give her blisters. The bunions she’d deal with later when she retired.

      Retired. A scary word that had entered her vocabulary in recent months and was threatening to take over her life. It would have to happen soon she knew but what was she to do afterwards? She was lucky to have lasted at the top for so long. Many dancers were finished by their early thirties. Usually by then the injuries had mounted up and the RICE—rest, ice, compression, elevation—recovery times were lengthening.

      Towelling her feet dry Suzette grimaced. RICE. Such a funny expression for something that was as much a part of a dancer’s life as barre work, while rice the food, with all its carbohydrates, was forbidden in her low-carb diet. It was a constant battle to keep fit and strong enough to dance but stay fat free and trim.

      The last three weeks had been a mixture of low-key exercises and RICE after that last sprain in Covent Garden. But now it was time to get back on the treadmill again: hours of gruelling dance practice, long rehearsals and the need to network and help publicise the next show. The first of the publicity stints was starting with this afternoon’s recording of a chat show at the TV studio.

      Appearing on chat shows was not something that she did routinely but Malik had assured her that a) these days keeping her name in front of her audience was essential and b) she might even enjoy it. Could even lead to other things when she retired. There was that word again. Retired.

      She’d hoped that Malik would be back in Paris to escort her to the studios or at least meet her afterwards, but he was still down in Monaco. After tying things up there for the spring season he’d decided to stay on for a break. He’d asked her to join him but Suzette had said no, preferring to stay up here in town and get her ankle in tip-top condition before going down there to perform in a few weeks’ time.

      Malik had been her dance partner until three years ago when, after one injury too many, he retired and became a choreographer. His reputation these days was so good he could be selective and choose the ballet companies he wanted to work with. Suzette loved it when they worked together and was looking forward to their short season in Monaco.

      She missed dancing with Malik. They’d fitted together so well. Understood each other and picked up on each other’s vibes while on stage. Since he’d retired from dancing she hadn’t had a regular partner, dancing instead with one of the various top-flight male dancers contracted for the different ballets.

      Away from the theatre too she and Malik enjoyed a deep personal friendship. At one time everyone had expected their friendship to develop into something more but it had never gone beyond the special friendship stage. He was still her best friend in the dance world though. In all her worlds actually. Outside of dancing there were precious few people she could consider friends these days.

      Sighing, she stood up and hung the towel on the heated rail to dry. Time to get dressed. The car the studio was sending for her would be here soon. Time to put on her public face and smile for the cameras.

      The other guests were already enjoying wine and nibbles when Suzette was shown into the Green Room at the studios. She recognised a well-known actor and one of France’s ageing rock ’n’ roll stars.

      The other woman guest was a writer who immediately after they were introduced, asked brusquely, “Read my latest?”

      Suzette shook her head. “Desolé. Murder mysteries aren’t my scene. Prefer a romance. I’m sure it will do well though.” She smiled at the woman who tutted at her words and turned away.

      The show’s format meant that each guest was introduced individually until all five of them were sitting around a table laden with finger food the guest chef of the day had been coerced into providing. Bottles of wine were passed freely around in an effort to create an atmosphere of friends at lunch chatting intimately and enjoying themselves.

      Suzette had the actor on one side of her and a young wannabe star from a current talent show on the other. After initial hesitations, talk flowed between them as the experienced presenter drew them all in to the conversation. It was when the subject of hobbies came up that Suzette found herself in the spotlight.

      “Suzette, I know you are a keen photographer but you are also a very gifted needlewoman and accomplished embroiderer. Tell us how you got into that,” the presenter said.

      “Like all good things, I learnt it at my mother’s knee,” Suzette said. “I find it very relaxing and always have a piece in my dressing room to work on. It helps to pass the time when I’m not on stage.”

      “You were born and grew up here in Paris, didn’t you?”

      “Yes, I grew up in Paris,” Suzette said, ignoring the first part of the question. “I had a happy childhood here—although being at ballet school it was also a very disciplined life.” She went on to explain how her world had revolved around ballet since the age of nine. “The discipline I learnt there is ingrained in me now.” She sighed. “Sometimes I wish I could just be me.” Oh, maybe that was not the right thing to say on national TV.

      “Of course I love what I do and hope to continue for some time yet,” she added quickly. “I’m really looking forward to my season here in Paris in the autumn.” There. At least Malik would be pleased with her for getting their show mentioned. She was relieved when the presenter didn’t press her on the subject of what ‘being just me’ would entail and then, five minutes later, wound up ‘lunch’ and the show was over.

      On the way home, Suzette sank back into the seat of the limousine and remembered the way the words about just being herself had come out without her thinking about them. But when she retired and gave up her life of dance altogether that was exactly what she could be. Herself. Whoever she was. And what kind of life would she lead outside the world of dance? Could she even survive without dance in her life?

      Thank goodness Malik was due back tomorrow and she could talk to him. The one person left who knew her well—although even he, as close as they were, didn’t know everything about her.

      Her local kiosque presse on the corner of two streets just yards from her apartment was busy the following morning when Suzette went to pick up the current issue of La Monde. A large photograph of the countryside on the side of the kiosk caught her attention as she stood in the queue. ‘Venez en Bretagne pour vos

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