Duelling Fire. Anne Mather

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Duelling Fire - Anne Mather Mills & Boon Modern

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didn’t. Apart from offering the information that Midnight was a mare who was presently in foal, Harriet said no more about him, returning instead to Sara’s reasons for coming to stay with her.

      ‘I think we should show you your room first,’ she declared getting to her feet, and Sara copied her. ‘After all, we want you to be happy here, and you can’t possibly decide that you want to stay, before you’ve even looked over the house.’

      ‘I’m sure it will be perfect,’ protested Sara, picking up her jacket and her handbag as she followed her aunt out of the room. ‘Honestly, Aunt Harriet, I’m so grateful to you for inviting me. Where I sleep is of little importance.’

      ‘Oh, you’re wrong.’ Harriet turned to smile at her as they began to mount the carpeted stairs. ‘And my dear, would you think me horribly conceited if I asked you not to call me Aunt Harriet? I mean,’ she hastened on rather apologetically, ‘when you were a little girl—well, it was a token of respect. But now we’re both grown-ups, your calling me aunt does seem rather silly, don’t you think?

      Sara lifted her shoulders. ‘Whatever you say.’

      ‘You don’t mind?’ Harriet was endearingly anxious, and Sara shook her head.

      ‘Of course not. Why should I mind? After all, it isn’t as if you are my aunt really.’

      ‘That’s what I thought.’ Harriet looked pleased. ‘So, it’s just plain old Harriet from now on, hmm?’

      ‘Harriet,’ Sara agreed, realising that no one else would describe her father’s cousin as either plain or old.

      The staircase curved in a graceful arc to the gallery above. A railed balustrade overlooked the hall below, and wall sconces illuminated several white panelled doors and two corridors leading in opposite directions, to the separate wings of the house.

      ‘This is my room,’ Harriet declared, indicating a door near the head of the stairs. ‘I’ve put you in the rose room, which is along here. It’s quite a pretty apartment, so I hope you like it.’

      They walked along the corridor which lay to the left of the gallery. It was a wide corridor with a number of doors opening from it, and a long window at the end which allowed shafts of evening sunlight to stripe the dark red carpet. Harriet stopped at one of the doors and thrust it open, then preceded Sara into the room, switching on the lamps.

      Sara’s first impression was of a comfortable sitting room, set with a desk and armchairs, and even a table for taking meals, if she chose. But as her eyes surveyed the room she saw that the living area was only half the apartment. A wide archway and two shallow steps gave access to the sleeping compartment, where a square four-poster bed was daintily hung with chiffon drapes. Everything—the carpet, the silk curtains at the windows, the drapes above the bed, even the patterned quilt itself—was tinted a delicate shade of pink, and Sara had no need to wonder why this was called the rose room.

      ‘The bathroom’s through here, of course,’ declared Harriet, mounting the two steps and indicating a door at the far side of the bedroom. ‘Well, what do you think? Do you like it?’

      ‘Who wouldn’t?’ Sara was bemused. It was so vastly different from the austere little room she had expected. ‘You really oughtn’t to have gone to so much trouble.’

      ‘Trouble? Trouble? It was no trouble, my dear.’ Harriet came down the steps again, and with a surge of sudden gratitude Sara hugged her. ‘Really,’ she averred, with what the girl felt was genuine sincerity. ‘It’s the least I could do for dear Charles’s orphaned daughter.’

      Sara sighed. ‘But you hardly saw us,’ she exclaimed, guiltily aware of their neglect. ‘Harriet, I don’t know how I’m going to be able to repay you.’

      ‘Oh, we’ll find a way,’ declared Harriet, squeezing her shoulder warmly. ‘And now I must go and check that everything’s organised for dinner, or your opinion of our hospitality will suffer a distinct setback.’

      Left to herself, Sara wandered about the apartment. Her suitcases, she saw, had been deposited on the ottoman at the foot of the bed, and her step faltered a moment as she thought of the man who had brought her here. The relationship he had with Harriet was certainly a strange one, and she pushed aside the unwilling suspicion that it was more than that of employer and employee. After all, Jude had worked for her aunt for ten years. He had said so. And the familiarity of their association could well be the result. But what did he do? What was his designation? And why should it matter to her, when she was unlikely to have anything to do with him?

      There was a ready supply of writing paper and envelopes in the desk, and Sara decided she would write to Laura this evening. The older girl had been much concerned about her decision to accept Harriet’s invitation, and it would be a relief to her to know that everything had turned out so well. Indeed, Sara doubted she would believe that such a fairy godmother still existed, and she was looking forward to describing the house to her, and this room which was so delightful.

      There was plenty of hanging space in the long fitted closets, and realising she was probably expected to change for dinner, too, Sara hastily rescued her keys and unlocked her suitcases. The drawers of the dressing table and a squat little chest took all her underclothes and nightwear, and there were lots of hangers to take her suits and dresses.

      One of the suitcases and the holdall contained her personal possessions. These were treasured mementoes and photographs, newspaper cuttings of her father’s, the silver-backed brushes he had bought her on her eighteenth birthday, and the books she had collected over the years. She stood a framed picture of her father on the dressing table, and set out the silver-backed brushes, and as she did so, she reflected how little she had to remind her of the man who had had such an influence on her life.

      The evening shadows were falling by the time she had unpacked her belongings and taken a quick shower. The bathroom adjoining the bedroom was just as charming as the rest of the apartment, and Sara had taken pleasure in the cream tiles, each displaying a pink rosebud, and the rose-tinted bath, that was sunk into the floor. She showered in the fluted perspex cubicle, taking care to keep her hair dry, and then padded back into the bedroom to decide what she should wear.

      A simple black dress seemed appropriate, and would equip her for any occasion. Until she knew what the routine was at Knight’s Ferry, it was safer to follow her instincts, and the dress she chose was plain, but exquisitely cut. Her father had bought it for her, in one of his more extravagant moods. They had been staying in Monte Carlo, and he had had a good win at the Casino—or so he had said. Since then, Sara had learned that Charles Shelley had seldom been out of debt, but like all gamblers he enjoyed spending money, and he was never mean when he was in funds.

      Before putting on the dress, Sara gave some consideration to her make-up. A plum-coloured eyeshadow toned with a deeper-tinted lip-gloss, while a touch of mascara darkened the silvery tips of her lashes. Her make-up was light but subtle, and in no way compared to Harriet’s immaculate appearance, which must have taken her hours to apply. Nevertheless, the result had been startling, and Sara wondered whether that was why her aunt had been late.

      Her hair offered no problems. It was straight and silky; she brushed it until it shone, and then confined it again at her nape, this time with an ivory clasp.

      The dress slid easily over her hips, caressing her skin sensuously. Although it was made of some manufactured fabric, it had the feel of silk, the dipping cowl neckline exposing the curve of her throat. Wide sleeves were drawn from a loosely draped bodice, and the wrap-around skirt opened from waist to hem. Fortunately, the generous cut

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