God Of Thunder. Alex Archer
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Then they saw the pistols in the hands of the men pursuing her. Trained by the post-9/11 world, the pedestrians hit the sidewalk and wrapped their hands over their heads.
They also shouted, and the shouts caught up to Annja and passed her. In seconds, the pedestrians in front of Annja had hit the ground, as well. The sidewalk became treacherous with bodies, and there was no way she could lose herself in a crowd.
A gypsy cab with a Buddha swinging from the mirror and blaring Eminem braked to a halt at the curb. The driver hit his horn repeatedly, cursing at the traffic congestion that had gridlocked him.
Annja threw herself across the cab’s hood, sliding on her hip in a move made famous on The Dukes of Hazard television show. She hit the street on the other side of the cab and managed one step before she leaped again.
This time she sprinted across the next car. Horns blared behind her. The gypsy cabdriver shrilled curses at her, but shut up when he saw the men with guns. Annja used that sudden silence to mark the progress of the two men following her.
The other two men were across the street and tried to set themselves up on an interception course, running along the sidewalk.
By that time Annja was dealing with the oncoming traffic. It wasn’t as congested. The flow wasn’t moving quickly, but it was moving. Tires shrieked as the drivers in the inside lane tried to halt, but a New York City transit bus advertising the Late Show with David Letterman blocked her path.
Annja got her free arm up and used it to cushion her impact against the bus, slamming up against the Letterman photo. The bus never even slowed.
Whirling, Annja ran to the left. She figured the two men trying to intercept her would expect her to run to the rear of the bus and try to get around. Instead, she trusted herself to outrun the bus and the other two pursers.
She ran, breathing quickly, hoping she didn’t get a muscle cramp from the cold weather. A quick glance at Agent Smith and his partner showed them trying to negotiate the first lane of traffic that wasn’t stalled. Horns blared all around them.
Smith, his nose streaming blood, stopped long enough to yell to the other two men. He waved them back in the direction Annja had gone.
Annja’s thoughts ran rampant. Cold air hit her lungs like a fist. She’d gotten acclimated to Florida over the past few weeks, and the weather there hadn’t been anything like Brooklyn’s.
Going back to the loft is a bad idea, she told herself. She kept running. Then the side mirror of a flower-delivery van in front of her shattered. Pieces of glass scattered across the street. The sound of the gunshot followed immediately.
Panic spread over the street as some of the motorists tried to lock down their vehicles while others searched for a gap to make their getaway.
A limousine ahead of Annja plowed into the back of an older sedan. Immediately a man in a black business suit and wraparound sunglasses got out of the limo and dropped into a crouch. His hand snaked under his jacket.
Annja was pretty sure he was going for a shoulder holster. A shoot-out in the middle of the street was the last thing that needed to happen.
She jumped up in a flying kick just as the man’s hand cleared his jacket. The large pistol had a shiny nickel finish.
Swinging her left foot out, Annja caught the man in the forehead. His head snapped back and bounced off the car. He went boneless and dropped, out cold.
Thankfully, the impact didn’t throw Annja off much. She caught herself on her hands, prone on her stomach on the street.
Two car lengths behind her, Agent Smith and his friend had gone to cover, ducking behind the florist van. Seeing the unconscious bodyguard sprawled in the street beside Annja, they grew brave enough to shove their pistols around the van.
Annja vaulted to her feet and ran across the back end of the limousine. At least two rounds smashed the vehicle’s bulletproof rear window, leaving spiderwebbed cracks in the reinforced glass. The front glass of a coffee shop shattered. Patrons inside screamed and threw themselves to the floor.
Okay, Annja thought as she leaped for the curb. Now we know these guys aren’t afraid to use those guns.
She hit the pavement with both feet and stumbled forward. Knowing she had to get off the street and out of the sights of the two men, she raced for a nearby theater.
T HE THEATER WAS small, with an upper and lower screen. Decked out in yellow and red, the theater looked as if it were still in the 1950s when it had shown first-run movies instead of hand-me-downs that came out on DVD the same week.
The marquee advertised a couple of movies—one a horror picture and the other a new fantasy picture about a dragon. A line had formed at the ticket window.
Annja ran past them, slamming through one of the front doors. The box she carried absorbed some of the impact.
She was inside the building. A crew of early-twenty-somethings and a few teens worked the counter. The heavy scent of buttered popcorn hung on the air, mixing with the sharp stink of a cherry air freshener. Movie posters of the movies that were currently showing hung on the wall between the two bathrooms.
Barely breaking stride, Annja headed for the theater at the back of building. An usher in a red vest stood at the small podium reading a comic book. He looked up at Annja’s approach, then looked as if he was going to say something. By that time she was already past him, and the four armed men came through the door. People began screaming.
Annja ran inside the dark theater, cut around the corner that blocked the light from entering the viewing area and ran down the steps toward the emergency door at the back. She halted, framed by the screen as a band of warriors gathered on a rocky cliff. She looked back at the protective wall.
She knew she hadn’t left her pursuers, but she didn’t want them to lose her now. The idea of the four men searching through the theater crowd left her chilled. They needed to know where she was.
“Hey, lady!” someone yelled. “Down in front! Some of us are here to see the movie!”
The four men came around the protective wall, briefly backlit by the closing door. Agent Smith pointed his gun and fired. The shot rang out in the enclosed space, but it was quickly drowned out by the dragon’s roar on the film. On-screen, the warriors screamed and ran for their lives. Anyone watching would have thought the film was interactive, because the moviegoers did the same.
Annja turned and ran toward the lighted emergency exit as a line of bullets chopped into the wall behind her. Evidently the emergency factor compelling the men to seize the package was escalating. She couldn’t keep up the chase or an innocent bystander was going to get hurt.
3
Plunging through the emergency door, Annja ran out into the alley behind the theater. Potholes lined the street. Battered Dumpsters filled to overflowing stood resolute as old soldiers against the wall. She spotted some fire escape stairs to her right and headed for them.
Under the retractable ladder