The Family Tabor. Cherise Wolas

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The Family Tabor - Cherise Wolas

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style="font-size:15px;">      Whether or not she should attempt to turn her doctoral dissertation into some kind of tell-all book, despite her abhorrence of the idea.

      Whether or not she will go where the Peace Corps sends her, if they want her.

      Whether she will pretend to Dr. Jin that she’s back to normal, and ask him to find out when an assistant professorship in their department might come up, or in any university’s soc. anthro department, and to make those calls to the journals, to learn if there is a rare opening, or might be one in the near future, and she could say, “In the meantime, let me be your research assistant, starting fall semester,” a better proposition than trading distant fieldwork for research of local trends in disease, overpopulation, land use, and urban dialects. She’s not interested in those areas, so why use up the little energy she has to pursue an opportunity she doesn’t want—when winning would mean a chilly office, appropriate business attire, and, likely, immediately quitting. No matter that she’s stalled now; she doesn’t want any marks against her growing reputation. If she still had her natural energy, she knows what she would do: develop a new research proposal, submit it to her university and every anthropological organization that funds exploration, and when she had the money, she’d head off once more, seeking the exotic, with a clear and stated purpose. But figuring all of that out seems impossible, mind-boggling, and utterly exhausting.

      And, finally, whether she will reveal to her family the depression she has been suffering from, severe enough that she has relegated her expensive and wide-ranging education and years of diligent, imaginative, and difficult work to a back burner, to the closet, that she is spending eight hours a day tending to those on the way out, when once she was only interested in figuring out how those most uniquely alive lived.

      The interstate is quiet this early, and when she sees no police cars ahead or behind, or tucked into the verges and waiting to pounce, she sets her cruise control to eighty, then checks her watch. Last night, Phoebe left a voicemail commanding Camille to call her today. “While we’re both driving to the place we seem incapable of not calling home, we can talk about things we won’t be able to talk about there, or at least not easily, or at least not without Mom sitting down next to us, caressing our hair—wait, I forgot, Mom always knows everything. Shit, I hope that’s not really true—” The message had ended with Phoebe’s laugh.

      Does she want to call her pluperfect older sister, founder of her own law firm, who rents a charming apartment, though she could, on a whim, purchase an embassy-sized house in the most expensive Los Angeles neighborhoods, who, despite trouble finding a husband, knows she absolutely wants one of those and the eventual children, who has never experienced a moment of depression or doubt or indecision, who wouldn’t understand what it feels like to be dragged under the waves of one’s life? Camille’s kept everything from her family, including Phoebe, when they trade their infrequent telephonic confidences.

      She stares down the long, straight highway. If she calls Phoebe at eleven, she has three and a half hours left to gather herself together, to sound like the Camille her sister thinks she knows, the Camille they all think they know.

       FIVE

      BEST OF SEVEN?” HARRY calls out to Levitt.

      Levitt, already wiping sweat from his forehead with his terry-clothed wrists, says, “Why do you insist on subverting protocol? It’s best of five, Harry. Best of five at the US Open. Best of five at Wimbledon. And there’s no way you and I can go seven in this heat. Best of three, like we do every Saturday. Is this your attempt to psych me out, gain the upper hand?”

      “Of course I know the protocol. I’m being a caring friend, offering you a shot at taking me down, because I’m feeling extraordinarily energetic today.”

      “Yeah, yeah, Harry. Just serve.”

      Harry bounces the yellow ball, six, seven, eight, nine times, to unbalance Levitt, who is bent over at the waist, at the ready, those thick tree trunks of his in a wide, imposing stance.

      Harry feels the sun on his face, hears the solid thump of the ball on the warm court, the happy yips of small dogs freed from their leashes. Then, like a thunderbolt to the brain, he’s thinking about King David and Queen Esther, the way they yipped happily, flicking their tails, circling around their new masters as Harry and Roma and Phoebe and Camille headed away from the great rambling house in Connecticut that was no longer their home. It belonged now to the buyers, that replacement family who was waving, the husband and wife the same ages as Harry and Roma, the little boys nearly the same ages as Phoebe and Camille, the family who took title and said yes, they would be delighted to take the Tabor family’s dachshunds as well, agreeing it wouldn’t be right to uproot the dogs from their puppyhood home, and impossible to travel thousands of miles with them, when the dogs couldn’t tolerate speed, would be carsick within minutes.

      Levitt calls out from across the court, “You going to serve in this century?” Harry hears him, but he can’t respond, struck by these memories of King David and Queen Esther, dogs he gave to his girls when all four were young, by his ability to hand them over so easily to a family he knew nothing about, except that their financials were in order and they hadn’t required a mortgage. He doesn’t even recall their last name, despite seeing it on nearly every page of the purchase and sale agreement.

      Why is he thinking about King David and Queen Esther, when he has not thought about them since 1987, since seeing them in the rearview mirror of the Caravan, as he and his family drove away to a new life. It is a memory he has never called up in all of these years, not even a memory he has ever had, but it is in his mind now. The girls were crying in the backseat, weren’t they? Yes, he can hear his daughters crying, tiny hands hitting the sealed windows, yelling, “Let the dogs in, let the dogs in, we can’t leave them behind.” But he had left them behind. Had let his daughters cry themselves out. Had not turned to witness the emotion on Roma’s face. She had, after all, sadly and reluctantly agreed to the dogs’ dispensation.

      “Hey, you okay over there?” Levitt calls out, rising from his competitor’s crouch, loosening the grip on his racquet.

      Harry’s heart is pounding, like a bomb is about to go off in there, and he leans over, head between his knees, hoping those forgotten dogs aren’t a very strange version of his life passing before his eyes, hoping he’s not about to be ejected from his existence by a heart attack this minute, hoping he didn’t put himself in the crosshairs of an evil eye last night by thinking how far he is from death.

      But then it passes.

      The memory is still there, but its toothy grip is easing.

      He straightens up and says, “Sorry. Should have had more than coffee this morning. I’m fine. Let’s go. You ready?”

       SIX

      HE’S SPRINTING UP A winding hill in his neighborhood, his breath loud in his ears, the asphalt black under his beating feet, black ravens flying out of the trees, an avian army buzzing his head, flapping their wings, diving at him, their beaks pecking and pecking and pecking, their claws finding purchase on his head, his neck, his arms, his legs, his back, and then Simon Tabor is awake, fetal-curled, fists clenched, hair and body as wet as if he has just emerged from an ice bath, his insides hollowed out by the certainty that something is desperately wrong. He will never get used to this, to the way he is left with voids—in his heart, as if that organ has lost mass or blood flow; in his throat, as if that narrow tube has opened wide and air is racing inside; and in his abdomen, as if he is starving

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