Gemini. Mark Burnell
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Magenta House was two different buildings that had been merged laterally. The building that overlooked Victoria Embankment Gardens had been erected by a wealthy sugar trader who had insisted on a large cellar. When Stephanie had first come to Magenta House the cellar had still housed wines, brandies, damp and dirt. It had been a smaller organization, then. No less venal, but more personal, it had been Alexander’s private fiefdom. Now it was growing and Alexander was more of an anonymous corporate chairman, while the wines in the cellar had made way for an expanded intelligence section.
The staircase had been removed. Section 3 could only be accessed by a lift, which required security clearance on entry and exit. Rosie led her through the main cellar, which was now an open-plan department with state-of-the-art work stations for its permanent staff of five, and into a vaulted sub-cellar made of brick. The original wooden doors had been replaced by sliding glass.
Stephanie sat at a swivel chair in front of a keyboard and three flat screens. ‘Have you seen any of this material?’
‘Just the basics,’ Rosie said. ‘It’s not pretty. I’ll leave you to it.’
The door whispered shut and Stephanie was cocooned in soundproofed silence. She stroked the keyboard and the central screen came to life. She typed in her security code, MARKET-EAST-1-1-6-4-R-P, and the other two screens illuminated. The one on her right subdivided into thirty-six boxed images, the one to her left into sixteen boxes containing text headlines. She started with a general profile.
Milan Savic was an only child. His father, Borisav, left home when Milan was six. A year later his mother committed suicide. Thereafter he lived with his maternal grandparents in Belgrade. A teenage thug, then a black-marketeer, by 1989 Savic was well known to the police in the Yugoslav capital, not only for his criminal activity, but also for the generous bribes he paid to them.
After January 1989 there was a gap in the files. A two-year blackout. When it was over, early in 1991, Savic was running a paramilitary unit in Croatia. The file claimed that in conjunction with the SDB, the Serb secret police, Savic was instrumental in preparing Serb communities within Croatia for insurrection. These activities were coordinated by Colonel Ratko Mladic, commander of the Knin garrison. Despite this Savic remained under the direct control of Franko Simatovic, known to everyone as Frenki, and Radovan Stojicic, known as Badza, numbers two and three at the SDB.
Frenki and Badza – pronounced Badger – were familiar names to her. They’d both known Zeljko Raznatovic, also known as Arkan. As Petra, Stephanie had known Arkan too, if only for a moment. On 15 January 2000 both of them had been in the lobby of the Hotel Inter-Continental in Belgrade. So had Dragica Maric. But Stephanie had only discovered that later, inside the derelict Somerset Hotel on West 54th Street, New York. It had been raining, she remembered, the downpour drowning the sound of Manhattan’s traffic. That was when Dragica Maric had told her that she was there too, watching, as Arkan walked towards Petra Reuter, unaware.
Arkan had founded the Serbian Volunteer Guard, later known as the Tigers, just as Savic had founded Inter Milan, his Internationals, a group of outsiders, hungry for violence and money. Between Arkan and Savic existed Frenki and Badza, on behalf of the SDB.
At first Savic worked in areas of the Krajina, stirring the ghosts of the Second World War, resurrecting the spectre of the dreaded fascist Ustashas. Arkan was doing similar work, as well as making arrangements to arm the local Serb population. Once the Serb Autonomous Region – the SAR – had been set up in the Krajina, Savic’s unit was instrumental in purging it of non-Serbs. This formed a behavioural template that was to last for eight years. In Croatia and Bosnia, then Kosovo, villages were attacked, cattle slaughtered, crops burnt, houses looted, innocents brutalized, then murdered.
From the screen to her left she picked another title: Inter Milan. There were photographs and brief biographies. She scanned them.
Savic’s right-hand man within Inter Milan was Vojislav Brankovic. His name was one of the nine on the list that Alexander had shown her. A native of the Krajina, Brankovic came from the small town of Titova Korenica, not far from the beautiful Plitvica National Park in Croatia. The son of a baker, he’d done military service with the JNA, the Yugoslav National Army, before returning home. In early 1991, when Savic went to the Krajina, Brankovic was apparently contented, working in the family business, living with his parents, surrounded by friends from childhood. His girlfriend, Maria, was a beautiful Croat whose parents lived in a house four doors away. The file did not disclose how Brankovic had been recruited by Savic. It only documented those activities accredited to him.
Brankovic was known as the Spoon because he wore a JNA army-issue canteen spoon on a chain around his neck for good luck. There was a picture to prove it, Brankovic in a tight-fitting olive T-shirt, the battered teaspoon worn like a set of dog-tags. He had a broad, agricultural face, a fuzz of fair hair, pale skin and a physique that radiated power through scale rather than menace. Here was a chopper of trees, Stephanie felt, rather than a baker of bread. Along with Savic, Brankovic had been one of those allegedly killed by the KLA outside Pristina on 13 February 1999.
She looked at some of the internationals. Barry Ferguson, British, from Gateshead, ex-SAS, ex-husband to a battered wife, ex-father of three, ex-inmate of Durham Prison. Troy Carter from Maine – unlike Ferguson, he’d never made the grade as a professional soldier. He’d gone to the Balkans to prove himself. And had failed again. Within a fortnight a landmine had scattered him over his colleagues. Fabrice Blanc, a native of Marseille, had deserted the French Foreign Legion specifically to go to the Balkans.
‘I need to fight to live,’ he’d claimed.
It was a phrase with resonance among the Inter Milan hard core. How did mild-mannered Vojislav Brankovic, the baker’s son, become a vicious murderer? How did a boy with a beautiful Croat girlfriend end up stabbing other Croats in the face simply for being Croat? Stephanie knew part of the answer: in war, some men found themselves.
There was a picture of Harald Gross kicking a severed Bosniak head into a makeshift goal with spent shell cases for posts. In the background there were several blurred onlookers, their grins smudged. The rest of the mercenaries were European apart from a Canadian, two Australians and a South African. At any given moment the internationals accounted for between thirty and forty per cent of the Inter Milan force. Mercenaries they might have been, but one thing was clear: they were there for the fighting, not for the money.
On the screen to her right Stephanie touched a box with a woman’s face. She came to life, her expression as harrowed in motion as it had been frozen. A box of text in the right-hand corner informed Stephanie that the woman was from a small village close to Foca, in eastern Bosnia, a town that had been ethnically cleansed in 1992. Over her testimony, another woman translated into English.
‘They came in the morning. They beat up anybody who got in their way. One of them shot a farmer in front of his wife and children. When the wife attacked the gunman, another one intervened and cut her throat. The children were hysterical. Their mother was in a pool of blood in the dirt. Other men took the children away. The leader told us we were to be transported to Foca, where we would join the people of the town, and then we would all leave the district together. They said we had one hour to make our preparations. We went home. An hour later we gathered in the market square. I had a bag, packed with … I don’t know what … anything … I couldn’t think. My husband carried a sack with bread and clothes. Then there was a delay, a lot of confusion. They made us sit down in the square. It was very hot. We were there for some hours.’
Stephanie reckoned the woman was in her late forties. The interview was taking place in an institutional room: cream gloss walls, a smooth concrete floor with a single table at its centre.