tried to imagine how she would feel if she didn’t have her sisters, and then warned herself that sympathy was the last thing Ilios Manos wanted. He was a man who stood alone because he wanted to stand alone. He had as good as told her that himself.
The lift soared upwards at speed, flattening her stomach to her spine. She’d never really liked lifts, and this one was all glass, on the inside of the cathedral-like space of the building. Even though it was now in darkness, it made her feel distinctly nervous.
The lift stopped swiftly and silently, its doors opening onto an impressive rectangular hallway. The walls and floors were covered in limestone, and concealed lighting illuminated the space, highlighting the pair of matching limestone tables either side of a pair of double doors, cleverly looking almost as though they had been carved out of the wall instead of standing next to it. Two marble busts—one on either table—were also illuminated by concealed lighting.
When he saw her looking at them, Ilios told her, ‘They are supposed to have been brought back from Italy by Alexandros Manos at the same time as he returned with copies of Palladio’s plans for the villa. If you know Villa Emo and anything of its history then you will know that the Emo family were said to be of Greek descent—hence the classical Greek appearance of the villa.’
‘As a trading port, Venice was something of a melting pot for various nations back then,’ Lizzie agreed.
Ilios nodded his head, then opened the doors and waited for her to precede him.
A corridor lined with black marble on one side and mirrors on the other, to expand the space, opened out into a large living area with floor-to-ceiling glass walls virtually all along its length. Through them Lizzie could see the night sky, studded with stars.
White sofas stood on a black-tiled floor, focussed on a modern fireplace in the centre of the room. Picking up a remote control, Ilios pressed a button and a wall of the black glass rectangular chimney surrounding the fire slid back, to reveal a large television screen.
Everything in the room was state of the art and a future collector’s piece, Lizzie recognised. She could immediately put a name to the prestigious interior design partnership that was responsible for the interior, and even to the designer within that concern who had headed up the team.
‘Walt Eickehoven.’ Without thinking, she said his name out loud.
Ilios swung round. ‘You know him?’
‘No, but I know his style,’ Lizzie answered. ‘Those sofas and that unit are unmistakably his. I’ve heard that he’s got a queuing list of clients that goes into months, if not years.’
Ilios shrugged. ‘Queues can be jumped. I’ll show you the guest suite, and then you’ll need something to eat. I’ll order something in—do you like moussaka? If so, we can eat in half an hour.’
Lizzie nodded her head. She was hungry, but she was also tired.
‘This way,’ Ilios instructed her.
‘This way’ led down another windowless corridor of marble and mirrors, this one with inset niches, each one containing a carefully lit piece of stone artwork.
The apartment was a work of art in itself, Lizzie recognized, but her heart ached over a private question. How would the two motherless sons Ilios Manos intended to bring up fit into such an environment? She didn’t think she would actually want to live in such a polished and sterile atmosphere herself, even though as a designer she could appreciate its stunning design.
Ilios had stopped outside a door in the corridor and was indicating to her. ‘I think you will find everything you need inside.’
Nodding again, Lizzie opened the door. By the time she had closed it she knew that Ilios had gone—not because she had seen him go, but because somehow she had sensed it. The air around her and her own body’s reaction told her that he was no longer there. She frowned. Finding Ilios Manos sexually attractive was understandable, and she tried to tell herself to quell her growing panic about how she was going to cope living so closely with him. Obviously such a stupendously male man was bound to have that effect on most women. But she was not most women, and she was desperately afraid of her vulnerability. Discovering that he had made such an impact on her senses that even her skin could register his presence or the lack of it was frighteningly dangerous territory—dangerous and not to be risked territory, in fact.
Instead of thinking about the effect Ilios had on her, Lizzie told herself to try and focus instead on her surroundings. As a designer she could possibly learn something that she could take with her into her life, when her present enforced ordeal was finally over.
The guest suite, for instance, was exactly that—a luxurious, streamlined boutique-hotel-style open space, with a sleeping area at one end that contained a bed, and a living space at the other furnished with sofas, tables and a desk.
Like the living room, the guest suite also had a glass wall that ran its full length, but this one looked inward onto what she imagined must be an enclosed garden, since it was virtually on the roof of the building. Carefully placed soft lighting revealed a perspective view of the ruins of a small elevated Greek temple, which looked down into the garden with steps leading from it into a swimming pool. Along the far length of the pool ran a colonnade, planted with vines, which led to a grotto of the sort favoured by designers of the Italian Renaissance opposite the temple. Parterred greenery in intricate formal patterns separated the pool area from the space outside the glass wall, so that that space formed an almost private outdoor sitting area, with double doors from the living space opening out onto it.
Lizzie didn’t like to think of the millions just the apartment and its garden must have cost. Professionally, she was in awe. This kind of commission was so far outside her level of operation that the only time she would normally get to view one would be in the pages of a magazine. But, as a woman who shared her own living space with two sisters and twin five-year-old boys, she was almost repelled by the cool, sleek hauteur of living space. It made her feel that as a human being her presence within it spoiled its sterile perfection.
Ilios had handed her trolley case before leaving her, and of course it looked ludicrously out of place.
Half an hour, he’d said. That meant she had the choice of showering and tidying herself up, or texting her sisters.
That choice was no choice, really. Lizzie smiled ruefully to herself as she headed for the double doors to one side of the enormous low-level bed, dressed in immaculate grey and white linen to tone with the slate-grey tiled floor.
Beyond the double doors was a dressing room-cum-wardrobe space—enough space to house the entire wardrobes of her whole family with room to spare—and beyond that, through another set of doors, was the bathroom, containing both a shower and a bath, and a separate lavatory. For the first time since she had entered the apartment Lizzie realised she was in a room that combined both modern artistic design and sybaritic sensuality. For a start, the glass wall continued the full length of the bathroom, making it possible to stand in the wetroom-style shower or lie in the huge stone bath and look out into the garden. Limestone tiles covered floor and walls; thick fluffy grey, white and beige towels were stacked on the inbuilt limestone shelving unit next to the double basins.
After a regretful look at the shower, Lizzie washed her hands and face and then returned to the bedroom, sinking into the white sofa as she quickly texted her family to tell them the good news about her new commission from the owner of Manos Construction.
That done, she only just had enough time to comb her
