Praise for The Hidden Assassins:
Seville—Monday, 5th June 2006, 16.00 hrs
Dead bodies are never pretty. Even the most talented undertaker with a genius for maquillage cannot bring the animation of life back to a corpse. But some dead bodies are uglier than others. They have been taken over by another life form. Bacteria have turned their juices and excretions into noxious gas, which slithers along the body’s cavities and under the skin, until it’s drum tight over the corruption within. The stench is so powerful it enters the central nervous system of the living and their revulsion reaches beyond the perimeter of their being. They become edgy. It’s best not to stand too close to people around a ‘bloater’.
Normally Inspector Jefe Javier Falcón had a mantra, which he played in the back of his mind when confronted by this sort of corpse. He could stomach all manner of violence done to bodies—gunshot craters, knife gashes, bludgeon dents, strangulation bruises, poisoned pallor—but this transformation by corruption, the bloat and stink, had recently begun to disturb him. He thought it might just be the psychology of decadence, the mind troubled by the slide to the only possible end of age; except that this wasn’t the ordinary decay of death. It was to do with the corruption of the body—the heat’s rapid transformation of a slim girl into a stout middle-aged matron or, as in the case of this body that they were excavating from the rubbish of the landfill site beyond the outskirts of the city, the metamorphosis of an ordinary man to the taut girth of a sumo wrestler.
The body had stiffened with rigor mortis and had come to rest in the most degrading position. Worse than a defeated sumo wrestler tipped from the ring to land head first in the front row of the baying crowd, his modesty protected by the thick strap of his mawashi, this man was naked. Had he been clothed he might have been kneeling as a Muslim supplicant (his head even pointed east), but he wasn’t. And so he looked like someone preparing himself for bestial violation, his face pressed into the bed of decay underneath him, as if unable to bear the shame of this ultimate defilement.
As he took in the scene Falcón realized that he wasn’t playing his usual mantra and that his mind was occupied by what had happened to him as he’d taken the call alerting him to the discovery of the body. To escape the noise in the café where he’d been drinking his café solo, he’d backed out through the door and collided with a woman. They’d said ‘Perdón’, exchanged a startled look and then been transfixed. The woman was Consuelo Jiménez. In the four years since their affair Falcón had only had a glimpse of her four or five times in crowded streets or shops and now he’d bumped into her. They said nothing. She didn’t go into the café after all, but disappeared quickly back into the stream of shoppers. She had, however, left her imprint on him and the closed shrine in his mind devoted to her had been reopened.
Earlier the Médico Forense had stepped carefully through the rubbish to confirm that the man was dead. Now the forensics were concluding their work, bagging anything of interest and removing it from the scene. The Médico Forense, still masked up and dressed in a white boiler suit, paid his second visit to the victim. His eyes searched and narrowed at what they found. He made notes and walked over to where Falcón was standing with the duty judge, Juez Juan Romero.
‘I can’t see any obvious cause of death,’ he said. ‘He didn’t die from having his hands cut off. That was done afterwards. His wrists have been very tightly tourniqueted. There are no contusions around the neck and no bullet holes or knife wounds. He’s been scalped and I can’t see any catastrophic damage to the skull. He might have been poisoned, but I can’t tell from his face, which has been burnt
