that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head.
It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof fell in.
I Three-Card Trick Winter 1529–Spring 1530
Johane: ‘You say, “Rafe, go and find me a seat in the new Parliament.” And off he goes, like a girl who's been told to bring the washing in.’
‘It was harder than that,’ Rafe says.
Johane says, ‘How would you know?’
Seats in the Commons are, largely, in the gift of lords; of lords, bishops, the king himself. A scanty handful of electors, if pressured from above, usually do as they're told.
Rafe has got him Taunton. It's Wolsey terrain; they wouldn't have let him in if the king had not said yes, if Thomas Howard had not said yes. He had sent Rafe to London to scout the uncertain territory of the duke's intentions: to find out what lies behind that ferrety grin. ‘Am obliged, Master.’
Now he knows. ‘The Duke of Norfolk,’ Rafe says, ‘believes my lord cardinal has buried treasure, and he thinks you know where it is.’
They talk alone. Rafe: ‘He'll ask you to go and work for him.’
‘Yes. Perhaps not in so many words.’
He watches Rafe's face as he weighs up the situation. Norfolk is already – unless you count the king's bastard son – the realm's premier nobleman. ‘I assured him,’ Rafe says, ‘of your respect, your … your reverence, your desire to be at his – erm –’
‘Commandment?’
‘More or less.’
‘And what did he say?’
‘He said, hmm.’
He laughs. ‘And was that his tone?’
‘It was his tone.’
‘And his grim nod?’
‘Yes.’
Very well. I dry my tears, those tears from All Hallows day. I sit with the cardinal, by the fire at Esher in a room with a smoking chimney. I say, my lord, do you think I would forsake you? I locate the man in charge of chimneys and hearths. I give him orders. I ride to London, to Blackfriars. The day is foggy, St Hubert's Day. Norfolk is waiting, to tell me he will be a good lord to me.
The duke is now approaching sixty years old, but concedes nothing to the calendar. Flint-faced and keen-eyed, he is lean as a gnawed bone and as cold as an axe head; his joints seem knitted together of supple chain links, and indeed he rattles a little as he moves, for his clothes conceal relics: in tiny jewelled cases he has shavings of skin and snippets of hair, and set into medallions he wears splinters of martyrs' bones. ‘Marry!’ he says, for an oath, and ‘By the Mass!’, and sometimes takes out one of his medals or charms from wherever it is hung about his person, and kisses it in a fervour, calling on some saint or martyr to stop his current rage getting the better of him. ‘St Jude give me patience!’ he will shout; probably he has mixed him up with Job, whom he heard about in a story when he was a little boy at the knee of his first priest. It is hard to imagine the duke as a little boy, or in any way younger or different from the self he presents now. He thinks the Bible a book unnecessary for laypeople, though he understands priests make some use of it. He thinks book-reading an affectation altogether, and wishes there were less of it at court. His niece is always reading, Anne Boleyn, which is perhaps why she is unmarried at the age of twenty-eight. He does not see why it's a gentleman's business to write letters; there are clerks for that.
Now he fixes an eye, red and fiery. ‘Cromwell, I am content you are a burgess in the Parliament.’
He bows his head. ‘My lord.’
‘I spoke to the king for you and he is also content. You will take his instructions in the Commons. And mine.’
‘Will they be the same, my lord?’
The duke scowls. He paces; he rattles a little; at last he bursts out, ‘Damn it all, Cromwell, why are you such a … person? It isn't as if you could afford to be.’
He waits, smiling. He knows what the duke means. He is a person, he is a presence. He knows how to edge blackly into a room so that you don't see him; but perhaps those days are over.
‘Smile away,’ says the duke. ‘Wolsey's household is a nest of vipers. Not that …’ he touches a medal, flinching, ‘God forbid I should …’
Compare a prince of the church to a serpent. The duke wants the cardinal's money, and he wants the cardinal's place at the king's side: but then again, he doesn't want to burn in Hell. He walks across the room; he slaps his hands together; he rubs them; he turns. ‘The king is preparing to quarrel with you, master. Oh yes. He will favour you with an interview because he wishes to understand the cardinal's affairs, but he has, you will learn, a very long and exact memory, and what he remembers, master, is when you were a burgess of the Parliament before this, and how you spoke against his war.’
‘I hope he doesn't think still of invading France.’
‘God damn you! What Englishman does not! We own France. We have to take back our own.’ A muscle in his cheek jumps; he paces, agitated; he turns, he rubs his cheek; the twitch stops, and he says, in a voice perfectly matter-of-fact, ‘Mind you, you're right.’
He waits. ‘We can't win,’ the duke says, ‘but we have to fight as if we can. Hang the expense. Hang the waste – money, men, horses, ships. That's what's wrong with Wolsey, you see. Always at the treaty table. How can a butcher's son understand –’
‘La gloire?’
‘Are you a butcher's son?’
‘A blacksmith's.’
‘Are you really? Shoe a horse?’
He shrugs. ‘If I were put to it, my lord. But I can't imagine –’
‘You can't? What can you imagine? A battlefield, a camp, the night before a battle – can you imagine that?’
‘I was a soldier myself.’
‘Were you so? Not in any English army, I'll be bound. There, you see.’ The duke grins, quite without animosity. ‘I knew there was something about you. I knew I didn't like you, but I couldn't put my finger on it. Where were you?’
‘Garigliano.’
‘With?’
