Sun at Midnight. Rosie Thomas

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Sun at Midnight - Rosie  Thomas

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the wind, the first arrivals of the summer’s migration.

      Paula, the locutorio manager, came up the concrete steps and unlocked the door. She flashed him a smile and gave him the best terminal in exchange for three pesos. Rooker logged on and began the search for Lewis Sullavan’s polar website.

       CHAPTER TWO

      It was a warm, still day. There were pools of deep shadow under the great trees and the river reflected the light like a sheet of crumpled tinfoil. Drawn by the day’s brilliance, Alice Peel had left her desk on an impulse and walked out into the University Parks. She moved slowly, letting the sun beat on the top of her head and the back of her neck. Once she stretched her arms out in front of her, absently noting the pallor of her skin. It was a weekday and it felt odd but distinctly pleasant to be wandering around in the middle of the afternoon. There were only a few other strolling or lounging figures dotted against the wide swath of grass. There was almost another month to go before the students returned and the academic year slipped into gear once more.

      The scent of mown grass mingled with dust from the path. It had been a dry summer and the margins of the leaves were nibbled with brown. When she glanced up into the blue sky she saw a contrail sketched by the pinpoint of an aircraft. She wondered briefly where the plane was headed, with its cargo of passengers and their expectations. The speculation faded gently in her mind, like the vapour itself dissolving against the sky.

      When the path reached the river she turned left to follow the curve of the bank. Ahead of her a footbridge and its reflection merged to make an O, the lower half blurred like a winking eye. She listened to the slow beat of her own footfalls and then to the tinny scratching of distant music. The scratching grew steadily louder and a punt rounded a bend in the river. Framed in the bridge’s O, it turned watery furrows of pewter and olive-green as it surged closer. A girl was vigorously poling. When she lifted the pole between thrusts, droplets ran down her arm and beaded the smooth wood, then struck silvery chips out of the water’s surface. The punt’s four or five passengers lolled on the cushions, laughing up at her. Their voices cut across the music.

      The girl’s T-shirt rode up to reveal a tattoo on her belly. The punt was close enough for Alice to see that the design was a butterfly before she realised that the man sitting on the flat prow with his back to her was Peter. The thick hair was his, and the skull’s distinctive architecture beneath it, and the faded shirt was the one she had washed yesterday and hung out to dry on the line in the back garden. He was leaning back, supporting his weight on his splayed hands. The unexpected sight of him made her heart jump.

      The punt drew level. The voices and the laughter were loud, raised over the blare of music. The girl with the pole didn’t glance at her. The long craft slid by, stirring the smell of mud and weeds mingled with boat varnish.

      Peter’s head idly tilted, then he caught sight of Alice, already receding on the riverbank. He sat upright. ‘Al! Hello, Al!’

      He scrambled to his feet, windmilling his arms at her. The punt rocked wildly and he danced barefoot on the slippery wood. She caught a brief glimpse of surprise like a flaw in the ready glitter of his smile.

      ‘Aaaaa-al,’ he shouted again. He was already into a jump, knees drawn up to his chest, the smile still seeming to hang in the air as his limbs hit the water. A plume of glittering spray shot into the air to the accompaniment of shrieks from the punt’s passengers. The girl didn’t shout. She stood looking back over her shoulder, her weight resting on one hip so that her body made a graceful curve against the willow trees on the opposite bank. The pole trailed in her hand.

      Peter’s head broke the water and he struck out towards Alice. A minute later he hauled himself on to the bank. Grinning and dripping, he shook himself like a huge dog. Dark droplets of water spattered the dust.

      ‘Hi,’ he gasped to Alice. “Bye!’ he called after the punt as it slid away.

      Disregarding his sopping clothes, Peter swept her into his arms. A watery kiss landed on her cheek.

      ‘Pete,’ she said. She wasn’t surprised. The shouting, the impetuous leap into the water, they were all typical of him. But she felt disquiet wrinkling her usual smooth tolerance of his extravagant behaviour. The declining sun shone straight into her eyes, causing her to frown. ‘Who were they?’

      He waved the arm that wasn’t attached to her, spinning out more drops to pockmark the dust. ‘Students.’

      ‘I thought you were teaching today.’

      Peter was an artist. He built big cuboid sculptures of tubes and wire and twisted metal that also incorporated found objects like pram frames and tailors’ dummies. He didn’t sell a lot of his work and he taught an art summer school for extra money.

      ‘We were playing hookey. And I thought you were working. Hey. Since we’re both not working, let’s go and have tea somewhere.’

      ‘But you’re wet.’

      ‘You’re dry enough for both of us.’ He kissed her again, on the tip of her nose. ‘Lovely and dry and warm. Are you hungry? Come on. Scones and cream. You know you want to.’

      She smiled at him. There was a café near the gates of the Parks. They walked there together, Peter comically wincing whenever his bare feet encountered a sharp stone.

      On the way they met a sculptor who rented the studio next to Peter’s. Pete introduced him to Alice and they lingered to talk.

      ‘I was in a punt, Alice was on the bank, so what could I do but jump in and swim to her?’ Peter laughed as he explained.

      ‘Er, pole in to the bank and just step ashore?’ Mark was literal-minded.

      ‘You have no soul,’ Peter rebuked him.

      They ended up heading for the café together.

      Alice walked beside Mark and Peter shuffled backwards ahead of the two of them so he could see and talk at the same time. As they passed a builder’s skip outside the park gates he noticed a typist’s chair with the padded seat and back support missing. He hoisted it by the metal claw foot and carried it away with him, spinning the shaft as he talked.

      There was a table free in the little row on the pavement outside the café and they crowded round it. Peter took off his shirt and draped it over his salvaged chair skeleton. His arms and shoulders were well developed from lugging heavy materials and oxyacetylene welding gear. Steam rose gently from his damp trousers.

      When it arrived, Alice poured the tea. The others were talking about art.

      She half listened to a heated conversation she seemed to have been overhearing ever since she had known Peter. In her experience art always appeared to involve arguments. It was messily subjective. To Pete, one piece of work might be magnificent, enormously impressive, and another might be timid, derivative shit or mere fusty doodling (to employ his vocabulary), but Alice could never work out which was going to be which, or if there was any empirical evidence on which to base these opinions. She found it difficult to predict what Pete was going to admire and what he would dismiss, and whenever she thought she had mastered one critical vocabulary so they might at least discuss the matter, the entire language was prone to change.

      In the end it came down to a matter of taste, she believed, and there was no measuring or calibrating taste.

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