in giving her a mortgage on this place. If only she had not been so quick to transfer the cash to the partnership to secure the development deal. Then it wouldn’t be so bad.
If only were the saddest words in the world.
She crossed to sit down in a battered old Art Decostyle chair she had been going to re-cover for ages but never got round to, and, taking a sip of her coffee, glanced around her home. But for how much longer?
Lorenzo was right about the factory. It only just about broke even, and after the taxes were paid there was little or no profit. So basically the only income she had was from the gallery, which barely covered the two mortgages she’d have to pay until she sold the house in Dessington. Any delay in selling and she’d very quickly go bust, she knew.
A frustrated sigh escaped her.
‘That was a big sigh, Lucy. Something troubling you?’
She cast Lorenzo, her nemesis, a furious look. Lost in her troubled thoughts, she had not realised his heavy-lidded eyes were narrowed, assessing her much like a spider studied a fly caught in its web, she thought, as he smiled.
‘I suppose you find it amusing, trying to wreck my plans. Excuse me if I do not.’
‘Not trying—I have done,’ he said, draining his coffee and cup and placing it on the occasional table. He straightened up. ‘Fifty five percent of Steadman’s now belongs to me. I can keep it open or shut it down. The decision is mine. As for your aspirations to develop the land adjacent to your old home—that depends on me also. Apparently your friendly lawyer called a town meeting to reassure the people and the workers you and Johnson had agreed not to close the factory. He went on to explain how a new development had been proposed and it was going to be sited in some of the eight acres of garden at your family home, donated very generously by you. That was a big mistake, Lucy.’
‘I don’t think so,’ she muttered.
‘Ah, Lucy—you should stick to art. Trust me, finance is really not your thing,’ he said bluntly. ‘Have you heard the term “asset-rich but cash-poor"? That is now you—because you have two mortgaged properties and a factory that makes little money and you cannot sell. The land you own could have been sold or even leased, but instead you’ve given away your only asset,’ he drawled mockingly, casting a blatantly suggestive glance over her body before continuing. ‘The outlined plan is for luxury housing, shops, a swimming pool and sports centre, and some less expensive housing to be available only for locals to purchase. The development to be named the Delia Steadman Park in honour of your mother. The whole town was delighted, apparently.’
‘How on earth do you know all this?’ Lucy asked.
‘I made it my business to know,’ he said, rising to his feet and pacing the length of the room. He turned and stopped beside her chair, staring down at her.
Refusing to be cowed, she met his dark eyes head-on. They were unreadable, and she placed her coffee mug on the floor as an excuse to look away from his harshly attractive face.
‘I also know that—unlike when I asked you, Lucy—this time you did sign a legally drawn-up partnership agreement with your developer friend. But your smalltown lawyer—who is, by the way, really more interested in his position as town mayor than lawyer—omitted to make it non-negotiable, and Johnson sold out to me. I am now your partner in everything except the mortgaged house in Dessington and this gallery, which you have also foolishly mortgaged. By my reckoning you won’t have this much longer.’
It was worse than she’d thought, and she looked up at him again. A cruel, sardonic smile twisted his mouth.
‘I’m sure I don’t have to spell it out to a woman like you what that means. I own you—for as long as I want.’
A woman like her … Was there no end to his insults? Her shocked glance saw his eyes were no longer unreadable. She recognised all too well the emotion that now blazed in them: dark desire, barely leashed.
‘And I do want you, Lucy,’ he said, and she could not suppress the shiver of revulsion his comment caused. An imp of devilment in her head defied her to name it for what it really was—excitement, desire, anticipation.
He stared down into her face, reading her reaction, and his hands reached for her, sliding under her arms. He lifted her bodily out of the chair, holding her high, her feet not touching the ground, and involuntarily she clutched at his shoulders to steady herself.
His smile was cruel. ‘Ah, that’s better,’ he said, putting her down and moving his hands around her back, drawing her closer.
The layer of fabric between them was no protection against the shower of electric sensations that tumbled through her at the feel of his warm muscular chest against her breasts, his flat stomach and muscular thighs as he slowly lowered her down his long body to her feet. Aware of his arousal, she gasped and tried to wriggle free. But his hands tightened on her hips in a grip of iron and hauled her hard against him.
‘Feel what you do to me and know what you are going to do for me.’ He deliberately ground his hips against her, enflaming her senses, but she made her hands fall to her sides rather than touch him as they ached to do, all her will-power going into fighting her own rising need.
His hands lifted from her hips to link lightly around her back, and she managed to draw away a little from the seductive warmth of his great body—but not free. She had a sinking sensation she might never be free of him.
He watched her. She could feel the intensity of his dark eyes even though she’d averted her face. And then he resumed speaking in a clipped tone, as though addressing some underling.
‘You, Lucy, will be my lover whenever I want you. And you will do exactly as I tell you on the single occasion you will visit my mother.’
‘Visit? Why? I gave you the painting—surely that is enough?’
‘I have not given it to her yet. I realised she would insist on thanking you personally. If you recall, before you shoved the painting in my hands I had offered you a very good deal to refuse all contact with her—which you turned down spectacularly.’
Lucy couldn’t believe her momentary loss of temper had led to this. ‘What if I change my mind and agree now?’ she asked.
‘Too late, Lucy. The circumstances have changed. Thanks to Teresa Lanza, the August edition of a popular Verona society magazine has a full-page spread of her nephew’s wedding—including pictures of you and I and an article about our tragically linked family histories. The so-called accident being once again in the press necessitates a change of plan. You and I will visit my mother as a couple, and you will present the painting to her as a personal gift. She will be delighted, and any speculation on the accident will fade away. Then, after a suitable period, when I tell my mother we are no longer an item she will understand the reason for no further contact and we need never meet again. In return Steadman’s will be yours, and as for the rest I’ll find you another partner.’
She looked up at him with horrified eyes. ‘You can’t possibly mean what I think you mean.’
‘To qualify—I mean a partner in the building development,’ he drawled sardonically, and she saw the way he was looking at her, his eyes running over her in an insolent masculine fashion that insulted rather than approved. ‘I am well aware you are more than capable of finding another sexual partner, but for as long as you are with me I insist on exclusivity.
