first place.
Since one good jab was never enough for Cheryl, she’d most likely go on to say that being late for their daughters’ dance recital was his way of spiting her, their mother. He’d used his own children, she’d insist—he knew she hated it when he was late—yada, yada, yada.
Blah, blah, blah.
Tate didn’t have to “use” the twins to get under Cheryl’s hide—he’d done that in spades after the divorce by forcing her to live in Blue River, so they could share custody. Audrey and Ava alternated between their mother’s place in town and the ranch, a week there, a week here, with the occasional scheduling variation. As soon as he picked them up on the prescribed days, Cheryl was off to some hot spot to hobnob with her fancy friends and all but melt her credit cards.
Tight-jawed with resignation, Tate plunked down on the edge of his bed and reached for the boots he’d polished before shedding his rain-soaked range clothes to take a hasty shower. Clad in stiff new jeans and the requisite long-sleeved white Western shirt, the cowboy version of a tux, he listened with half an ear to the rodeo announcer’s voice, a laconic drone spilling from the speakers of the big flat-screen TV mounted on the wall above the fireplace.
He was reaching for the remote to shut it off when he caught his brother’s name.
The hairs on Tate’s nape bristled, and something coiled in the pit of his stomach, snakelike, fixing to spring.
“…Austin McKettrick up next, riding a bull named Buzzsaw…”
Tate’s gaze—indeed, the whole of his consciousness—swung to the TV screen. Sure enough, there was his kid brother, in high-definition, living color, standing on the catwalk behind the chute, pacing a little, then shifting from one foot to the other, eager for his turn to ride.
The shot couldn’t have lasted more than a second or two—another cowboy had just finished a ride and his score was about to be posted on the mega-screen high overhead—but it was long enough to send a chill down Tate’s spine.
The other cowboy’s score was good, the crowd cheered, and the camera swung back to Austin. He’d always loved cameras, the damn fool, and they’d always loved him right back.
The same went for women, kids, dogs and horses.
He crouched on the catwalk, Austin did, while down in the chute, the bull was ominously still, staring out between the rails, biding his time. The calm ones were always the worst, Tate reflected—Buzzsaw was a volcano, waiting to blow, saving all his whup-ass for the arena, where he’d have room to do what he’d been bred to do: wreak havoc.
Break bones, crush vital organs.
A former rodeo competitor himself, though his event had been bareback bronc riding, Tate knew this bull wasn’t just mean; it was two-thousand pounds of cowboy misery, ready to bust loose.
Austin had to have picked up on all that and more. He’d begun his career as a mutton-buster when he was three, riding sheep for gold-stamped ribbons at the county fair, progressed to Little Britches Rodeo and stayed with it from then on. He’d taken several championships at the National High School Rodeo Finals and been a star during his college years, too.
It wasn’t as if he didn’t know bulls.
Austin looked more cocky than tense; in any dangerous situation, his mantra was “Bring it on.”
Tate watched as his brother adjusted his hat again, lowered himself onto the bull’s back, looped his hand under the leather rigging and secured it in a “suicide wrap,” essentially tying himself to the animal. A moment later, he nodded to the gate men.
Tate stared, unable to look away. He felt an uncanny sensation like the one he’d experienced the night their mom and dad had been killed; he’d awakened, still thrashing to tear free of the last clammy tendrils of a nightmare, his flesh drenched in an icy sweat, the echo of the crash as real as if he’d witnessed the distant accident in person.
He’d known Jim and Sally McKettrick were both gone long before the call came—and he felt the same soul-numbing combination of shock and dread now.
A single, raspy word scraped past his throat. “No.”
Of course, Austin couldn’t hear him, wouldn’t have paid any heed if he had.
The bull went eerily still, primal forces gathering within it like a storm, but as the chute gate swung open, the animal erupted from confinement like a rocket from a launchpad, headed skyward.
Buzzsaw dove and then spun, elemental violence unleashed.
Austin stayed with him, spurring with the heels of his boots, right hand high in the air, looking as cool as if he were idling in the old tire-swing that dangled over the deepest part of the swimming hole. Four long seconds passed before he even lost his hat.
Tate wanted to close his eyes, but the message still wasn’t making it from his brain to the tiny muscles created for that purpose. He’d had differences with his youngest brother—and some of them were serious—but none of that mattered now.
The clock on the screen seemed to move in slow motion; eight seconds, as all cowboys know, can be an eternity. For Tate, the scene unfolded frame by frame, in a hollow, echoing void, as though taking place one dimension removed.
Finally, the bull made his move and arched above the ground like a trout springing from a lake and then rolling as if determined to turn his belly to the ceiling of that arena, and sent Austin hurtling to one side, but not clear.
The pickup men moved in, ready to cut Austin free, but that bull was a hurricane with hooves, spinning and kicking in all directions.
The bullfighters—referred to as clowns in the old days—were normally called on to distract a bull or a horse, lead it away from the cowboy so he’d have time to get to the fence and scramble over it, to safety.
Under these circumstances, there wasn’t much anybody could do.
Austin bounced off one side of that bull and then the other, still bound to it, his body limp. Possibly lifeless.
Fear slashed at Tate’s insides.
Finally, one of the pickup men got close enough to cut Austin free of the rigging, curve an arm around him before he fell, and wrench him off the bull. Austin didn’t move as the pickup man rode away from Buzzsaw, while the bullfighters and several riders drove the animal out of the arena.
Tate’s cell phone, tucked into the pocket of the sodden denim jacket he’d worn to work cattle on the range that day, jangled. He ignored its shrill insistence.
Paramedics were waiting to lower Austin onto a stretcher. The announcer murmured something, but Tate didn’t hear what it was because of the blood pounding in his ears.
The TV cameras covered the place in dizzying sweeps. In the stands, the fans were on their feet, pale and worried, and most of the men took their hats off, held them to their chests, the way they did for the Stars and Stripes.
Or when a hearse rolled by.
Behind the chutes, other cowboys watched intently, a few lowering their heads, their lips moving in private prayer.
Tate stood
