The Dare Collection: May 2018. Clare Connelly

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drags his mouth across my chest, his stubbled jaw making the raw, aching, sensitive flesh tremble beneath him.

      His mouth is an instant relief. And as he rolls my nipple with his tongue he speaks into the phone. The words are husky against me. I feel his voice a baritone on my skin. And he feels me inside.feels my heart and my core.

      ‘Definitely champagne. Lots of champagne.’ He draws his lips lower, to my navel, and then, still with the phone under his chin, to my clit.

      ‘Oh, my God!’ I squawk as his tongue finds the cluster of nerves and flicks it punishingly.

      ‘Ice cream,’ he adds, his fingers curling around my ankles and pushing my legs apart on the bed.

      There is a tiny part of me that is embarrassed by this intimacy—but only a tiny part. The rest of me is way up on cloud nine, wondering if any woman has ever felt this good. If any person has ever known this pleasure.

      I presume he’s done ordering, because he drops the phone to the ground. The cord is still stretched across the bed but I don’t ask him to hang up. Nor do I attempt to do so. I’m not moving, and I’m not going to encourage him to do anything that might bring an end to this sweet, sensual invasion.

      ‘A peach, huh?’ he murmurs against me.

      I dig my nails into the bed, trying to breathe, trying not to fall apart.

      ‘Yeah.’

      ‘A favourite?’

      ‘Mmm, yes...’ I don’t think I’m talking about fruit any more.

      ‘You taste fucking amazing.’

      Even that doesn’t embarrass me. I groan in response, reaching above me for a pillow, which I drag down, holding it over my face as I cry out and he continues to run his tongue over me with the kind of skill that should win him a gold medal. Seriously. If oral sex were a competitive sport then this guy could hang up his microphone. He’s that good.

      His hands lift up, finding my breasts, and he knows what I love already. He’s learned fast. He tweaks my nipples and palms the roundness of my flesh, and his mouth lifts me up and carries me away until I can stand it no longer, and I give in to the euphoric relief that has been building and bursting.

      I feel it drop over me and whimper into the pillow. Which is no help, actually, because it smells intoxicatingly like him. So like him that I want to take it with me. Uh-oh. Another road opens up before me. I resolutely shut all paths out and surrender to the sensations of this. This very, very, very delightful everything.

      He slows down as he feels me come apart, still touching me, tasting me, but no longer driving me to insane heights. I have exploded and now I am recovering. I am trying to catch my breath. He stays close and I’m comforted by his closeness—until he pulls back and stands in one fluid moment.

      He’s still wearing the condom—but not for long. He rolls it off and wraps it in a tissue, tossing it carelessly into a wastepaper basket before reaching for the phone and replacing it on the cradle. Then, hands on hips, gloriously naked, he stares down at me, where I’m hiding behind an organic Italian cotton pillow.

      ‘Alicia?’

      I can’t speak. Maybe not ever again. It is quite possible that he’s erased my voice, like some kind of kinky Little Mermaid scenario.

      ‘Come here.’

      I can’t speak, but I can move, and I will move as he demands because he’s offering me a whole new world of pleasure and I am anxious to enjoy it, and with it to erase Jeremy’s significance in my life.

      I stand. My legs shake and my skin is raw—pale pink, I see, as I look down at my breasts. The sight of his marks on my body makes me soar. An ancient feminine power rocks me to the core. He did this to me. His passion did it to both of us. And the passion was bigger than either of us could control.

      ‘You never answered my question.’

      ‘What question?’

      He links his fingers through mine and pulls me gently away from the bed. For the first moment since entering the suite I notice the view.

      ‘Holy shit.’ I stand completely still—naked, uncaring. ‘Wow...’

      Manhattan glistens before me. It is high-rises and high dreams, lights and lives, lows and loves.

      ‘Yeah.’

      His voice is hoarse and it draws my attention. I stare at his profile again, and it’s so different now. I see all his lines and marks and strengths, and somehow I feel that I know him so much better than even an hour ago.

      ‘I’ve always loved the contradictions of New York,’ I say.

      I am drawn to the view and step towards the window, relinquishing his hand without realising it. I press my palm to the glass. It is darkly tinted and I am confident in the privacy it affords.

      ‘So much beauty...so much despair.’ My smile is crooked as our eyes latch on to each other in the reflection. ‘Nowhere in the world can you find such wealth and poverty in the same city block.’

      ‘It’s a unique place,’ he agrees. ‘Where are you from?’

      ‘Wisconsin, originally. I moved here five years ago—right out of college.’

      ‘What did you study?’

      ‘Fine art and art history.’

      I’ve surprised him. I see the way he nods, but it’s speculative. Funny, because I’m well-known and well-respected in my field, and it’s been a long time since I’ve met anyone who doesn’t know what I do.

      ‘You’re an artist?’

      ‘I wish...’ I sigh wistfully, turning to face him with mock sadness on my face. ‘I always wanted to be. My mom says I spent so much time clutching paintbrushes I practically deformed my fingers.’

      I lift my hand up and we both stare at it in the silence of the room. They’re normal to look at now, but I remember the claw-like grip they manifested after days and days spent hunched at a canvas.

      ‘But...?’

      ‘Can’t paint to save my life.’ I grimace. ‘I’m a buyer now. And an appraiser by appointment.’

      ‘So you take other people’s cash to choose fashionable art?’

      I shrug. ‘Fashionable, abstract, classic. I spend a lot of time with my clients and in the spaces the art will inhabit, making sure it’s going to work.’

      ‘That’s a job?’

      ‘Hell, yeah.’ I gesture to the room we’re standing in. ‘This whole hotel is fitted with contemporary American masterpieces—testaments to the modernist movement. You look around and you see the art and maybe you don’t realise the effect it creates. But we’re standing in a movement, Ethan!’

      I hear the enthusiasm and passion in my own voice

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