45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Blood
Chapter 59
Researching a book is always fun – especially when people are prepared to open up and let you into their worlds of expertise. In writing Broken Skin I needed some pretty specialist information about the BDSM scene. The people who shared their secrets with me don’t want to be named, but they know who they are and I thank them.
I also want to thank everyone at Grampian Police who answered all my stupid questions with clever answers: Sergeant John Souter (CCTV); Inspector John Soutar (Control); Chief Inspector Jim Bilsland; Bruce Duncan and Zoe in the IB; and Fingerprint Expert Gary Dempster. An extra special nod goes to PC Derek Bain, who put up with more than most – thanks!
And once again I owe a debt of gratitude to that lovely guru of all things post mortem: Ishbel Gall. She knows more about dead bodies than anyone I’ve ever met.
These are the people responsible for anything I’ve got right: anything I’ve got wrong is my own silly fault.
More thanks go to Philip Patterson – still the best friend and agent a bearded write-ist could have – Luke, Isabella, and everyone else at Marjacq scripts; my editorial team of spoon-wielding Berber ninjas, AKA the brilliant Jane Johnson and Sarah Hodgson; the superb Amanda, Lucy, Andrea, Fiona, Kelly, Clive, Wendy, Damon, Leisa, Dom and the rest of the team at HarperCollins for doing a stunning job; Kelley Ragland at St Martin’s Press for all her help; and James Oswald for everything not nailed down.
I also want to thank Ian Burdis who donated a large sum of money to the Juvenile Diabetes Research Foundation so that his partner, Debbie Kerr, could be a character in this book. Two other real people who feature are my old friend Alexander Clark (who was invaluable for IT info), and John Rickards who writes excellent crime novels, when not appearing in my slightly twisted ones. Needless to say, Debs, Alex and John have let me get away with murder;}#
And lastly, but not leastly, I have to thank my naughty wife Fiona. Not everyone would put up with this kind of thing …
Up ahead the woman stops. She stands on one leg under the streetlight, rubbing her ankle, as if she’s not used to wearing high heels. Number seven: a wee Torry quine on her way home after a night out on the pish, staggering along in her fuck-me heels and miniskirt, even though it’s February in Aberdeen and freezing cold. She’s a looker. Curly brown hair. Upturned little nose. Nice legs, long and sexy. The kind he likes to feel struggling beneath him as he makes the bitch take it. Shows her who’s boss.
She straightens up and teeters off again, mumbling away to herself in a little alcoholic haze. He likes them drunk: not so drunk they don’t know what’s happening, but drunk enough that they can’t do anything about it. Can’t get a good look at him.
Dirty bitches.
She lurches past the NorFish building – spotlit for a moment in the sweeping headlights of an articulated lorry – across the roundabout and onto the cobbles of Victoria Bridge, crossing the dark, silent River Dee into Torry. He hangs back a bit, pretending to tie his shoelace until she’s nearly all the way over. This part of town isn’t his usual hunting ground, so he has to play it carefully. Make sure no one’s watching. He smiles: the dark, grey street is deserted – just him and lucky Number Seven.
A quick jog and he’s right behind her again. He’s fit, doesn’t even break a sweat in his Aberdeen Football Club tracksuit, complete with hood and black Nike trainers. Who’s going to look twice at a man out for a jog?
Torry’s bleak in the late February night – granite buildings stained almost black with grime, washed with piss-yellow streetlight. The woman fits right in: cheap clothes, cheap black leather jacket, cheap shoes, cheap perfume. A dirty girl. He smiles and feels the knife in his pocket. Time for the dirty girl to get her ‘treat’.
She turns left, heading off the long, sweeping curve of Victoria Road onto one of the side streets, where the fish processing factories are. Probably taking a shortcut back to her horrible little bedsit, or the house she shares with mummy and daddy. He grins, hoping it’s mummy and daddy – she should have someone to share her pain with when this is all over. Because there’s going to be a lot of pain to share.
The street’s deserted, just the back end of an empty eighteen-wheeler parked opposite the oriental cash and carry. It’s all industrial units here, silent and dark and closed for the night. No one to see them and call for help.
The woman – Number Seven – passes a skip full of twisted metal, and he speeds up, closing the gap. Her heels go click-clack on the cold concrete pavement, but his Nikes are silent. Past a couple of those big plastic bins overflowing with discarded fish heads and bones, grimy wooden pallets slapped on top to keep the seagulls out. Closer.
Out with the knife, one hand rubbing the front of his tracksuit, stroking his erection for luck. Every detail stands out bright and clear, like blood splashed on pale, white skin.
She turns at the last minute, eyes going wide as she sees him, then sees the knife, too shocked to scream. This is going to be special. Number Seven will get to do things she’s never dreamed of, not in her darkest nightmares. She—
Her arm flashes out, knocking the knife away as she grabs his tracksuit and buries her knee in his groin hard enough to lift him off the ground.
He lets out a little squeal and she closes his mouth with a fist. Black concentric circles chase a hot yellow roar and his knees give way. The pavement is cold and hard as he collapses, curls up around his battered testicles, and cries.
‘Jesus …’ DC Rennie peered at the man snivelling away on the cracked pavement among the fishy stains. ‘I think you broke his goolies. I heard
