then, he hadn’t seen the necessity of a lot of things. After he’d died she’d relied on her neighbours’ offers of lifts into Kowhai Bay until she’d learned to drive.
And Curt McIntosh was another dominant male who thought he had a God-given right to make decisions and control people.
Slowly, stiffly, she got into the ute, but once in its stuffy interior she sat with hands gripping the wheel while she stared unseeingly ahead.
On the rare occasions they’d met, Gillian Matheson had spoken of her brother—so strong, so clever, so drop-dead stunning that women fell at his feet! But Gillian was a restless, dissatisfied woman, and often her words had seemed to be aimed at her husband; although Peta had listened politely, she hadn’t believed in this paragon. After all, extremely powerful magnates were by definition attractive to women—some women, anyway.
She believed Gillian now.
‘Up, Laddie!’ she called, patting the seat beside her, and waited while the delighted dog jumped in. ‘Yes, this is a real treat for you, isn’t it? Just don’t get used to it; the only reason you get to ride in front is because on the tray you’ll spook that calf even more.’
Slotting the key into the ute, she turned it, but something about the engine’s note brought her brows together. It was missing again. ‘Not now,’ she breathed, putting the vehicle into gear.
Instead of working in the garden that evening she’d poke around the motor and see what she could find. And if it wasn’t something she could fix it would have to wait, because she couldn’t afford any repairs this month.
But during the careful trip down to the calf-shed, she wasn’t working out what she could do if the knock in the engine was too much for her basic mechanical skills. Her mind dwelt obsessively on Curt McIntosh, whose touch had sent her hormones on a dizzying circuit of every nerve in her body.
And whose relentless authority and aggressive, arrogant masculinity reminded her so much of her father she had to unclench her jaw and rein in a storm of automatic resentment and anger.
He controlled her future.
If he refused to renew the lease she’d have to get rid of her own stock, the ones she was rearing for sale in two years’ time to finance a new tractor. Because Ian’s calves—Tanekaha’s calves, she corrected hastily—were covered by contract, their needs were paramount. Without the leased acreage she had barely enough land to finish them off and send them back in good condition.
But she desperately needed a new tractor. Hers had to be coaxed along, and six months ago the mechanic told her it wasn’t going to last much more than a couple of years—if she was lucky.
She braked and got out to open a gate. Without the income from her stock she’d be in real trouble; extra hours pumping petrol at the local service station wouldn’t cover the cost of a new tractor.
Swallowing to ease her dry throat, she got back into the ute and took it through the gate. And there was little chance of more casual work at Kowhai Bay; the little holiday resort sank back into lethargy once the hot Northland sun headed for the equator.
After she’d closed the gate behind the ute, she leaned against the top bar and looked out over countryside that swept from the boundary to the coast.
Her smallholding was insignificant in that glorious panorama, yet the land she could see was only a small part of Tanekaha Station. Blue hills inland formed the western boundary, and the land stretched far along the coastline of beaches and stark headlands, shimmering golden-green in the bright heat.
Lovely in a wild, rugged fashion, serene under the midsummer sun, it represented power and wealth. If it came to swords at sunrise, Curt McIntosh had every advantage.
Perhaps she should give up the struggle, sell her land for what she could get, and go and find herself a life.
She bit her lip. All she knew was farming.
‘And that’s what I like doing,’ she said belligerently, swinging back into the vehicle and slamming the door behind her.
Once she’d settled the calf undercover in a temporary pen made of hay bales, she glanced at her watch and went inside.
After a shower and a change of clothes, she went across to the bookshelves that bordered the fireplace, taking down her father’s Maori dictionary.
‘“Tanekaha”,’ she read out loud, and laughed ironically as a bubbling noise told her the kettle was boiling. ‘How very apt!’
Tane was the Maori word for man, kaha for strong. Ian Matheson was a strong man, but his brother-in-law was out on his own.
‘And whoever chose his first name must have known what sort of baby they were dealing with,’ she decided, pouring the water into the pot. ‘Curt by name and curt by nature.’
Grimly amused, she returned to the bookshelves and found another elderly volume. “‘English and Scottish Surnames”,’ she murmured as she flipped through it. “‘McIntosh—son of the chieftain”! Somehow I’m not in the least surprised!’
In the chilly bedroom she’d converted into an office, she pulled out a file and sank down at the desk, poring over the lease agreement in search of loopholes.
Curt glanced around his room. The old homestead, now the head shepherd’s house, had been transported to another site on the station. In its place Gillian had spent the last two years—and a lot of money—supervising the building of the new house, and then decorating it. Her innate artistry meant that each exquisite room breathed good taste, but she’d paid only lip-service to the homestead’s main function as the administrative head of a substantial pastoral concern.
At least she’d kept the integrity of its rural setting and hadn’t gone for stark minimalism, he thought drily.
He scanned the photograph on the chest of drawers, taken on the day Gillian married Ian. His sister glowed, so radiantly happy she seemed incandescent with it, and Ian was smiling down at her, his expression a betraying mixture of tenderness and desire.
Almost the same expression with which he’d looked at Peta Grey in those damned photographs.
What the hell had gone wrong?
It was a rhetorical question. Several things had gone wrong; an urbanite born and bred and a talented artist, Gillian had found it difficult to adjust to life in the country as Ian had worked his way up to managing the biggest station in what Gillian referred to as ‘Curt’s collection’. She’d stopped painting a couple of years previously, about the time she’d discovered she couldn’t have children.
A disappointment Ian clearly shared, Curt thought sternly.
Gillian’s suspicions were probably right. In the woman next door, Ian had seen the things his wife lacked—the promise of children and an affinity for the land.
As well, he’d seen something Gillian had missed entirely—a tempting sensuality. Curt swore beneath his breath. Ian’s wandering eyes were no longer so startling. Barely concealed beneath the layer of mud and her suspicious antagonism, Peta Grey radiated a vibrant, vital heat that had stirred a dangerous hunger into uncomfortable and reckless life.
It still prowled his body. Not
