Chameleon. Mark Burnell
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Laurent leaves. From the yard, I watch his old Fiat lurch along the track, kicking up clouds of golden dirt. When the dust has settled, I go inside and make tea. The kitchen is cool and dark; a stone floor, terracotta walls, a heavy oak table flanked by benches. Bees murmur by the small square window over the sink. French windows open onto a terrace. A blanket of greenery laid over wooden beams provides dappled shade. Behind the house, olive trees are organized along terraces that climb the hill.
The farm belongs to a thirty-five-year-old German investment banker who was transferred from Frankfurt to Tokyo eighteen months ago. Initially, I rented it for six months through an agency in Munich. That was just over a year ago; I’m seven weeks into my third rental period. The roof leaks in places, some of the plasterwork is crumbling, the windows and doors are ill-fitting. But I don’t mind. In fact, I prefer it this way. It feels more like a home. Then again, how would I know? I’ve lived in too many places to count but not one of them has been a home.
When the tea is ready, I take it outside. The fragrance of summer is as strong as its colour; scents of citrus and lavender envelop me. I love days like this as much as the severer days of mid-December, when fierce winds scrape the harsh landscape, when rain explodes from pewter clouds that seem only just out of reach. Then, the dusty track turns to glycerine, cutting me off from the road. I always enjoy the artificial isolation that follows.
There is a large fireplace in the sitting room and a good supply of logs in the lean-to behind the outhouse. For me, there is a childish comfort in being warm and dry as I listen to the storm outside. I was raised in north Northumberland, close to the border with Scotland. Wild weather was a feature of my childhood. More than a mere memory, it’s a part of me.
That’s the thing about me, I suppose. I’m a collection of parts that never adds up to a whole. With me, two plus two comes to five. Or three. Or anything except four.
As far as the people around here are concerned, I am Stephanie Schneider, a Swiss with no parents, no siblings, no baggage. I live off a meagre inheritance. I spend my days reading, drawing, walking. I came from nowhere and one day I’ll return there. That’s what’s expected by those who gossip about me. Apparently, I’ve slept with a couple of men in the area – surprising choices, some say – and now I’m seeing Masson, the mechanic from Salernes. Another outsider, he’s from Marseille. The local word is, it’s a casual relationship.
This happens to be true. It’s because I can’t cope with commitment. Not yet – it’s too early for me – maybe not ever. But I am making progress.
I read my book for ten minutes – The Murdered House by Pierre Magnan – and then lay it to one side. From where I’m sitting, I can see my laptop on the fridge. There’s a fine layer of dust on the lid. It must be nearly a month since I last switched it on. In the beginning, it was two or three times a day. Slowly but surely, I’m severing my ties to the old world. With each passing day, I feel increasingly regenerated. But this process has not been without its setbacks.
The first man I had an affair with after moving here was a doctor from Draguignan named Olivier. I should have known better; he was very good-looking, always a danger sign. We met in Entrecasteaux during the firework display to commemorate Bastille Day. He was charming and amusing, so I started seeing him, which was when he changed. Sometimes, he would be jealous, at other times, indifferent. When I walked into a room, it was impossible to know whether he would say something wonderful or cruel. He was not interested in equilibrium; we had to be soaring or falling. And if we were falling, there would be reconciliation so that we could soar again. For someone of my age, I’ve had more than my fair share of highs and lows. The last thing I needed was Olivier’s amateur dramatics.
The night we separated, I drove to his house in Draguignan. The previous evening, he’d come out to the farmhouse. He’d arrived two hours late. The dinner I’d cooked had spoiled but he couldn’t bring himself to apologize. We had sex – it was coarse and uncaring – and in the morning, between waking and leaving, he managed to insult me four times without even realizing it. Not that I minded; I was already over him. I phoned him later that morning and said I would come to his house and cook for him again, and that I’d appreciate it if he was on time for once.
He was only an hour late. I put the plate before him – beef casserole in a red wine sauce – and filled our glasses.
‘You’re not eating?’
‘I ate when it was ready,’ I told him. ‘An hour ago …’
He shrugged and began to fork food into his mouth. I watched in silence as he finished the plate and took some more. When he finally laid his knife and fork together, I rose from my chair and dropped his spare keys onto the table.
‘I’ve taken my spare set back. Here are yours.’
He looked down at the keys, then up at me. ‘What is this?’
‘What do you think?’
‘Some kind of joke?’
I resisted a cutting retort and simply shook my head.
A frown darkened his face. ‘What are you saying, Stephanie?’
‘You drink with your friends but not with me. You fuck me but won’t kiss me.’
He sat back in his chair and sucked in a lungful of air. ‘So –’
‘So nothing.’ I didn’t want to hear a second-hand apology. ‘It’s over.’
‘Wait a minute …’
‘Why?’
‘Why?’
‘Yes. Why? Why wait? Why waste any more time?’
‘Can’t we at least talk about it?’
‘My mind is made up.’
‘What about me?’
I think I smiled at him. ‘Exactly.’
‘What does that mean?’
‘You know. And if you don’t … well, it makes no difference.’
I picked up my car keys, which were lying on the draining board beside the sink.
‘Stephanie …’
I turned round. Given an opportunity, he couldn’t think of anything to say, so I said, ‘One last thing, before I go.’
‘What?’
‘Did you enjoy your dinner?’
He looked confused. ‘What?’
‘It’s