Regency Rogues: Candlelight Confessions. Marguerite Kaye

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Regency Rogues: Candlelight Confessions - Marguerite Kaye Mills & Boon M&B

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out to play the country gentleman. Perhaps politics was the answer? It was certainly worth considering. Lizzie’s ideas usually were. She did not know him as well as she thought, but she knew him better than anyone else.

      And a wife—was she right about that, too? Picking up the Morning Post, which his man had left, carefully ironed, on his desk, Elliot pondered this question half-heartedly. He hadn’t ever seriously considered a wife. As a soldier with an increasingly dangerous sideline in espionage, it would have been irresponsible to marry. Not that that was the reason he hadn’t. Such a precarious and transient life hardly lent itself to fidelity, but Lizzie was right, curse her, that was just an excuse. The fact was, he didn’t let people in, he was wary of allowing anyone to see past whatever form of veneer he showed them. War made you like that. War taught you how fragile life was. It taught you how easy it was to be crushed by that fragility, too—he’d seen it too many times, written too many letters to grieving widows, listened to the last heartbreaking words of too many of their husbands. Pain like that, he could do without. It could not possibly be worth it.

      He sighed. Blast Lizzie for putting such thoughts in his head. If she only knew that he’d been living like a monk since returning to England. What’s more, until he’d met Deborah Napier, he had been relatively content to do so. Last night had been so—so bloody amazing! Just thinking about it—oh God, just thinking about it. If only he had not dropped the painting. If only he had not allowed Deborah to go in search of a candle, she would not have found her inhibitions.

      ‘Dammit, what is wrong with me,’ Elliot exclaimed, ‘England must be full of attractive, available, experienced women looking for nothing more than a little light flirtation and a few indulgent hours in bed.’ Except that wasn’t what he wanted, not any more. He wanted Deborah. He didn’t just want to bed her either, he wanted to understand her. He wanted to know what went on in her head and what had gone on in her past. He wanted to know why it took breaking and entering to release her passion. And he wanted her to release it again.

      What was it Lizzie said he needed? A woman with a bit of gumption, who can force her way past that barricade of charm you arm yourself with. A woman of character. Deborah was certainly that. Lizzie would definitely approve. Not that he was in any way seeking her approval. Politics, perhaps he would consider. Marriage—no. But the train of his thoughts disturbed him. Elliot shook out the newspaper, seeking distraction. He found it in the middle pages.

      Last night, the Notorious Housebreaker commonly known as the Peacock struck again, this time at the abode of a most Distinguished Member of Parliament who resides in Grosvenor Square. The Villainous Thief has stolen a most valuable painting, the subject of which being a Very Important Personage. Said painting, executed by a Spanish Master, was torn asunder from its frame in the Most Honourable Gentleman’s Study. Once again, the Peacock had the effrontery to leave his Calling Card behind, along with the Rope by which he made his escape. Any Member of the Public who saw anything or anyone suspicious is urged to contact the Magistrates at Bow Street.

      The portrait of the Very Important Person was currently wrapped in oilskin and safely tucked under the floorboards in Elliot’s bedchamber. A certain Spanish official, when approached by way of the intricate web of contacts which Elliot had been careful to maintain from his days in the covert service of the British Government, would most certainly pay a substantial sum for it. Tomorrow, he would set about making the first of those contacts. Today though, he had another alluring, beguiling and altogether intriguing contact to see.

      Folding the newspaper into a neat square which would fit into his coat pocket, Elliot loped up the stairs three at a time, calling for his man to fetch his hat and gloves and his groom to have his curricle brought round.

      Looking over from her writing desk at the clock, Deborah was astonished to discover that it was well past two. The stack of paper before her bore testament to her labours, the neat lines gradually deteriorating to an unruly scrawl as her pen struggled to keep up with her fevered imagination. She had forgotten what it was like, to be so inspired. It made her realise how much of a chore her books had become. The wisps of this story clung to her like plucking fingers, willing her to pick up her pen once more lest she lose the thread, but she knew that she had reached her limit for today.

      Her wrist ached. Her head felt as if it were stuffed with cork. Wiping her ink-stained hands on the equally ink-stained linen smock she wore to protect her gown, Deborah thrust the manuscript into the desk and closed the lid.

      Returning from the kitchen, where she had made herself a much-needed pot of tea, she froze on the threshold of the parlour.

      Elliot was immaculately turned out, not a crease in his olive-green coat of superfine nor his biscuit-coloured pantaloons. The gloss on his tasselled Hessians showed not a speck of dirt. In contrast, Deborah was horribly conscious of her hair pinned up anyhow under its cap, her work smock, her grubby fingers. Why did he always have to see her looking at her worst? And why did he always have to be so much more attractive, every time she saw him? Taller. More muscular—those pantaloons fitted like a second skin. More everything! And why did he have to smile like that? And why, when she was quite resolved to forget all about him, was she so absurdly pleased to see him?

      She clutched the tea tray to her chest. ‘How on earth did you get in?’ The shock of seeing him, as if he had just walked out of Bella’s story, combined with the traitorous shiver of simple pleasure which had been her first reaction, made her sound aggressive, but better that, than let him see the effect he had on her.

      ‘It would be a poor Peacock indeed who could not break into a house with such flimsy defences,’ Elliot said with a grin, relieving her of the tea tray and giving her no option but to follow him into her own parlour.

      ‘I did not think to see you again.’ Deborah sat down on the edge of a chair by the fire. She longed to pour her tea, but was afraid her hands would shake.

      Elliot raised a brow. ‘Surely you must have known I would call?’

      ‘We said goodbye last night.’

      ‘You said goodbye.’

      Deborah gazed at him helplessly. He waited for her to say something, but she began measuring leaves from the little wooden caddy. Water splashed as she poured it from the kettle into the pewter teapot. ‘I brought only one cup.’

      ‘I hate tea,’ Elliot said, sitting himself opposite her.

      She poured her drink, took a sip and then a deep breath. ‘Why are you here?’

      Her antagonism didn’t fool him. She was as nervous as a cat, but she hadn’t been able wholly to disguise the fact that she was pleased to see him. Elliot handed her the newspaper. ‘I thought you might like to see this.’

      Deborah scanned the report, her face lightening to a shadow of a smile as she read. ‘I woke this morning persuaded that I had imagined the whole episode. I can’t quite believe it happened even now, despite seeing it reported in print.’

      ‘Fortunately, there is no indication that anyone knows I had an accomplice, but all the same, you must have a care not to let slip, even inadvertently, anything which might betray you.’

      ‘I won’t,’ Deborah said, thinking guiltily of the account she had written just this morning of the episode, reassuring herself at the same time that she had changed sufficient details for it not to matter. ‘There is nothing to fear, I am sure. You did not strike me as a worrier, Elliot.’

      ‘I am not worried for myself, but for you. I care little for my own safety, but I would rather not have yours on my conscience.’

      ‘You

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