Images Of Love. Anne Mather

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Images Of Love - Anne Mather Mills & Boon Modern

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swallowed convulsively. ‘Some—some people like fast cars,’ she offered feebly, remembering the Porsche only too well. She remembered, too, the reason he had been driving fast, and that last terrible row before he left her …

      ‘If you had to patch them up afterwards, perhaps you wouldn’t speak so carelessly,’ Mark remarked now, his tone full of indignation. ‘We see them all at the hospital. Young men, girls, kids, most of them, with too much power under the bonnet and too little grey matter in their skulls. Losing a leg or an arm, or their sight. And they’re the lucky ones. Paralysis is the most likely result, and believe me, it’s not a pretty sight.’

      Tobie shook her head. ‘I—I didn’t mean—’

      ‘I know you didn’t.’ Mark’s smile suddenly illuminated his fair handsome face. ‘I guess Rob’s accident happened around the time we first met, didn’t it? And at that time you were in no fit state to be aware of anyone’s troubles but your own.’

      No fit state

      Hysteria swelled inside her. If he only knew, she thought sickly. If he ever found out …

      ‘Not that I was involved with his recovery,’ Mark continued. ‘He wasn’t a patient of mine.’ He shrugged. ‘There was one consolation, though. It did bring him and my mother together again. You don’t know this, but before the accident they were a little less than close!’

      Tobie bent her head. She wondered how Mark would react if she told him that she had known that. That in fact she had been staggered when she learned that after all that Robert had told her about his mother, he had actually forgiven her at last. He had always maintained that would never happen. But circumstances alter cases, she thought unsteadily, the weight of what she had learned bearing heavily on her.

      ‘So …’ Mark’s smile appeared again, ‘I’ve told you. I knew I’d have to, but—well, it’s not easy, destroying an ideal.’

      An ideal! Tobie turned to stare out of the window, and as she did so, the stewardess advised the passengers to fasten their safety belts and put out their cigarettes ready for landing at Hewanorra airport. Was that how Mark imagined she thought of his brother? How differently he would have felt if he had known the truth. And how differently might she have reacted if she had suspected that Robert had not made a complete recovery?

      The hotel in Castries was air-conditioned and very comfortable, and Tobie had no objections when Mark suggested that they rested for a couple of hours before dinner. It had been a long flight, and a long drive, and although it was only early evening in the Caribbean, her body told her it was much later in London.

      Mark had booked adjoining rooms, but as yet he had not tried to force their relationship. He wanted to make love to her, she knew that, but being a doctor, he was also aware of the reasons why she had refused to allow him to do so. Since Robert, since the emotional impact of what had happened to her, she found it incredibly difficult to relate to any man in a physical way, and Mark was sensible enough to see that if he compelled her to respond to him, he might destroy the tenuous thread he had constructed. So they remained friends, but not lovers in the true sense of the word, and Tobie believed they were closer than she and Robert had ever been.

      Lying on her bed, however, with the blinds drawn against the lighted street outside, and the steady hum of the hotel drifting irresistibly to her ears, she found it impossible to relax. Everything Mark had told her went round and round in her head, until she felt almost dizzy with the perplexity of her thoughts. Robert was an invalid, or he was crippled, at least. All those nightmares she had had during her illness, the women she had used to torment herself he was spending his nights with, had only existed in her imagination. She could understand why Mark had felt it necessary to warn her about the uncertainty of his moods. Robert had always been an arrogant devil, and even now she found it almost impossible to picture him any other way.

      She remembered the first time she had met him, when he came striding into the gallery where she worked. Her boss, Vincent Thomas, was staging one of his exhibitions, but she had not known that the tall lean stranger in the shabby denim shirt and jeans was Robert Lang. All she had seen was a man in his early thirties, a dark man, with untidy black hair, and skin with an olive cast. She had at first taken him for an intruder, not altogether trusting the way his dark eyes had swiftly appraised the layout of the gallery, and the general accessibility of the paintings, half suspecting he was checking the place out with criminal intent. Even when the dark eyes turned in her direction, and she found her own body betraying the dictates of her common sense, she was loath to admit that she found him disturbing, but when he spoke she was incapable of voicing any reproof. Robert had an attractive voice, low and mellow, with just a hint of the humour he had possessed in such measure, providing a lighter tone. And her nervousness had amused him, she had known that, even before he spoke to her and asked her who she was.

      She had answered him. How could she not? She was in charge of the gallery in Vincent’s absence, and for all she knew, this man might be a valued customer. But when it became apparent that he was more interested in her than the paintings, she had made a polite withdrawal, leaving him to browse around alone.

      He was gone before Vincent returned, and although she knew she ought to mention the suspicious circumstances of his visit, she was curiously unwilling to do so. Instead she kept the encounter to herself, and worried herself sick that night in case there should be a break-in.

      The following afternoon he was waiting for her when she left her office. She hardly recognised him in a well cut navy lounge suit, but when she did, she was astounded at his audacity. All her earlier doubts returned, and she convinced herself he intended to incriminate her in some plot to rob the gallery.

      His suggestion that she joined him for a drink before going home both excited and frightened her. She wanted to go with him, she knew that, but she also believed she was playing with fire, though how much, she had yet to learn.

      In the event, she had agreed to accompany him to a club nearby, the exclusiveness of its clientele only occurring to her when she was seated on a plush stool at the bar. It was difficult to think of anything with his dark eyes playing lazily over her face, lingering longer than was necessary on her mouth, before returning to tantalise the darting uncertainty of hers. She had never met anyone quite like him before, and her lips twisted now when she remembered how naïve she must have seemed.

      ‘Tell me about yourself,’ he prompted, when she had taken possession of a tall glass of Campari soda—her choice, not his—and she had found herself explaining that although she had been born in Northumberland, since her parents’ death two years ago she had been living with her married sister, Laura, in Wimbledon.

      ‘And you’ve worked at the gallery how long?’ he probed, studying her expression, and she admitted she had only been there a little over six months, having spent her first year in London, taking a secretarial course.

      ‘I thought I hadn’t seen you there before,’ he remarked, surprising her, and Tobie thought it was time she asked some questions of her own.

      ‘What—er—what do you do, Mr—Mr—’ she had begun awkwardly, realising she didn’t even know his name, and his dark brows had drawn together aggressively.

      ‘You mean you don’t know?’ he asked, his expression coldly sceptical, and she had had her first glimpse of another side to his character.

      ‘No,’ she insisted, glancing uneasily about her. ‘Why should I?’

      Robert had looked at her sharply, as if gauging her sincerity, and then, without provocation,

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