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“I was born in the thriving metropolis of Oshkosh, Wisconsin,” writes Mabel Maney. “‘I’ll never forget that night,’” she recalls her mother telling her. “‘We had that big lightning storm that knocked out all of Oshkosh and most of nearby Menasha. I always thought Mabel had something to do with it,’” Mabel’s mother chuckled.
After her parents were lost at sea, Mabel took up residence with her Great Aunts Maude and Mavis Maney, who had as young women earned their living as bareback riders in a traveling circus before settling in the farm town of Appleton to write their memoirs, Circus Queens.
Mabel’s life was idyllic until the arrest and conviction of Great Aunt Maude for the murder of her late husband, whose body surfaced from under Maude’s wisteria bush during the summer of the Great Wisconsin Rains.
Mabel spent the next three years dividing her time between Appleton and the State Penitentiary for Women in LaFayette, After her Great Aunt Maude’s release, the trio moved to Bear Lake, where Mabel attended Catholic Girls School, graduating with highest honors in Conversational Skills and Table Manners.
Mabel Maney’s installation art and hand-made books, self-published under the World O’Girls Books imprint, have earned her fellowships from the San Francisco Foundation and San Francisco State University, where she received her MFA in 1991. Her art has been exhibited in numerous galleries throughout the United States. Artspace wrote of the hand-made World O’Girls edition of this book: “In Maney’s refigured narrative, The Case of the Not-So-Nice Nurse, gay heroine Cherry Ames moves unhampered through a world populated by lesbian nuns and adventuresses, even engaging in a one-nighter with Nancy Drew. Entertainment aside, by appropriating and redefining the sexual orientation and cultural limits placed upon her fictional female characters, Maney provides a powerful reminder of the exclusionary nature of the ruling (in this case, straight) culture, with its power to define specific roles and acts as ‘natural’ while denying or marginalizing others.”
A Nancy Clue Mystery
The Case of the Not-So-Nice Nurse
Mabel Maney
MILLS & BOON
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For Tom Metz, the real Cherry Aimless.
Thanks to Gigi Hanna for the title.
I WAS BORN IN APPLETON, WISCONSIN, a small town famous for being the birthplace of Harry Houdini, and as producers of high quality cheese. Escape and cheese: two things, I believe, that made this series work. When The Case of The Not-So-Nice Nurse came out, in 1993, a friend said: “Mabel, at your sanity hearing, this book will be used against you.” I agree, and, if the letters I get are any indication, so do my readers.
Appleton is a scenic spot an hour from Oshkosh, where they make fine overalls. The town has a river running through it, with the Appleton elite—cheese factory owners, Cadillac dealers, and the like—on one side, and the descendants of German and Irish immigrants on the other. I was born downwind of a cottage cheese factory, to a salesman and a housewife. I believe the story of my birth, which includes a thunderstorm, a ruined cocktail dress, and a cheese log, was a portent of things to come.
One night, my mother, a slip of a lass (like many women of her time, she believed coffee and cigarettes the fundamental building blocks of nutrition, with an occasional crumb cake thrown in for variety) ventured forth into a rainstorm in her best black cocktail dress, suede pumps, and high school graduation pearls, for a night on the town. After one dance at Appleton’s finest supper club, she felt a contraction, and raced to the nearest Catholic hospital, spoiling her shoes in a puddle. When she informed the Obstetrics Ward head nun that she was having a baby, she was told to go home, put on a few pounds, and come back in six months. Her fear of nuns greater than her fear of giving birth on cold linoleum, she withdrew to the waiting room, to take a load off and have a cigarette. In the middle of a Redbook quiz, The New Boxy Suits, Are They For You?, her water broke, and the dress, an organza A-line with a black sequined net overskirt, copied by her seamstress mother from a Doris Day film, the movie star my mother most resembled, was ruined. My grandmother rushed to the hospital with a silky hostess pajama set, and a cheese log, which the nuns greatly enjoyed.
It was not my mother’s first clothing catastrophe, nor would it be her last. In 1968, an incident with an ironing board scarred her, and soon her fear of ironing and ironing-related appliances began to take an ugly turn. One hundred percent cotton clothing was banished from the house. The kitchen curtains disappeared, followed by the fringed fingertip towels in the guest bath. We felt powerless, as, at this particular time, the American Mental Society had not yet recognized cottonophobia as a treatable disorder. Luckily, the 1970s were right around the corner, and with it, polyester acceptance unheralded in American history, proving, once again, that my mother was ahead of her time, fashion-wise.
Next came a period in my life best left unexamined. All I can say is that it involved reform school, and more polyester clothing. While I was “away, studying in Europe” my Uncle Wesley, who raised Dachshunds, all named Fritzi, was involved in an accident far more serious than my mother’s run-in with the ironing board. My Uncle Wesley had married Aunt Alice because she was a woman who knew her way around a kitchen, pie being her specialty. In the 1960s, my Aunt Alice won the Wisconsin State Fair Bake-Off five years in a row, until an interloper, whose name I’ve since forgotten, snatched away the crown with a prune Brown Betty. My mother had never approved of Alice, who went everywhere in curlers, even to the tavern, and whose undergarments lacked adequate support. One day, Wesley announced that he was leaving, and that he was sick of pie. Alice accidentally shot him, and, after a stay in the same Catholic hospital where my mother mussed her dress, he went home, quietly, with a new appreciation for Alice’s cooking, and minus a limb.
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