other was decorated with geometrically shaped mirrors. At the far end of the room, frosted-glass panels separated the reception area from the boss’s lair. Overall, the room gave the impression of too much money and not enough taste.
Lisa grimaced. She wasn’t there to criticize Winston Miller’s decorating skills; she was there to interview for a much needed job. The place could be knee-deep in seventies-style shag, and she wouldn’t complain.
Her back straight, she moved forward, letting the frosted-glass door—complete with an ornately etched F—swing quietly shut. She flashed what she hoped was a confident smile at the receptionist, then waited for the girl to finish her phone call. When the petite redhead finally looked up, Lisa’s pasted-on smile had almost faded. “I’m Lisa Neal, Mr. Miller’s four o’clock.”
Apparently not one for conversation, the receptionist gestured toward one of the torture-chamber chairs, her attention now directed at her fingernails. Lisa checked her watch. Four o’clock on the dot. “Is he—”
“Running late,” the girl said, pulling a nail file from a drawer. “Just have a seat.”
Great. Lisa moved across the room toward the chairs, glancing at her reflection in the mirrors as she walked. The chin-length bob she wore had the benefit of not only being easy to fix, but of looking professional. The suit was a cheap designer knockoff, and the shoes were leftovers of her more cash-flush days. Still, the outfit was sharp enough that it bolstered the businesswoman look. Overall, not too bad, all things considered.
As much as she hated needing work, she hated even more looking like she needed work. So much so that she’d almost splurged and put a new outfit on her one credit card that still had some room. But common sense had won out. She hadn’t worked steadily in more than a year, and the money she made from temping didn’t justify a new outfit, especially when she might need her credit card to buy food.
Still, the whole dress-for-success concept made a lot of sense, and yesterday after she’d received her best friend Greg’s message that he’d landed her an interview with Winston Miller, Lisa’d spent an entire afternoon prowling the garment district for something that would at least make it look as if she wasn’t destitute. One thing she’d learned after years of working on the fringes of the entertainment industry, the more someone looked as though they needed the work, the less likely they were to get it.
Smoothing her skirt, she sat on the hideous chair, her tailbone boring into the hard metal. She pulled her Day-Timer planner out of her purse and tried to look as if she had a schedule to keep. She wished she knew more about what Winston needed, but Greg had only left a note on the refrigerator. Though they shared an apartment, they were hardly ever home at the same time, and since he was in the middle of rehearsing for an off-off-off-off Broadway show, she’d been unable to catch him before the interview.
She shot a glance toward the receptionist, who didn’t even look her way. So Lisa spent the next thirty minutes doodling and making anagrams out of her name, until she’d wasted so much time she was beginning to get irritated. Trying for haughty, she stood up, tucked her planner under her arm, and marched toward the anorexic receptionist.
The woman blinked, but didn’t say a word.
“It’s been almost an hour,” Lisa said, trying to remain polite. “I have other meetings that I really can’t—”
“No problem.”
“Great. Thanks.”
The girl poised her pen over the open appointment book. “When would you like to reschedule?”
“Oh, uh,” Lisa stammered. “I guess I’ll have to check my schedule.”
The girl raised an eyebrow and waited, and Lisa knew perfectly well that Miller’s receptionist wasn’t buying it. The question now was, did she keep her pride and walk out, or did she fall to her knees and beg?
“Well?” the girl asked, the end of her pen tapping the appointment book.
“Right.” Lisa started flipping pages. She’d reschedule for tomorrow. That way she’d lose twenty-four hours in her job hunt, but she’d save a tiny bit of pride. “How about tomorrow?”
“No go.” The girl trailed the tip of the pen down the page, then flipped over a few days. “I can squeeze you in next Tuesday.”
So much for pride. Time for some serious begging. “Um, listen—”
“Miss Neal!”
She spun toward the source of the nasal voice, thrilled to be getting a reprieve from her fib.
“Come in, come in.” Winston Miller practically bounded toward her, shook her hand heartily, then led her back into his office. “Sorry to keep you waiting. Been on the phone with Los Angeles all morning.”
Lisa stifled a smile. As far as she knew, there were several million people in L.A.; she doubted Miller had been chatting with all of them.
“So, Greg tells me you’re the man for this job.” He motioned her toward a cushy chair as he slid behind his desk. “I understand you’ve got quite a range of experience.”
“That’s true,” she said, wondering how much her friend had told him. She’d known Greg for almost five years, ever since he’d had a bit part in a Drake Tyrell film that she’d associate produced. Flamboyant and opinionated, Greg had a wicked sense of humor that got her through some rough times during filming, and they’d spent hours eating bad food at the craft services table. By the time the shoot was over, they’d become fast friends and roommates.
Only Greg knew how scattershot her production experience had been. Certainly, she’d never told her family how bad times had become. From script supervisor to art director to property master, she’d held all sorts of jobs she’d never expected and didn’t want. Hardly what she’d anticipated five years ago when she’d followed Tyrell to New York with delusions of producing award-winning films. Still, the odd jobs paid the bills—at least until recently when work had seemed to dry up. Now, though, she couldn’t imagine which aspect of her background Greg thought was worthy of Miller’s attention.
Miller leaned back, his leather chair squeaking. “What did Greg tell you about the job?”
“He told me you’re producing a sequel to The Velvet Bed and that you’ve got some key positions to fill.” The erotic adventure, set in Manhattan’s hot spots, had been a surprise hit, solidifying Avenue F’s reputation as the most important independent film company in the business.
“Half right. I am doing the sequel.” He picked a stack of paper up off his desk and riffled the pages. “I want to start production in about nine months.”
“Oh.” Lisa tried to hide her confusion. “Greg thought you might have a position for me. If you’re still putting together your team, I’ve got several associate producer credits—”
“From when you were with Tyrell?”
“Well, yeah.”
He nodded but didn’t say anything, and she felt a familiar surge of anger rise to the surface. Never in a million years would she have guessed that simply being associated with Tyrell would have so sullied her reputation. But it was her own damn fault. She’d been a naive little girl from Idaho when she’d left Los Angeles with stars in her eyes, so sure that working for
