caught a flash of truculence in those green eyes, the first sign that the calm façade she wore was nothing but a front.
‘Your French mother is the most successful mezzo-soprano in the world. I admit I hadn’t heard of your father before today, but I understand he is a famous English violinist. I also learned that your father once played at Carnegie Hall with my grandmother, when he was first establishing himself.’
He leaned forward to rest his chin on his hands.
‘You were a noted child prodigy until the age of twelve, when your parents removed you from the spotlight so you could concentrate on your education. You became a professional musician at the age of twenty, when you joined the ranks of the Orchestre National de Paris as a second violin—a position you still hold five years on.’
She shrugged, but her face remained taut. ‘What you have described is something any person with access to the internet could find out in thirty seconds. My parents didn’t remove me from the spotlight because of my education—that is what my mother told the press, because she couldn’t bear the shame of having a daughter unable to perform in public.’
‘If you are “unable to perform in public”, how do you explain the fact that you perform in public at least once a week with your orchestra?’
‘I’m a second violin. I sit at the back of the orchestra. We have an average of eighty musicians playing at any given performance. The audience’s eyes are not on me but on the collective orchestra. It’s two different things. If I play at your grandfather’s gala everyone’s eyes will be on me and I will freeze. It will bring humiliation to me, to my mother—and to your grandfather. Is that what you want? To have the world’s eyes witness your star performer frozen on stage, unable to play a note?’
The only person who wouldn’t be ashamed of her was her father. She might have referred to it as a joint decision by her parents, but in truth it had been her father who’d gone against her mother’s wishes and pulled her out of the spotlight. He’d been the one to assure her that it was okay to play just for the love of the music, even if it was only in the privacy of her own bedroom.
Talos’s eyes narrowed, a shrewd expression emanating from them. ‘How do I know you aren’t lying to me right now?’
‘I...’
‘By your own admission you lied about being busy on the gala weekend.’
‘It was a lie of necessity.’
‘No lie is necessary. If you can’t handle eyes on you when you play, how were you able to join the orchestra in the first place?’
‘It was a blind audition. Everyone who applied had to play behind a screen so there could be no bias. And, before you ask, of course I practise and rehearse amongst my colleagues, But that is a world away from standing up on a stage and feeling hundreds of eyes staring at you.’
He shook his head slowly, his light brown eyes unreadable. ‘I am in two minds here. Either you are speaking the truth or you are telling another lie.’
‘I am speaking the truth. You need to find another soloist.’
‘I think not. Nerves and stage fright are things that can be overcome, but finding another soloist who can do justice to my grandmother’s final composition is a different matter.’
Never mind that time had almost run out. He could spend the rest of his life searching and not find anyone whose playing touched him the way Amalie’s had in those few minutes he had listened to her.
Talos had never settled for second best in his life and he wasn’t about to start now.
‘What do you know about my island?’ he asked her.
She looked confused at the change of direction. ‘Not much. It’s near Crete, isn’t it?’
‘Crete is our nearest neighbour. Like the Cretans, we are descended from the Minoans. Throughout the centuries Agon has been attacked by the Romans, the Ottomans and the Venetians—to name a few. We repelled them all. Only the Venetians managed to occupy us, and just for a short period. My people, under the leadership of the warrior Ares Patakis, of whom I am a direct descendent, rose against the occupiers and expelled them from our land. No other nation has occupied our shores since. History tells our story. Agonites will not be oppressed or repressed. We will fight until our last breath for our freedom.’
He paused to take a sip of his coffee. He had to hand it to her: she had excellent taste.
‘You are probably wondering why I am telling you all this,’ he said.
‘I am trying to understand the relevance,’ she admitted thoughtfully.
‘It is to give you an awareness of the stock that I, my family and our people come from. We are fighters. There isn’t an Agonite alive who would back down in the face of adversity. Stage fright? Nerves? Those are issues to be fought and conquered. And with my help you will conquer them.’
Amalie could imagine it only too well. Talos Kalliakis ready for battle, stripped to nothing but iron battle gear, spear in hand. He would be at the front of any fight.
It was her bad fortune that he had chosen to fight her.
But her stage fright wasn’t a fight. It was just a part of her, something she had long ago accepted.
Her life was nice and cosy. Simple. No drama, no histrionics. She refused to allow the tempestuousness of her childhood seep its way into her adult life.
‘I have arranged with your directors for you to come to Agon in a couple of days and to stay until the gala. Your orchestra will start rehearsals immediately and fly out a week before the gala so you can rehearse with them.’
Her pledge to be amiable evaporated. ‘Excuse me, but you’ve done what?’
‘It will give you a month in Agon to acclimatise...’
‘I don’t need to acclimatise. Agon is hardly the middle of a desert.’
‘It will also give you a month to prepare yourself perfectly for the solo,’ he continued, ignoring her interruption, although his eyes flashed another warning at her. ‘No distractions.’
‘But...’
‘Your stage fright is something that will be overcome,’ he said, with all the assurance of a man who had never been struck with anything as weak as nerves. ‘I will see to it personally.’
He stopped speaking, leaving a pause she knew she was supposed to fill, but all she could think was how badly she wanted to throw something at him, to curse this hateful man who was attempting to destroy the comfortable, quiet life she had made for herself away from the spotlight.
‘Despinis?’
She looked up to find those laser eyes striking through her again, as if he could reach right in and see what she was thinking.
‘Do you accept the solo?’ His voice hardened to granite. ‘Or do I have to make one hundred musicians redundant? Do I have to destroy one hundred careers, including your own? Have no doubt—I will do it. I will destroy you
