Pictures Of Us. Amy Garvey

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Pictures Of Us - Amy Garvey Mills & Boon Cherish

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kitchen or sprawled in front of the TV. I never went down to the basement darkroom until after Emma was upstairs for the evening.

      When she was in her room—the phone glued to her ear, I was sure, lamenting the unfair whims of parents to her friends—I replaced the phone in its base and motioned Michael out to the patio. He followed me through the French doors off the kitchen, and I winced as one of the doors screeched shut. The hinges needed oiling, one of dozens of small household repairs we’d both put off.

      The sun had just set, a faint pink-gold smear on the horizon, and our generous yard was bathed in the dusky light of a suburban New Jersey spring evening. Emma’s outgrown swing set crouched at the far end, neglected. I settled in one of the Adirondack chairs facing the lawn, which Michael hadn’t cut lately, pulled my bare feet onto the seat and waited for Michael to settle in the other. Instead, he paced the length of the worn gray flagstones, hands jammed in his jeans pockets.

      His silence was terrifying, and I couldn’t imagine what was wrong. His mother had called just that morning, and at sixty-seven she was sometimes more energetic than I was. Michael’s sister, Melissa, lived in California with her family, but we’d heard from them just a week ago, and if the news concerned my family, I assumed the person on the phone would have asked for me.

      There was nothing to do but wait, though. When Michael’s upset, he turtles up instinctively, and trying to yank him out of the safety of that shell is impossible. With his shoulders hunched and his dark forehead creased in a frown, I recognized the look of my husband of eighteen years deep in contemplation. He could turn an idea over in his head for hours before sharing it. He’d kept me hanging about the living-room paint color for more than a week, and that had involved only a choice between two shades, Velvet Morning and November Skies.

      This was more serious. I couldn’t remember the last time I’d seen Michael’s face so unnaturally pale. I realized I was twisting my thick gold wedding band around my finger as I waited, one of my own nervous habits, and folded my hands in my lap with effort.

      When he finally spoke, his voice faltered over the words, and he didn’t meet my gaze.

      “That was Sophia Keating,” he said, and my stomach clenched. I didn’t know that name. That couldn’t be good.

      I could hear the first of the crickets striking up out in the grass, and the faint thump of the bass from Emma’s stereo was just audible from her open window. The familiar sounds were something to focus on, because the rest of the world seemed to rush past in a dizzying blur when Michael continued, his face in profile against the last of the sun, a vague shadow.

      “I…well, she’s the mother of my son,” he said, and drew in a lungful of evening air. His jaw was set in a hard line, as if he had to force the words out. “I…I have a twenty-year-old son named Drew, according to her. And he wants to meet me.”

      Son. The word didn’t make any sense at first. We had a daughter, Emma. Where had a son come from? And who in sweet hell was Sophia Keating?

      And then I did the math, feebly, my mind tripping back over the years, and figured it out.

      “Oh.” It was hardly a reply. It was barely a word. But I couldn’t get anything else past my lips. Not with my heart clattering like a broken jackhammer in my chest.

      “Tess?” Michael crouched beside me then, taking my hand. His dark eyes had gone even darker now, had always seen right through me. Michael knew me too well.

      “I’m cold.” It was possibly the most inane thing I could have said. Plus it was still warm out. But Michael didn’t question me, and we went inside together. His hand in mine felt as it always had, warm and strong and slightly rough, the way men’s hands usually seemed to, and I was grateful to cling to it.

      We carried a bottle of red wine and two glasses up to the bedroom, heedless of the workday to come. I needed something to smooth the raw edges of my nerves, and to soften the tension strung between us, taut enough to snap.

      “Talk to me, Tess,” Michael said, setting down his empty wineglass and fixing me with a troubled, deep brown stare.

      I wasn’t sure I could. Despite the wine, which had numbed my tongue and my emotions a little too well, I was still stunned. Our bedroom was familiar in the evening shadows, the bed the same cozy, rumpled nest we’d slept in for nearly twenty years, but I couldn’t shake the feeling that my life, so long sturdily set on its foundation, had suddenly been shoved to the edge of a cliff. That, possibly, it had been built there all along, held up with masking tape and toothpicks and a few ancient rubber bands. I knew exactly when this child—young man, now—would have been conceived, and what was more, I understood my part in it. Neither fact made the news any easier to bear.

      Once, Michael had said to five-year-old Emma, who was pawing through our wedding photos at the time, sprawled on the wide blue field of our bed, her hair still damp from her after-dinner bath, “I knew I was going to marry Mommy the day I met her.”

      I hadn’t corrected him, since it was probably true, even though the roots of our relationship were much more tangled than that. Even at seventeen, Michael had been confident about what he wanted, and since then what he’d wanted most was me. It was romantic, certainly, and as comfortable—and comforting—as a favorite sweater, something I could wrap around myself, grateful for its warmth, its texture, its very familiarity.

      But sometimes it was overwhelming. When Michael turned the high-powered beam of that love on me, its light, its heat, could be blinding. Then again, I’d certainly never doubted it.

      And I didn’t really doubt it now. At least, I didn’t want to. I took Michael’s hand, holding it hard even though I couldn’t face him. My gaze was drawn to the line of framed photographs on my dresser, Michael and me, Michael and Emma, Emma alone. Moments in time, most of them caught with my own camera, and in all of them we were smiling. I recalled the story behind each picture, too—the piece of birthday cake Michael and Emma had shared before I snapped them sitting at the kitchen table, their lips still sticky with frosting; the bright fall day Michael and I had signed the papers to close on this house, both of us terrified and elated and exhausted all at once.

      Each picture offered its own truth, a testament to love and laughter and family. Even if there were dozens of other moments that hadn’t been captured, it didn’t make those happy faces a lie. I pulled Michael’s arm around me as I settled back into the pillows, grateful for the dim light, and for the free pass I believed twenty-five years of loving Michael bought me.

      “Tomorrow, okay?” I whispered, turning my head just far enough to speak over my shoulder. “We can talk tomorrow.”

      Because no matter what had happened twenty years ago, I needed to believe that there would be always be a tomorrow for us.

      AS I LAY IN BED THAT NIGHT, drifting uneasily toward sleep, I let my memory lead me back in time, to twenty-five years earlier, when Michael had appeared in my life out of nowhere and changed it forever.

      I might have created him, given the right tools. His resemblance to the man I’d dreamed of, danced with, spoken to in the fantasies that occupied me while I did my barre work or ran in the mornings before school was so unnerving that, from the beginning, I found myself obsessed with touching him. A dream made flesh, or so it seemed, I wanted the reassuring proof of bone beneath skin, the rhythmic pulse of a heart that beat.

      I don’t have any photos of the day we met, of course. We were just seventeen when we did. The school year had ended the day before, and Lucy, Cath and I had piled into Lucy’s ancient Beetle

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