The Spy Quartet. Len Deighton

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She put it down on the counter very gently so she could not be accused of anger.

      ‘They’ll need two keys, Sybil.’

      She scowled at him. ‘They’ll pay for the rooms,’ he said.

      ‘We’ll pay,’ I said. Outside the rain began. It bombarded the window and rattled the door as though anxious to get in.

      She slammed the second key down upon the counter. ‘You should have taken it and dumped it,’ said the woman angrily. ‘Rik could have driven these two back here.’

      ‘This is the important stage,’ said the man.

      ‘You lazy pig,’ said the woman. ‘If the alarm is out for the car and Rik gets stopped driving it, then we’ll see which is the important stage.’

      The man didn’t answer, nor did he look at me. He picked up the keys and led the way up the creaky staircase. ‘Mind the handrail,’ he said. ‘It’s not fixed properly yet.’

      ‘Nothing is,’ called the woman after us. ‘The whole place is only half-built.’

      He showed us into our rooms. They were cramped and rather sad, shining with yellow plastic and smelling of quick-drying paint. Through the wall I heard Kuang swish back the curtain, put his jacket on a hanger and hang it up. There was the sudden chug-chug of the water pipe as he filled the wash-basin. The man was still behind me, hanging on as if waiting for something. I put my finger to my eye and then pointed towards Kuang’s room; the man nodded. ‘I’ll have the car ready by twenty-two hundred hours. Ostend isn’t far from here.’

      ‘Good,’ I said. I hoped he would go but he stayed there.

      ‘We used to live in Ostend,’ he said. ‘My wife would like to go back there. There was life there. The country is too quiet for her.’ He fiddled with the broken bolt on the door. It had been painted over but not repaired. He held the pieces together, then let them swing apart.

      I stared out of the window; it faced south-west, the way we had come. The rain continued and there were puddles in the roadway and the fields were muddy and windswept. Sudden gusts had knocked over the pots of flowers under the crucifix and the water running down the gutters was bright red with the soil it carried from somewhere out of sight.

      ‘I couldn’t let the boy bring you,’ the man said. ‘I’m conducting you. I couldn’t let someone else do that, not even family.’ He rubbed his face hard as if he hoped to stimulate his thought. ‘The other was less important to the success of the job. This part is vital.’ He looked out of the window. ‘We needed this rain,’ he said, anxious to have my agreement.

      ‘You did right,’ I said.

      He nodded obsequiously, as if I’d given him a ten-pound tip, then smiled and backed towards the door. ‘I know I did,’ he said.

      34

      My case officer arrived about 11 A.M.; there were cooking smells. A large black Humber pulled into the courtyard and stopped. Byrd got out. ‘Wait,’ he said to the driver. Byrd was wearing a short Harris tweed overcoat and a matching cap. His boots were muddy and his trouser-bottoms tucked up to avoid being soiled. He clumped upstairs to my room, dismissing the Fleming with only a grunt.

      ‘You’re my case officer?’

      ‘That’s the ticket.’ He took off his cap and put it on the bed. His hair stood up in a point. He lit his pipe. ‘Damned good to see you,’ he said. His eyes were bright and his mouth firm, like a brush salesman sizing up a prospect.

      ‘You’ve been making a fool of me,’ I complained.

      ‘Come, come, trim your yards, old boy. No question of that. No question of that at all. Thought you did well actually. Loiseau said you put in quite a plea for me.’ He smiled again briefly, caught sight of himself in the mirror over the wash-basin and pushed his disarranged hair into place.

      ‘I told him you didn’t kill the girl, if that’s what you mean.’

      ‘Ah well.’ He looked embarrassed. ‘Damned nice of you.’ He took the pipe from his mouth and searched around his teeth with his tongue. ‘Damned nice, but to tell you the truth, old boy, I did.’

      I must have looked surprised.

      ‘Shocking business of course, but she’d opened us right up. Every damned one of us. They got to her.’

      ‘With money?’

      ‘No, not money; a man.’ He put the pipe into the ashtray. ‘She was vulnerable to men. Jean-Paul had her eating out of his hand. That’s why they aren’t suited to this sort of work, bless them. Men were deceivers ever, eh? Gels get themselves involved, what? Still, who are we to complain about that, wouldn’t want them any other way myself.’

      I didn’t speak, so Byrd went on.

      ‘At first the whole plan was to frame Kuang as some sort of oriental Jack-the-Ripper. To give us a chance to hold him, talk to him, sentence him if necessary. But the plans changed. Plans often do, that’s what gives us so much trouble, eh?’

      ‘Jean-Paul won’t give you any more trouble; he’s dead.’

      ‘So I hear.’

      ‘Did you arrange that too?’ I asked.

      ‘Come, come, don’t be bitter. Still, I know just how you feel. I muffed it, I’ll admit. I intended it to be quick and clean and painless, but it’s too late now to be sentimental or bitter.’

      ‘Bitter,’ I said. ‘If you really killed the girl, how come you got out of prison?’

      ‘Set-up job. French police. Gave me a chance to disappear, talk to the Belgians. Very co-operative. So they should be, with this damned boat these Chinese chappies have got anchored three miles out. Can’t touch them legally, you see. Pirate radio station; think what it could do if the balloon went up. Doesn’t bear thinking of.’

      ‘No. I see. What will happen?’

      ‘Government level now, old chap. Out of the hands of blokes like you and me.’

      He went to the window and stared across the mud and cabbage stumps. White mist was rolling across the flat ground like a gas attack.

      ‘Look at that light,’ said Byrd. ‘Look at it. It’s positively ethereal and yet you could pick it up and rap it. Doesn’t it make you ache to pick up a paintbrush?’

      ‘No,’ I said.

      ‘Well it does me. First of all a painter is interested in form, that’s all they talk about at first. But everything is the light falling on it – no light and there’s no form, as I’m always saying; light’s the only thing a painter should worry about. All the great painters knew that: Francesca, El Greco, Van Gogh.’ He stopped looking at the mist and turned back towards me glowing with pleasure. ‘Or Turner. Turner most of all, take Turner any day …’ He stopped talking but he didn’t stop looking at me. I asked him no question but he heard it just the same. ‘Painting is my life,’ he said. ‘I’d do anything just to have enough money to

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