The Day it Rained Forever. Ray Bradbury

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the man, deeply tanned, was bending down. Nearer yet, and it was obvious what the man was up to. George Smith chuckled. Of course, of course … along on the beach this man – how old? Sixty-five? Seventy? – was scribbling and doodling away. How the sand flew! How the wild portraits flung themselves out there on the shore! How …

      George Smith took one more step and stopped, very still.

      The stranger was drawing and drawing and did not seem to sense that anyone stood immediately behind him and the world of his drawings in the sand. By now he was so deeply enchanted with his solitudinous creation that depth-bombs set off in the bay might not have stopped his flying hand nor turned him round.

      George Smith looked down at the sand. And, after a long while, looking, he began to tremble.

      For there on the flat shore were pictures of Grecian lions and Mediterranean goats and maidens with flesh of sand like powdered gold and satyrs piping on hand-carved horns and children dancing, strewing flowers along and along the beach with lambs gambolling after and musicians skipping to their harps and lyres, and unicorns racing youths towards distant meadows, woodlands, ruined temples and volcanoes. Along the shore in a never-broken line, the hand, the wooden stylus of this man bent down in fever and raining perspiration, scribbled, ribboned, looped around over and up, across, in, out, stitched, whispered, stayed, then hurried on as if this travelling bacchanal must flourish to its end before the sun was put out by the sea. Twenty, thirty yards or more the nymphs and dryads and summer founts sprang up in unravelled hieroglyphs. And the sand, in the dying light, was the colour of molten copper on which was now slashed a message that any man in any time might read and savour down the years. Everything whirled and poised in its own wind and gravity. Now wine was being crushed from under the grape-blooded feet of dancing vintners’ daughters, now steaming seas gave birth to coin-sheathed monsters while flowered kites strewed scent on blowing clouds … now … now … now….

      The artist stopped.

      George Smith drew back and stood away.

      The artist glanced up, surprised to find someone so near. Then he simply stood there, looking from George Smith to his own creations flung like idle footprints down the way. He smiled at last and shrugged as if to say, Look what I’ve done; see what a child? You will forgive me, won’t you? One day or another we are all fools … you, too, perhaps? So allow an old fool this, eh? Good! Good!

      But George Smith could only look at the little man with the sun-dark skin and the clear sharp eyes, and say the man’s name once, in a whisper, to himself.

      They stood thus for perhaps another five seconds, George Smith staring at the sand-frieze, and the artist watching George Smith with amused curiosity. George Smith opened his mouth, closed it, put out his hand, took it back. He stepped towards the picture, stepped away. Then he moved along the line of figures, like a man viewing a precious series of marbles cast up from some ancient ruin on the shore. His eyes did not blink, his hand wanted to touch but did not dare to touch. He wanted to run but did not run.

      He looked suddenly at the hotel. Run, yes! Run! What? Grab a shovel, dig, excavate, save a chunk of this all too crumbling sand? Find a repair-man, race him back here with plaster-of-paris to cast a mould of some small fragile part of these? No, no. Silly, silly. Or …? His eyes flicked to his hotel window. The camera! Run, get it, get back, and hurry along the shore, clicking, changing film, clicking unti l…

      George Smith whirled to face the sun. It burned faintly on his face, his eyes were two small fires from it. The sun was half underwater and, as he watched, it sank the rest of the way in a matter of seconds.

      The artist had drawn nearer and now was gazing into George Smith’s face with great friendliness as if he were guessing every thought. Now he was nodding his head in a little bow. Now the ice-cream stick had fallen casually from his fingers. Now he was saying good night, good night. Now he was gone, walking back down the beach towards the south.

      George Smith stood looking after him. After a full minute, he did the only thing he could possibly do. He started at the beginning of the fantastic frieze of satyrs and fauns and wine-dipped maidens and prancing unicorns and piping youths and he walked slowly along the shore. He walked a long way, looking down at the free-running bacchanal. And when he came to the end of the animals and men he turned round and started back in the other direction, just staring down as if he had lost something and did not quite know where to find it. He kept on doing this until there was no more light in the sky, or on the sand, to see by.

      He sat down at the supper table.

      ‘You’re late,’ said his wife. ‘I just had to come down alone. I’m ravenous.’

      ‘That’s all right,’ he said.

      ‘Anything interesting happen on your walk?’ she asked.

      ‘No,’ he said.

      ‘You look funny; George, you didn’t swim out too far, did you, and almost drown? I can tell by your face. You did swim out too far, didn’t you?’

      ‘Yes,’ he said.

      ‘Well,’ she said, watching him closely. ‘Don’t ever do that again. Now – what’ll you have?’

      He picked up the menu and started to read it and stopped suddenly.

      ‘What’s wrong?’ asked his wife.

      He turned his head and shut his eyes for a moment.

      ‘Listen.’

      She listened.

      ‘I don’t hear anything,’ she said.

      ‘Don’t you?’

      ‘No. What is it?’

      ‘Just the tide,’ he said, after a while, sitting there, his eyes still shut. ‘Just the tide, coming in.’

      THE night blew in the short grass on the moor; there was no other motion. It had been years since a single bird had flown by in the great blind shell of sky. Long ago a few small stones had simulated life when they crumbled and fell into dust. Now only the night moved in the souls of the two men bent by their lonely fire in the wilderness; darkness pumped quietly in their veins and ticked silently in their temples and their wrists.

      Firelight fled up and down their wild faces and welled in their eyes in orange tatters. They listened to each other’s faint, cool breathing and the lizard blink of their eyelids. At last, one man poked the fire with his sword.

      ‘Don’t, idiot; you’ll give us away!’

      ‘No matter,’ said the second man. ‘The dragon can smell us miles off, anyway. God’s breath, it’s cold. I wish I was back at the castle.’

      ‘It’s death, not sleep, we’re after ’

      ‘Why? Why? The dragon never sets foot in the town!’

      ‘Quiet, fool! He eats men travelling alone from our town to the next!’

      ‘Let them be eaten and let us get home!’

      ‘Wait now; listen!’

      The

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