Marry A Man Who Will Dance. Ann Major
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“How many girls have you kissed, anyway?”
Ritz slanted a long-lashed glance at his cut lip.
“Not enough. Do you want to be next?” Roque asked.
“No!” All of a sudden, Ritz was staring again at his wide, sensual mouth and wondering what it would feel like on hers.
“Are you sure about that?” He twisted the key and punched on the radio. His fingers tapped on the dash to the salsa beat. “How about we get out and dance?”
“Here?”
His hand brushed her cheek. Electricity sparked through her. She shook her head and he laughed. The shade of the live oaks seemed to wrap them in darkness as they sat there. Beyond his chiseled profile the world was bright, the grasses high and brown, the sky cobalt-blue. And yet being in the darkness with him held more mystery and appeal than anything.
Reaching across her lap, Roque took her hand in his, startling her. When he kissed her fingers, one by one, unfolding them, she burned and ached all over.
“Come on, Ritz, let’s enjoy being outlaws together,” he whispered in a velvet, low tone that was as fascinatingly beautiful as the rest of him.
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Marry a Man who will Dance
Ann Major
I dedicate this book to my beloved mother, Ann Major, whose only advice on the subject of marriage was “Marry a man who will dance.”
Acknowledgments
We make plans. Then real life happens. So it was with this book. I had a vision. Then I wrote something entirely different. During desperate creative moments when I struggled to see my way clear, several people held my hand.
First, I must thank my editor, Tara Gavin, for all that she always does and does so well. All of my books are better because of her. Next, I must thank my husband, Ted, for his infinite patience. My agent, Karen Solem, was extremely helpful. I would like to thank Dianne Moggy and Joan Marlow Golan, as well.
Kay Telle and Cathy Mahon helped me with the horse research by lending me books and letting me visit their horse barns and cherished horses. Dick and Ann Jones are always helpful when it comes to ranching. Geri Rice helped with the completed manuscript and Lydia Suris with the Spanish.
Contents
Prologue
Beside the fire, as the wood burns black, A laughing dancer in veils of light, Whose dance transforms the darkness to gold
—Adu Abd Allan ben Abi-I-Khisal
Prologue