over, and light powdery snow was settling on its surface. Four hundred yards out across the thin ice, the pine forest was a black jagged silhouette against the grey sky.
Markus Kinski clapped his hands together and pulled up his jacket collar. He leaned back against the side of the four-wheel drive, remembering the last time he’d been back here. The day the foreigner had been brought out from under the ice.
The year was coming full circle, winter closing in again. So what was he doing back here? Maybe Monika had been right when she’d said he was obsessive by nature.
For a moment he thought about his wife. She’d been gone nearly three years now. Too young to die. Misdiagnosed twice. He missed her.
He sighed and his mind drifted back to the Llewellyn case. It had been shut months ago, but the damn thing haunted him. There was something not right about it. It had been closed too neatly, dealt with too efficiently, even by perfectionist Austrian standards. Things just didn’t happen like that. It had taken him months to get it out of his head, and then just when he was beginning to forget about the whole damn thing, who should pop up out of nowhere but Madeleine Laurent. Or whoever she was.
So far, the search for Laurent was going nowhere. The Erika Mann credit card had been real enough, but who was she? The address from the credit company had led him to a deserted warehouse in an industrial zone of the city. No big surprise.
So now there was more to add to the bunch of unanswered, nagging questions that already clustered around the Llewellyn case.
Madeleine Laurent wasn’t the only mystery connected to the drowned man. There was the matter of Fred Meyer, too. Meyer had a lot in common with Llewellyn. Too much. Both musicians, both pianists, both dead. Just a few kilometres apart, and both on the same night. Llewellyn’s watch, an old clockwork relic, had stopped when the water hit it and they pretty much knew the exact time of death. When they’d found Fred Meyer hanging in his student digs, he’d been dead about twelve hours. Which meant the two pianists had met their end within a short time of one another. Meyer first, probably, then Llewellyn soon after.
There’d been no suicide note in the Meyer case, no apparent motive. Interviews with family had thrown up no history of depression. As for most students money was tight, but he’d been careful and there was no significant debt hanging over him. No emotional problems either, and from all accounts he was getting on well with his steady girlfriend. He’d recently landed a job teaching music at a school in Salzburg and was looking forward to starting after the summer, when his studies at the Vienna Conservatoire were over. Life had been pretty good for Fred Meyer. Until he’d found himself on the end of a rope.
OK, coincidences happened and maybe there wasn’t anything to connect one musician’s foolish accident to another’s pointless suicide. At least, that was what Kinski had been trying to make himself believe over the last few months. Just one other detail stuck in his craw, like a breadcrumb that wouldn’t go down. It was the matter of the opera tickets found in Meyer’s room.
Kinski sighed and looked out across the misty lake. The ice was still too thin to walk on, but in a few weeks it would have thickened enough to take the weight of a man. He’d seen people out here skating on the lake sometimes.
He tried to imagine what it would be like to fall through ice. The shock of the freezing water, enough to stop a man’s heart. The current carrying you away under the solid ice sheet, so hard it would take a sledgehammer to fight your way back to the air just a couple of inches away.
He thought about all the different types of death he’d seen, and the looks on the faces of all the dead people his work had brought him into contact with. The look on Oliver Llewellyn’s blue, half-frozen face had been one of the worst things he’d ever seen. For months afterwards he only had to close his eyes and it was there staring at him. No shutting it out. Standing here by the lakeside was bringing that image back sharp in his mind.
He glanced at his watch. He’d been here too long. His misgivings about the case seemed to hold him here, when he should be getting back. He’d told Helga, Clara’s sitter, that he’d pick the kid up from school himself today for a change. She was growing up fast, coming on nine and a half now, and he was missing a lot of it. It would be a nice surprise for her. He was determined to spend the evening doing something fun, like taking her skating, or going to a movie. He threw everything at his child-the private bilingual school that would give her the best education, the violin lessons, the expensive toys. Clara had everything, except time with her father.
He heard footsteps coming up behind him in the frosty grass. He turned. ‘Hey, Max, where were you?’
The dog sat on his haunches and looked up expectantly with his big black head slightly cocked to one side, the rubber ball clenched in his powerful jaws. The gentle Rottweiler was old for his breed but Kinski kept him in shape.
‘Give it, then,’ Kinski said gently. ‘One throw, and then we’re out of here. Should never have come here in the first place,’ he added.
The dog dropped the ball delicately in his hand. It was slimy with saliva and mud. ‘You don’t know how lucky you are,’ Kinski said to him. ‘Chasing balls all day would suit me just fine. Better than the shit I have to deal with, believe me, my friend.’ He tossed the ball away into the long grass and watched as the dog thundered after it, sending up a spray of frosty mud.
Max hunted around for the ball, snuffling in the reeds. He looked hesitant, pawing the ground and turning his big head this way and that.
‘Don’t tell me you’ve lost it again,’ Kinski called out in exasperation. He walked over and searched among the reeds for a glimpse of blue rubber among the frosty grass and mud. The dog had flattened a lot of the rushes searching for the ball. ‘Nice going, Max,’ he muttered. ‘You know, those fucking things cost eight euros each, and how many is that you’ve lost now? Du Arschloch.’
There were cigarette butts in the mud. Kinski drew his hand away, thinking of hypodermics. Fucking junkies shitting the place up.
But then he looked more closely. He picked one up and examined it. It wasn’t a cigarette butt. It was a spent cartridge case. The brass was tarnished and dull, green in places. The rusted primer was indented in the middle where the firing pin had hit. Around the bottom of the case’s rim were stamped in tiny letters the words 9mm Parabellum—CBC.
Who’s been firing nine-mil out here? Kinski thought. He rummaged in the grass. Max stood over him, watching fixedly. He bent back a frosty clump and found another. It was just the same. Then another, and then two more, lying half-buried in the yellowed roots. He pulled the grass back in fistfuls and kept finding more. After three minutes’ searching he’d gathered up twenty-one of them, using the end of a ballpoint to pick them up and lay them in a little pile.
Twenty-one was a lot of brass. All lying in one spot. That meant a single shooter, firing all the shots from a fixed position. Too many rounds for a standard pistol, unless he was using an extended magazine. It was more likely a burst from a fully automatic weapon, about a second and a half from a typical submachine gun. Serious. Disconcerting.
He examined each cartridge case carefully in turn on the end of his pen, careful not to handle them. They all had the same scrape marks where they’d been slotted into a tight-fitting magazine, and the same slight dent on the lip where they’d been violently spat through the ejector port. The scent of cordite was long gone. He dropped the cases one by one in a small plastic bag and stored it in his jacket pocket. He straightened up. He’d forgotten the ball. He estimated the throw from the ejector and tried to figure out where the shooter might have been standing.
