For Better For Worse. Penny Jordan

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complication of Adam, and so she had given way.

      Not just because she had wanted to protect her parents, not even because she was still torn between what she felt or rather did not feel for Nick, and what she firmly still believed—as she had been brought up to believe—that the sanctity of the state of marriage, of the commitment she had made, far, far outweighed the self-indulgence of giving way to her own feelings; but also, shamefully, she had given way because she could not face the thought of Adam knowing she had walked out on her marriage and suspecting why… feeling sorry for her that what had happened between them had in the end been at her instigation, and did not mean… could not mean that she could ever have any future with him…

      No, she could not endure the humiliation of listening to Adam explaining in that careful, neutral voice of his that he did not really want her. As though she needed telling…

      ‘Stay with me,’ Nick had pleaded. ‘We can make it work. I know we can…’

      And she had allowed herself to believe him… because she had so desperately needed to believe him.

      And now?

      She could feel the panic starting to flood through her, the aching, cold, terrifying sensation of somehow having been asleep, only to wake up and find herself trapped in a world, a life that was totally alien to her.

      She was still suffering from the effects of her parents’ deaths, she told herself. That was why she was experiencing this sense of panic and loss… this sense of dislocation … of being not just a stranger to herself, but in some sense an outsider to her own life… someone who was dispossessed… alone… alien…

      It was a relief when Venice finally turned to her, giving her a coolly appraising look as she commented with a feline smile, ‘Fern… do come into the drawing-room. You look cold… and so thin.’

      So plain, so dowdy, so patently undesirable, Fern added mentally to herself as Venice ushered them into the drawing-room, having handed their coats to the uniformed maid who had been standing silently just behind her.

      Fern tried to think of anyone other than Venice who would give a small weekday dinner party for less than a dozen people and employ uniformed temporary staff.

      Not even Lord Stanton up at the Hall did that. But then Lord Stanton probably couldn’t afford to, and besides, he had the invaluable Phillips to take care of all his domestic arrangements. She had a feeling that Phillips would have been highly disdainful of Venice’s maid, uniformed or not.

      Venice’s drawing-room, like the rest of Venice’s house, had been decorated and furnished with one object in mind, and that was to provide the perfect backdrop for Venice herself.

      If, in the recessionary environment-conscious Nineties some people might have balked at such an obvious display of wealth and consumerism, such an unabashed love of luxury, Venice was plainly made of sterner stuff.

      The drawing-room had, Fern recognised, been redecorated since she had last seen it, and she blinked a little at the effect of so many subtly different shades of peach, layer upon layer of them, so that the room almost seemed to pulsate with the soft colour.

      If chiffon curtains were not exactly what one might have expected to find in a drawing-room, they certainly created a very sensual effect, and it certainly took very little imagination to picture Venice lying naked on the thick fleecy peach-hued rug, smiling that slant-eyed provocative smile of hers at her lover.

      And her husband? Fern wondered dully.

      ‘I must show you my bathroom… It’s wonderful,’ she heard Venice saying. ‘I’ve had a mural done of the Grand Canal with the bath framed so that it looks as though I’m looking out through one of the windows of one of those enormous old palazzos. So clever… and so naughty. Sometimes I almost feel as though the gondoliers are real and can actually see me.’

      She laughed, batting her eyelashes at Nick, and ignoring her, Fern recognised.

      Some of their fellow dinner guests had arrived ahead of them: the local doctor and his wife, both of whom Fern knew reasonably well. She had no really close friends in the town.

      She had looked forward to making new friends when they had first moved into their house after their marriage, but Nick had proved to be unexpectedly jealous and possessive; so much so, in fact, that she had found it easier simply to give in to the emotional pressure he put on her rather than endure the unpleasant confrontations her attempts to establish an independent life for herself provoked.

      Although she knew a lot of people, some through Nick’s business and others through the work she did for a variety of local charities—Nick approved of this unpaid help she gave to others, not because it helped the charities she worked for, but because it increased his esteem within the area—she had no really close confidantes… no one to whom she could talk about the crisis she felt she was facing.

      Was it her parents’ deaths—a final severing of the physical links with her childhood—which had prompted this agonising and soul-searching, this belief that her life had become an empty wasteland with nothing to look forward to; these traumatic feelings of panic which threatened to engulf her whenever she was forced to confront the reality of her marriage? Or was it because she was afraid of facing up to that reality; afraid of stripping back the fiction and the deceit and seeing her marriage for what it really was? Afraid of admitting that she did not love her husband?

      And if he was having an affair with Venice… She could feel her heart starting to beat faster, her throat starting to close up.

      Don’t think about it, she warned herself. Don’t think about it.

      Why not? Because she was terrified that, if she did, she would have to do something about it… that, without the necessity of protecting her parents to hide behind, she would be forced to confront the truth and ask herself, not just why, but also how she could bear to stay in a marriage that was so plainly a mockery of everything that such a commitment could be.

      A commitment… That was the crux of all her agonising. When she’d married Nick she had made a commitment… a commitment she had truly believed to be given for life; she had made promises, vows, which were meant to last for life, not to be pushed to one side the moment things went wrong. And surely, just so long as Nick continued to claim that he needed and wanted her, she had no right to walk away from that commitment?

      ‘Fern… how are you?’

      Dizzily she broke free of her painful thoughts, smiling automatically, her tension tightening her face into an almost masklike rigidity as she turned towards the doctor’s wife.

      ‘I’m fine, Roberta… and you?’

      ‘Relieved that the winter flu season is almost over,’ Roberta Parkinson told her ruefully. ‘It’s been particularly bad this year, as well. John lost several of his older patients as an indirect result of it. Are you sure you’re feeling all right?’ she added with motherly concern. ‘You’re looking a bit pale.’

      ‘It’s just the heat in here,’ Fern fibbed. In actual fact she was enjoying the warmth of the room. It was such a contrast to the cold chilliness of their own sitting-room at home.

      Because he himself was often working in the evenings, Nick refused to allow her to have the central heating or the gas fires on, claiming that she was extravagantly wasteful with heat.

      If

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