Zonal Marking. Michael Cox

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Simple stuff, but you wouldn’t find Cruyff speaking about football in such functional, joyless language. Cruyff wanted his players to express themselves, to enjoy themselves, but for Van Gaal it was about ‘carrying out basic tasks’. When Ajax failed to win, Van Gaal would typically complain that his players ‘did not keep to the arrangement’, effectively accusing them of breaking their teammates’ trust by doing their own thing. However, Van Gaal’s sides were not about grinding out results – they would play in an extremely attack-minded, if mechanical, way. ‘I suspect I’m fonder of playing the game well, rather than winning,’ he once said.

      Left-sided Marc Overmars and right-sided Finidi George were given strict instructions not to attempt dribbles past multiple opponents: in one-against-one situations they could beat their man, but if faced with two defenders they were told to turn inside and switch the play. Ajax supporters, accustomed to wingers providing unpredictability and excitement, were frustrated by their lack of freedom, as were the players themselves. Finidi eventually left for Real Betis, where he spoke of his delight at finally being able to express himself. Van Gaal, though, hated dribbling; not only did he consider it inefficient, he thought it was the ultimate example of a footballer playing for himself. ‘We live in a laissez-faire society,’ said Van Gaal. ‘But in a team, you need discipline.’

      Whereas Van Gaal was a teacher, Cruyff wasn’t even a student. He’d been appointed Ajax manager in 1985 despite lacking the requisite coaching badges: Cruyff was Cruyff, and so, as always, an exception was made. And whereas Van Gaal was highly suspicious of individuals, Cruyff was delighted to indulge superstars, and his Barcelona side featured far more individual brilliance in the final third because he could, at various stages, count on four of the most revered superstars of this era: Michael Laudrup, Hristo Stoichkov, Romario and Gheorghe Hagi. The rise and fall of Cruyff’s Barcelona depended largely on his treatment of these players.

      On one hand, Cruyff adored Laudrup’s natural talent. When Laudrup scored a stupendous last-minute equaliser at Real Burgos in 1991/92, flicking the ball up with his left foot and smashing it into the top-right corner with his right, Laudrup rushed over to celebrate with a delighted Cruyff, among the warmest embraces between player and manager you’ll witness. But Cruyff also labelled him ‘one of the most difficult players I’ve worked with’, believing that Laudrup didn’t push his talents hard enough, and he constantly complained about his lack of leadership skills. Cruyff used Michels’s ‘conflict’ approach, but it only served to annoy the Dane, who was a nervous, reserved footballer requiring more delicate treatment.

      The beneficiary of Laudrup’s measured through-balls was another supremely talented superstar, Bulgarian legend Stoichkov. ‘From more than 100 goals I scored, I’m sure that over 50 were assisted by Michael,’ Stoichkov said of his period at Barca. ‘To play with him was extremely easy – we found each other by intuition.’ That was a telling description; in a Van Gaal side attacking was about pre-determined moves, in a Cruyff side it was about organic relationships.

      Unlike Laudrup, Stoichkov was well suited to Cruyff’s ‘conflict model’, perfectly understanding the purpose of his manager’s attacks. ‘In front of the group he told me that I was a disaster, that I wasn’t going to play the next game and that he was going to sell me,’ Stoichkov explained. ‘But at the end of training we would go and eat together.’ He repeatedly professed his hatred for Real Madrid, and supporters loved his attitude – Stoichkov would refuse to sign autographs, yet fans would just laugh at his anarchic nature. ‘He shook things up,’ said Zubizarreta. ‘Although he sometimes went too far, I am grateful for people like him who are capable of breaking the monotony of everyday life.’

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