would be the ideal person to look after my son Matteo at the benefit on Friday. He’s not the biggest fan of dance but I’m sure you’ll work your magic.
I have taken the liberty of sending some things for you. And some things for Matteo to wear too.
Don’t worry if he puts up a fight—he’s a pussycat really!
Ciao!
Coral x
She’d stared at the note, her heart tumbling into her stomach, and then opened the bags and boxes of clothes, all beautifully wrapped and folded in tissue. There had been the red dress—a froth of satin and petticoats—a wrap with a beautiful Chinese poppy print, beige court shoes and a little matching clutch. Then she’d found a red tie and pocket square for Matteo to wear, and tucked into an envelope was a cheque for a thousand pounds.
A thousand pounds! That had made it even more impossible to say no. No one could afford to turn her nose up at that kind of money. But for this? She just wasn’t cut out for schmoozing with the people who hung around the fringes of the dance world. She couldn’t care less who was famous or rich or both.
The director had been quite up-front about it.
‘I can trust you to do it. Some of the other girls might get a bit carried away, but you’ve got your head screwed on. You’ll not let us down. Or yourself...’
He was right about that. She’d been with the British Ballet longer than anyone else—it had been home and school and friends and family to her for years. She’d come up through the ranks from eleven years old and she had no ambition to go anywhere else or do anything else. She was safe there. It was all she knew. And all she wanted to know.
Others came, made friends, found lovers, moved on. They had lives outside of the studio and the theatre. They went to parties and spoke about their families. They knew not to ask her about hers. She knew they were curious, but they accepted her silence. Who’d want to talk about that, after all? The gap year father who just kept on travelling, and the teenage mother who hadn’t been able to accept the curfew demanded by a newborn baby.
Thank God for dance. That was her silent prayer. Without dance she would still be the millstone around her mother’s neck or the fatherless obsessive—scouring the internet, searching for his face in the crowd, dreaming about reconciliations that would never happen...
‘Hi. I’m Matteo. Good to meet you.’
She startled at the sound of his voice and dropped the bag of peanuts she’d been about to open.
Deep breath, big smile, and turn.
‘Ruby. Hello.’ She smiled as she neatly grabbed the bag and extended her hand.
She had to admit he was even more of a heart-throb up close—and so tall. His tie hung loosely, like a rope on the wall of his wide chest. She gazed up past thick broad shoulders to a blunt jaw and a full-lipped mouth. His nose was broad and long, broken at the bridge, and his eyes, when she reached them, were sharp brown berries, tucked deep into a frown.
He shook her hand. Warmly...firmly. Then dropped his hand away. She found herself staring at the half-smile on his lips, noticing how wide and full they were, and thinking that with his longer-than-collar-length hair he looked more like a romantic poet trapped in a boxer’s body than a boring banker.
‘Everything OK?’
Bang, bang, bang. Words were fired out like bullets at a target, and his eyes were taking in everything. Every. Thing. They darted all over her face and swept up the rest of her—and maybe it was the close confines of the plane, or the fact that he had such a presence, or the fact that she was not used to standing in heels serving drinks to a total stranger at twenty thousand feet, but her footing faltered and she had to reach out to hold the back of a seat for balance.
‘Yes. I—I was just going to pour you another drink and find some snacks and...’
‘No problem. I’m fine for drinks and snacks. But apparently I’m heading to the ballet now, which is quite a turn of events.’
‘Yes,’ she said, regaining perfect balance and poise. ‘To see Two Loves. The premiere. We’re so excited. It’s an amazing production.’
And it was. And she’d have given anything to be in it. But because of this hideous injury she wasn’t even in the corps. Instead she’d had to pack her day with teaching junior classes and attending physio. And serving Love Rats...
‘And you’re the face of the British Ballet. That’s good. That’s really good,’ he said, scanning her again and nodding as if in fact it was really bad. ‘Done your homework, I take it? I’ll need to know the names and the bios of the people we’re going to see.’
He moved around the cabin now and she stood there, not quite sure if she was supposed to follow him, reassure him, or disappear off the face of the earth.
She watched him turn on a screen that flashed stock exchange numbers. He glanced at it, then changed it quickly to sports. He folded his arms and stared at the screen as a commentator’s voice rose to a crescendo over the roar of a crowd. She looked to see what it was—men charging into one another, with mud-splattered thighs as big as tree trunks, ears and noses like Picasso paintings, all grabbing for an oval shaped ball as if it was the Holy Grail. Rugby. Yuck. How could anyone get excited about that?
‘Come on!’ he grunted at the players on the screen as he moved towards it.
Obviously Matteo Rossini did. She waited...and watched, but it was as if she had become a part of the furniture, as incidental as the beige leather chairs. He might have the looks, but he had none of his mother’s charm.
Suddenly he turned, caught her gawping, and frowned. He pressed the remote control ‘off’ and tossed it down on the chair.
‘I have plans for later, so I’d like this to be all wrapped up by ten. Shall we make a start?’
He nodded, indicating the little lounge area where four leather armchairs were grouped around a coffee table. He lowered himself down, comfortable, confident and totally composed, while she perched carefully, straight-backed, knees locked, smile fixed.
‘OK. Basics first. You’re a dancer with this ballet company, but you’ve “volunteered” to take on this PR role just for tonight.’
‘Something like that,’ she said, ignoring the air quotes he made with his hands.
‘So what’s Ruby’s story? Why you?’ he said, narrowing his eyes and steepling his fingers.
‘You want to know about me? There’s not much to tell. I’ve been with the BB since I was eleven,’ she said, realising that she was now being interviewed for a job she didn’t even want. ‘I’m not dancing tonight, so I think I was the obvious choice.’
‘The BB is the British Ballet?’
She smiled at his stupid question.
‘Yes. The company’s fifty years old. I’ve been in the school, the corps, then a soloist and hopefully one day a principal. So I know everything there is to know.’
