was Mrs Nugent, in to heat up the kettle for a fresh round of tea. This was all grown-ups did: made tea and smoked and offered Peg things she didn’t want.
‘I can see if my Clare’s ones are about? Tracey might even let you play with her new Barbie, though you’re not allowed to give it a perm, the cheek of her, trying to make it out like me! Though, I says, you’d be paying a lot more for a doll with this quality hair, wouldn’t you!’
Peg looked longingly out at the back garden, where the books Aunty Mary had brought were locked up in the shed. There wasn’t a hope that Mrs Nugent would read her mind.
‘Staying here to look after the young ones, are you, pet? Aren’t you a brilliant help to your gran? Janey, I wish some of my lot were more like you!’
Peg left Mrs Nugent, who continued to chat to the radio, and trudged upstairs. She would look in on her siblings, cosied up in their cots in the biggest room in the house. They weren’t even cute, like Peg’s doll. All they did was sleep and cry and stare, the last action being apparently a great achievement. ‘Isn’t he a great one for looking at you?’ the ladies in the porch said. ‘Oh, he’s a sharp one,’ Granny Doyle agreed. He was John Paul Doyle, the only one of the triplets who warranted such attention. Granny Doyle had recognized her future Pope immediately in the runt of the litter, the one who had struggled to stay alive. Granny Doyle knew that cunning trumped primogeniture and here was the Jacob to Esau, a battler who could cut the queue to the head of the Vatican: Ireland’s first Pope, John Paul Doyle!
A great one for his poos: that was how Peg saw John Paul. Helping Granny Doyle with the endless parade of cloth nappies through the house, Peg had excellent insight into the triplets’ characters. While Damien produced nice little nuggets of poo that could be easily cleaned up, John Paul’s explosive shits were messy and unpredictable. A testament to the luxury of riches that Granny Doyle piled upon him – for he would be the first to have a scoop of mashed potato; the baby who’d get the extra bit of bottle – but Peg knew that there was more to it than nurture: it was John Paul’s nature to cause trouble, something he excelled at.
Any sensible person would have placed their bets for papal stardom on the other two babies, docile creatures who were happier sleeping than staring. Damien had the capacity to sit quietly in his high chair; unlike John Paul, he did not need to play ‘food or missile?’ with every object that crossed his path. He was as placid as could be; he was doomed from the get-go.
Rosie was a trickier character to get a handle on. The only one named by her father, Rosie somehow managed to wriggle away from the moniker of ‘Catherine Rose Doyle’ before she could talk. Even as a baby there was something vague and dreamy about Rosie Doyle; she had none of the solidity of a ‘Rose’ or a ‘Catherine’. Against the perversity of John Paul and the purity of Damien, Rosie was a perpetual hoverer, a swirl of characteristics, none of them fussed enough to dominate. For the record, her poos, those reliable auguries of the future, were hard to classify, trickles that were neither solid nor liquid, not quite committing themselves to any shade of the spectrum.
One thing Peg was sure of: they were all united against her. If there were any magic to be found in 7 Dunluce Crescent, it was all concentrated in the triplets’ room; eerie the ways in which they seemed to be connected, as if some elastic band that Peg could never see looped them together. How else to explain how they could all wake up at the same instant or wail as one? Or not quite as one, Peg realized, as she creaked open the door innocently and peered at her slumbering siblings. John Paul woke the second she looked at him; she was sure of it. His little face looked up at Peg, cunning glinting in his eyes before he opened his mouth. The elastic band snapped into place and there the three of them were, miraculously awake and immediately furious at the world. That was the way of the triplets: John Paul set the tune and the other two followed. ‘Ssssh,’ Peg tried but it was hopeless. She could hear the commotion in the porch below; she’d be murdered.
Peg had a second to decide: try and placate the triplets or run and hide? Her legs made the choice immediately; in 7 Dunluce Crescent, escape was always the answer. She shot past her father’s closed door (as if he’d be any use) and dashed into her room. Well, Granny Doyle’s room with a camp bed in the corner and a chest of drawers for Peg, no space even for a shoebox. Peg’s heart raced as she heard Granny Doyle heave her way up the stairs. The triplets had only been down for the length of one cup of tea: she’d be mad. Peg examined the room for hiding places. There was the dusty wardrobe, no hope of Narnia behind Granny Doyle’s rain macs and dry-cleaned skirts. The covers of Granny Doyle’s big bed were an option, though the smell of Granny Doyle was enough to keep her away. Under the camp bed it was, a space Peg could just about crawl into. The walls were thin enough that Peg could hear Granny Doyle shush the triplets, John Paul cradled as she launched into some country lullaby.
Peg didn’t dare move, as much as she hated the room and its statue of the Sacred Heart. It wasn’t possible to switch it off, so Granny Doyle said, so Peg had to stare at the odd statue of Jesus, with his huge red heart, throbbing brightly in the dark. For some reason, it was the statue that made it hard for Peg to find sleep, not the restless triplets in the next room. Every night, she’d lie on the small camp bed, her body tight as a tin soldier, eyes fixed on the pulsating red candle. Granny Doyle had shared the room with the Sacred Heart since her wedding night. If the statue’s light had bothered her once, it didn’t now, and her snores always filled the room before Peg’s sobs.
At least he wouldn’t tell on her, Peg thought, peeping out from under the bed to stare at Jesus. He was too busy with his heart that never stopped beating, even after death: he wasn’t bothered with the misdeeds of Peg Doyle. Nor were any of the statues or pictures of the Virgin Mary, when she thought of it. Whatever Peg did – spitting out Granny Doyle’s soup or stealing a glimpse into the dining room – had no impact on the serene smiles of the Virgin Marys dotted throughout the house. She could become invisible, Peg decided; a thought to chew on. He’d keep her secret, this statue of the Sacred Heart, not a word out of him, even as Peg heard Granny Doyle cart the triplets downstairs, the hope of rocking them to sleep surrendered.
Peg would stay here until she was caught, she decided, settling into the carpet. She dug in her elbows, ready to wait Granny Doyle out. An hour passed. Two. Peg smelled the whiff of cabbage and pork chops from the kitchen: surely Granny Doyle would fetch her now. But no, Peg heard Granny Doyle’s footsteps up and down the stairs as she delivered a tray to her father’s room, no thought to check in on Peg. Tears welled up in Peg’s eyes, their provenance unclear, as she probably wouldn’t be in trouble now. Yet to be invisible had its own hardships, the statue of the Sacred Heart’s expression unmoved by her tears, its heart continuing to flicker as night crept into the room.
It was as if the statue knew, Peg thought, years later: the statue understood that 7 Dunluce Crescent was impossibly small for all the people and feelings it was suddenly asked to contain. From the beginning, the house had been impatient to expel some of its new inhabitants, unable to contain the miracles that would push against its walls. The statue intuited this: perhaps it even anticipated the trouble that would come, the sights it would be forced to witness. Yet it kept beating on, even as dark filled every corner of the room, while Peg sobbed herself to sleep.
The statue saw what Peg didn’t: the heave of relief when Granny Doyle found her, the sign of the cross, the kiss. Granny Doyle managed to shift Peg’s floppy limbs into the camp bed. She pulled the covers around her, bewildered at the devilment that such a quiet thing could get up to.
Little do you know, the statue might have said, for surely it intuited everything that Granny Doyle and Peg would do and say to each other before their histories ran out. It kept quiet, its scarlet candle throbbing away, its lips frozen in a solemn smile, its hands outstretched in a gesture of compassion, though they were made of stone, and limited, ultimately, in their ability to provide aid.
