‘Beth?’
As Luca spoke her name she trembled. She knew his touch came at a price, but she no longer cared. The same wisdom that made her desperate for him also warned she would be nothing more than his next conquest. Still she could not resist.
When his fingers traced their way around the heart-shaped outline of her face, she looked up. Tears were threatening to fill her eyes, but before she could apologise for it, he kissed her.
In an instant, all her fear and pain slipped away. Desire filled the void he had left in her body. The warmth of longing infused her. It was such a long time since he had held her with genuine passion like this. She relaxed, savouring every second of the experience.
She was in Luca’s arms.
Christina Hollis was born in Somerset, and now lives in the idyllic Wye Valley. She was born reading, and her childhood dream was to become a writer. This was realised when she became a successful journalist and lecturer in organic horticulture. Then she gave it all up to become a full-time mother of two, and to run half an acre of productive country garden. Writing Mills & Boon® romances is another ambition realised. It fills most of her time, between complicated rural school runs. The rest of her life is divided between garden and kitchen, either growing fruit and vegetables or cooking with them. Her daughter’s cat always closely supervises everything she does around the home, from typing to picking strawberries!
Recent titles by the same author:
ONE NIGHT IN HIS BED
COUNT GIOVANNI’S VIRGIN
THE ITALIAN BILLIONAIRE’S VIRGIN
Dear Reader
1908 was a wonderful year for lovers of romantic fiction. Mills and Boon was born, and over the years their books have helped millions of readers escape to a world filled with excitement, love and passion. I started reading them as a teenager, sharing the rollercoaster ride of couples overcoming all sorts of obstacles in the search for their happy-ever-after. My favourites were the stories where an independent, unconventionally attractive girl broke through the defences of her unattainable hero. They gave such hope to the stroppy, lumpen fourth-former I was in those days!
Writing for Mills and Boon was a distant dream for me then. When my first book was accepted, I could hardly believe my luck. HER RUTHLESS ITALIAN BOSS is my fourth Modern™ Romance for Harlequin Mills and Boon, and I’m still high on the excitement of it all. I hope you love the hero, Luca, as much as I do. Strong, self-reliant men have always fascinated me. As an ex-soldier, Luca is all that and more. If only he could forgive Beth for the way she treated him in the past, he would be the perfect man. But as far as Beth is concerned he’s always been her ideal. If she can’t have him, then she doesn’t want anyone else.
I’ve really enjoyed making Luca into a hero to continue the Mills and Boon tradition. It’s a real privilege to be writing at the beginning of the company’s second century. With you, I look forward to enjoying hours of reading pleasure in the future.
With my warmest wishes
Christina
HER RUTHLESS ITALIAN BOSS
BY
CHRISTINA HOLLIS
MILLS & BOON
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To Kate Walker, for all her good advice.
CHAPTER ONE
FROM the first moment she saw Venice from a waterbus, Beth was entranced. La Serenissima rose from the lagoon like crystals growing up through mist. If a city could be described as being like a woman, then this one was straight out of a nineteenth-century novel. Everywhere murmured with the sound of water whispering against wood and stonework. Beth could identify with all this gentle melancholy. She was miles from home, and feeling sick with fear at the prospect of arriving at the headquarters of Francesco Fine Arts for the first time. I’ll love this new job once I get there, she thought, desperately trying to convince herself. She was tired, alone and scared. There had been too many challenges over the past few years. The immortal serenity of Venice was in stark contrast to the confusion of consultants and hospitals she had needed to arrange for her father. His eventual death had been so hard to bear, and the after effects had cast her adrift from all the security she knew and loved.
A wave of excitement suddenly engulfed the other passengers in her boat. Half a dozen Venetian matrons erupted with coos of admiration, and then everyone started pointing through the fine drizzle. They were all talking at once, and it didn’t take long for Beth to see why. A spectacular craft was approaching. The thoroughbred’s streamlined beauty swept past them with an assurance that made it seem a whole lot faster than the speed limit. The pilot drew as many admiring looks as his boat did. He was tall, lean and concentrating like a perfectionist. The fingers of one hand splayed casually against the boat’s paintwork, while the other dealt with the controls. His attitude was totally out of place in that soft-focus, watercolour landscape. And yet it was strangely familiar… Beth’s heart stopped dead, and amazement pitched her to her feet.
‘Good grief! What’s he doing here?’ She gasped, before coming to her senses. People were looking at her, and grinning. Sinking back into her seat with an embarrassed grin, Beth muttered some apologies. I must be going mad with the stress of it all, she thought. Hallucinating about Luca should have stopped years ago. He was a career soldier on frontline duty, and the very last person who would be found piloting a luxury speedboat around Venice. As for dressing in Milan tailoring and wraparound shades—it was laughable, but that didn’t dull her pain. Silenced by heartache, she watched her vision disappear into the distance, sweeping off to his own private kingdom like the royalty he obviously was.
Whoever he is, he probably didn’t even see me, Beth thought.
She was right. Self-made billionaires didn’t need to notice ordinary mortals. Luca Francesco was no exception. He had checked his e-mails three times already that morning, and his mind was full of schedules and appointments. Thank God Ben Simpson’s pet PA was finally arriving from England today, he mused—the woman must be a saint to put up with him.
Reaching the headquarters of Francesco Fine Arts, Luca left his docking attendant to moor the craft, and strode into the building. Nodding in the direction of the reception staff,
