The Sword in the Stone. T. H. White
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The Castle of the Forest Sauvage is still standing, and you can see its lovely ruined walls with ivy on them, standing broached to the sun and wind. Some lizards live there now, and the starving sparrows keep warm on winter nights in the ivy, and a barn owl drives it methodically, hovering outside the little frightened congregations and beating the ivy with its wings, to make them fly out. Most of the curtain wall is down, though you can trace the foundations of the twelve round towers which guarded it. They are round, and stuck out from the wall into the moat, so that the archers could fire in all directions and command every part of the wall. Inside the towers there are circular stairs. These go round and round a central column, and this column is pierced with holes for shooting arrows. Even if the enemy had got inside the curtain wall and fought its way into the bottom of the towers, the defenders could retreat up the bends of the stairs and shoot at those who followed them up, inside, through the slits.
The stone part of the drawbridge with its barbican and the bartizans of the gatehouse are in good repair. These have many ingenious arrangements. Even if you got over the wooden bridge, which was pulled up so that you couldn’t, there was a portcullis weighed with an enormous log which would squash you flat and pin you down as well. There was a large hidden trapdoor in the floor of the barbican, which would let you into the moat after all. At the other end of the barbican there was another portcullis, so that you could be trapped between the two and annihilated from above, while the bartizans, or hanging turrets, had holes in their floors through which the defenders could drop things on your head. Finally, inside the gatehouse, there was a neat little hole in the middle of the vaulted ceiling, which had painted tracery and bosses. This hole led to the room above, where there was a big cauldron, for boiling lead and oil in.
So much for the outer defences. Once you were inside the curtain wall, you found yourself in a kind of wide alleyway, probably full of frightened sheep, with another complete castle in front of you. This was the inner shell-keep, with its eight enormous round towers which still stand. It is lovely to climb the highest of them and to lie there looking out towards the Marches, from which all these old dangers came, with nothing but the sun above you and the little tourists trotting about below, quite regardless of arrows and boiling oil. Think of how many centuries that unconquerable tower has withstood. It has changed hands by secession often, by siege once, by treachery twice, but never by assault. On this tower the look-out moved. From here he kept the guard over the blue woods towards Wales. His clean old bones lie beneath the floor of the chapel now, so you must keep it for him.
If you look down and are not frightened of heights (the society for the Preservation of This and That have put up some excellent railings to preserve you from tumbling over), you can see the whole anatomy of the inner court laid out beneath you like a map. You can see the chapel, now quite open to its god, and the windows of the great hall with the solar over it. You can see the shafts of the huge chimneys and how cunningly the side flues were contrived to enter them, and the little private closets now public, and the enormous kitchen. If you are a sensible person, you will spend days there, possibly weeks, working out for yourself by detection which were the stables, which the mews, where were the cow byres, the armoury, the lofts, the well, the smithy, the kennel, the soldiers’ quarters, the priest’s room, and my lord’s and lady’s chambers. Then it will all grow about you again. The little people – they were much smaller than we are, and it would be a job for most of us to get inside the few bits of their armour and old gloves that remain – will hurry about in the sunshine, the sheep will baa as they always did, and perhaps from Wales there will come the ffff-putt of the triple-feathered arrow which looks as if it had never moved.
This place was of course, a complete paradise for a boy to be in. The Wart ran about it like a rabbit in its own complicated labyrinth. He knew everything, everywhere, all the special smells, good climbs, soft lairs, secret hiding-places, jumps, slides, nooks, larders and blisses. For every season he had the best place like a cat, and he yelled and ran and fought and upset people and snoozed and daydreamed and pretended he was a Knight, without ever stopping. Just now he was in the kennel.
People in those days had rather different ideas about the training of dogs to what we have today. They did it more by love than strictness. Imagine a modern M. F. H. going to bed with his hounds, and yet Flavius Arrianus says that it is “Best of all if they can sleep with a person because it makes them more human and because they rejoice in the company of human beings: also if they have had a restless night or been internally upset, you will know of it and will not use them to hunt next day.” In Sir Ector’s kennel there was a special boy, called the Dog Boy, who lived with the hounds day and night. He was a sort of head hound, and it was his business to take them out every day for walks, to pull thorns out of their feet, keep cankers out of their ears, bind the smaller bones that got dislocated, dose them for worms, isolate and nurse them in distemper, arbitrate in their quarrels and sleep curled up among them at night. If one more learned quotation may be excused, this is how the Duke of York who was killed at Agincourt described such a boy in his Master of Game: “Also I will teach the child to lead out the hounds to scombre twice in the day in the morning and in the evening, so that the sun be up, especially in winter. Then should he let them run and play long in a meadow in the sun, and then comb every hound after the other, and wipe them with a great wisp of straw, and this he shall do every morning. And then he shall lead them into some fair place where tender grass grows as corn and other things, that therewith they may feed themselves as if it is medicine for them.” Thus, since the boy’s “heart and his business be with the hounds,” the hounds themselves become “Goodly and kindly and clean, glad and joyful and playful, and goodly to all manner of folks save to the wild beasts to whom they should be fierce, eager and spiteful.”
Sir Ector’s dog-boy was none other than the one who had had his nose bitten off by the terrible Wat. Not having a nose like a human, and being, moreover, subjected to stone-throwing by the other village children, he had become more comfortable with animals. He talked to them, not in baby-talk like a maiden lady, but correctly in their own growls and barks. They all loved him very much, and revered him for taking thorns out of their toes, and came to him with their little troubles at once. He always understood immediately what was wrong, and generally he could put it right. It was nice for the dogs to have their god with them, in visible form.
The Wart was fond of the Dog Boy, and thought him very clever to be able to do all these things with animals – for he could make them do almost anything just by moving his hands – while the Dog Boy loved the Wart in much the same way as his dogs loved him, and thought the Wart was almost holy because he could read and write. They spent much of their time together, rolling about with the dogs in the kennel.
The kennel was on the ground floor, near the mews, with a loft above it, so that it should be cool in summer and warm in winter. The hounds were alaunts, gaze-hounds, lymers and braches. They were called Clumsy, Trowneer, Phoebe, Colle, Gerland, Talbot, Luath, Luffra, Apollon, Orthros, Bran, Gelert, Bounce, Boy, Lion, Bungey, Toby and Diamond. The Wart’s own special one was called Cavall, and he happened to be licking Cavall’s nose – not the other way about – when Merlyn came in and found him.
“That will come to be regarded as an insanitary habit,” said Merlyn, “though I can’t see it myself. After all, God made the creature’s nose just as well as he made your tongue.
“If not better,”