generally expected that she, too, would make a good marriage.
Rachel did not question her role in such plans. It was, after all, the way people of her class married. There were no longer the arranged marriages of old, of course, where a wedding was primarily an alliance of two families for purposes of wealth, power and political advancement, and the couple might not even have met each other before their wedding day. But, still, the aristocracy did not marry for love, as her mother had drummed into her head from childhood; they married for the good of their family, both present and future.
In the case of the Aincourt family, this dictum nearly always translated into marrying wealth. For generations the earls of Ravenscar had gained and lost money, but more gold, it seemed, left their hands than entered them. The reason for this, Rachel’s narrowly and dogmatically religious father believed, was a Papist curse laid on the head of the first Earl of Ravenscar, who was given Branton Abbey during the Dissolution by his friend King Henry VIII as a reward for his loyalty and friendship. Edward Aincourt, Lord Ravenscar, had torn down the abbey and used its stones to build his family’s home. The Abbot of Branton, legend said, had had to be dragged out bodily from the abbey, and as Ravenscar’s men had done so, the abbot had laid a curse upon the earl and all his descendants, declaring that “none who live within these stones shall ever know happiness.”
Whether it was the result of the curse or simply the nature of a family too given to pride and profligacy, it was true that the Aincourts had rarely been happy in affairs of either the heart or the purse. It was good, everyone agreed, that the Aincourts were also a family tall and graceful in stature and of handsome mien, for they were always able to replenish their fortunes through marriage—though there were those who pointed out that it was perhaps this tendency that doomed them to live out the curse’s prophecy of unhappiness.
In this particular generation of Aincourts, the lack of money had grown acute. The earl, a religious man of stern views, had not extended his religious beliefs to living an ascetic life. He loved to live well and buy beautiful things, as had his father before him, and as a result, the family fortunes had declined at an ever greater rate. It was generally considered up to the daughters of the family to provide for the family, as the earl had parted with his only son, Devin, the heir to the family title and what remained of the family fortune. Devin had, in his teen years, given himself over to a life of what his father deemed pagan excess, for years loving a married woman and refusing to marry as his father wished.
So Rachel dutifully expected to marry as her father determined, but she could not help but dream secretly that her marriage would turn out to be one of love as well as duty, as her sister Caroline’s had been. Everyone knew that the Duke of Cleybourne loved his wife to distraction, and she had seemed to love him in return, though later the truth of her feelings had been proven to be more shallow. At the very least, Rachel intended to enjoy her time on the marriage market, wearing the new dresses and ball gowns bought for her debut, going to parties and balls and fetes, enjoying the plays and operas and other amusements that London had to offer a girl who had spent most of her life on a crumbling estate in Derbyshire.
Rachel was an immediate, dazzling success. Her life was a whirl of social activities that would have left anyone but a vibrant young girl exhausted. She received her invitation to Almack’s. Every dance saw her card filled within minutes after her arrival. She had a choice of corsages sent by hopeful suitors for every ball, and there was never a shortage of young men calling at her house.
But Rachel had eyes for only one man. She met Anthony Birkshaw two weeks into the Season, and as soon as she saw him, she knew that this was the man of her dreams. He was a well set up young gentleman a few years older than she, with a frank and open manner that charmed her instantly. His hair was dark brown, thick and falling carelessly over his forehead, and his eyes, she thought, were those of a poet—large and brown, rimmed with thick, sooty black lashes.
And he was, miraculously, as taken with her as she was with him. He did not, of course, make a cake of himself as Jasper Hopkins was wont to do by dancing the two dances with her that were all that was proper from a young man not a girl’s fiancé, then pointedly standing apart and watching her the rest of the evening, not dancing with any other girl. Anthony was all that was proper and courteous, dancing and chatting with other young women, not devoting himself so exclusively to Rachel that he caused gossip.
That night, after their waltz together, as they had taken a long promenade around the ballroom, Anthony had told Rachel that he loved her. Her feet had scarcely touched the floor the rest of the evening.
She spent the rest of the summer in a giddy state of love. Given the assiduous way young unmarried girls were chaperoned, she was almost never alone with Anthony. Their love subsisted on looks, daydreams and waltzes. She “ran into” him now and then as she walked with her maid to or from the lending library, fueling a renewed love of reading. When he sent her a posy, she slept with it by her bed, and when it began to wither, she carefully pressed the flowers between heavy books and saved them. Every now and then, at some huge rout or ball, they were able to sneak away together for a few moments, get lost in the crowd after a dance or during a midnight supper, and find a spot in the gardens or some dim alcove in the house. There, briefly, they could whisper of their feelings, pour out the excitement that thrummed in them whenever they were together, even exchange a chaste kiss or two. Rachel lived for those moments.
Lost in her haze of love, Rachel was scarcely aware of how often Lord Westhampton came to call or led her onto the dance floor. She was too wrapped up in Anthony to take much notice of any of her other suitors, but she had not even put Michael among that group. He was almost ten years older than she, as well as a friend of Caroline’s husband, and she merely assumed that he was part of the circle of friends around the duke and duchess. As she and her family were living for the Season at the enormous Cleybourne House, their own house in London having been sold some years before, it did not seem untoward to her that one of the duke’s friends often came to call or was frequently included on their various outings. He did not form part of the circle of young men around her at parties, maneuvering to be the one to bring her a glass of punch, pick up a dropped glove or lead her down to supper. Had she been older or less naive, she would have realized that his absence had in fact signaled to her parents a more serious intent. He was too mature and important, too serious in his regard, to have joined the group who pursued her. He was not a man who wanted to flirt and admire; he was a man who intended to marry.
She did not think much about him, but if she had, she would have said that she liked Lord Westhampton. He was quiet, a good listener, and if she made a social gaffe or a naive remark, he would only smile a little and smooth it over. Because she did not count him as one of her circle of admirers, she did not feel any pressure to sparkle or enchant him as she did with many other young men. Though she was not interested in any of them except Anthony, it was accepted that the number of suitors in one’s circle was the mark of a young woman’s success in the Ton, so it would not do for people to see that the knot of admirers around one was shrinking away. So she had to flirt without seeming bold, had to be witty and lively and respond to their attempts at wit without ever seeming to favor one over the others.
With Westhampton, she found, she could talk more easily. She did not worry about trying to appeal to him or needing to maintain a certain image. She simply treated him as she always had any of her older brother’s or sister’s friends. It did not take her long to realize that if she had a problem concerning social etiquette or needed to find out who someone was and where they fit into the pattern of the ton, Lord Westhampton was the person to ask.
Then, one day late in July, her father called her mother and her into the library. Her heart speeded up a little, and her cheeks flushed attractively. Such a summons from Ravenscar meant something important was up, and her thoughts jumped instinctively to Anthony Birkshaw. He had asked Ravenscar for her hand in marriage! In her young, love-drunk mind, it was the only possible outcome to the summer.
Her father stood behind
