you know why. The Steiners like the idea of—–’
‘—using our name, I know.’
‘Not just that.’ Cassandra was honest. ‘Any firm of interior designers would do just as well. Only—oh, I suppose they thought we might be more amenable.’
‘Because we’re just establishing ourselves,’ said Chris drily, and Cassandra nodded.
‘I guess so. Anyway, Liz said—–’
‘Liz!’ Chris made a sound of derision. ‘Just tell Liz from me we’ll get our own commissions from now on, will you?’
‘Mmm.’
Cassandra’s thoughtful response was almost inaudible as she slid off the desk and walked round it to resume her seat. Chris’s indignation had struck a slightly distasteful chord in her memory, and she would have preferred not to remember Liz’s canvassing of her talents that afternoon. As well as rekindling her embarrassment, it brought Jay Ravek’s face too acutely to mind, and her own reactions to his dark intelligent features. She had found him attractive, but then what woman wouldn’t? He was tall, but not too tall; lean, but not skinny; and although he was not strictly handsome he possessed the kind of personal magnetism one could only describe as sex appeal. His eyes were almost black and deep-set, accentuating the heavy lids with their short thick lashes. His nose was straight between high cheek-bones, and his mouth with its thin upper lip and fuller lower one could look both cruel and sensuous.
Cassandra expelled her breath suddenly and pushed her spectacles back on to her nose. He had certainly made an impression, she thought, with a wry grimace. Liz would be horrified if she ever found out just how attractive Cassandra had found him, and her mother-hen qualities would be fully aroused at what she would see as the evidence of Cassandra’s vulnerability.
But it wasn’t true, Cassandra thought impatiently. Since Mike’s death she had met plenty of attractive men, not least Chris himself, who, despite his married state, had made it plain that he still found her as attractive as ever. If she had waited before committing herself to any further emotional entanglements, it was not because she was scared of getting hurt again. On the contrary, she doubted there was a man alive who could hurt her now. Her marriage to Mike had been a disaster, but it had also taught her more about relationships than any other experience could have done. She had entered into that marriage innocently, optimistically, eagerly—and within six months she had been shocked, bruised and disillusioned. Her immature expectations of what a marriage should be had been shattered by the kind of experiences she would have preferred to forget. Mike should never have got married. He liked the company of women far too much; and not just one woman, but many. Later, in her more cynical moments, Cassandra had wondered whether his constant search for satisfaction with women stemmed from his own inability to give satisfaction, and she had been grateful then for his accusations of her frigidity, which meant she was not obliged to suffer his attentions too often. She did not believe she was frigid, however. She had a perfectly normal interest in the opposite sex. If she had never truly enjoyed the act of love, that was not so unusual. She had friends with husbands and families who had confessed to a similar deficiency, which, she consoled herself, occurred most frequently with girls of a greater sensitivity. Her experiences were of the mind, rather than the body, she was convinced, and as she enjoyed kissing and caressing and the preliminaries of loveplay, she was unconcerned that so far as Freud was concerned she was unaroused.
It was seven o’clock before she left the office. Chris departed around six, and after he had gone, Cassandra abandoned her ideas for an office complex they had been invited to tender for, and gave herself up to the troublesome study of their accounts. Really, she thought, they would soon have to employ an accountant to keep the books in order. What with income tax returns and V.A.T. there seemed an inordinate amount of book-keeping to be done, and although the business was still in its embryo stages, someone had to ensure that they did not overreach themselves. At the moment, they had a good working relationship with a firm of interior decorators, who performed the function of translating hers and Chris’s designs into a tangible reality. But eventually Cassandra hoped to employ their own painters and plumbers and carpenters, and accomplish every project themselves, thus ruling out the necessity to rely on contracted labour.
When she finally put down her pen and switched off the pocket calculator, Cassandra’s head was buzzing with figures. She supposed that sooner or later she would get used to owing money that she herself was owed, but right now it seemed a terrifying deficit, and she massaged her temples wearily as she got up from her desk.
The studio-cum-office was situated over a pair of garages, which had once provided stabling for the horses of a bygone carriage era. Their entrance was via an iron staircase that ran up the side of the building, and after locking the door, Cassandra descended the stairs with a feeling of intense relief. It had been a long day, and she was tired, and she looked forward eagerly to putting her feet up on the couch and enjoying a T.V. dinner.
Her small Alfasud was parked in the mews, and she crossed the cobbled forecourt quickly and inserted her key in the lock. Chandler Mews was only dimly lit, and it had crossed her mind on several occasions that it was an ideal spot for muggers. But so far she had encountered no one but a stray cat, that even so had given her a nasty scare.
It was cold inside the car, but the engine fired without a hiccough, and she drove it smoothly out into Great Portland Street. At this hour of the evening, the traffic was not hectic, and she turned right towards Tottenham Court Road, and her flat near Russell Square.
She was lucky to have a flat so near to the office, and she never failed to feel grateful for Mike’s insurance, which had afforded her enough money to lease the flat and the studio, and provided the capital necessary to start the business. She had not wanted to take the money in the beginning. She had not felt she deserved it. But Mike’s mother had been adamant, and with her encouragement she had learned to appreciate her independence. She sometimes wondered whether Mrs Roland’s insistence that the money was hers and that she should take it without obligation stemmed from her own experiences with Mike’s father. Certainly, the elder Mr Roland had had little consideration for his wife, spending most of his time at the racetrack or on the golf course, and latterly, after his son’s involvement in racing, at the Formula One meetings. Unfortuately, he had died before Mike achieved any real success, and his winning of the French Grand Prix was overshadowed by his father’s death.
They were both widowed now, and it was through Mrs Roland that Cassandra had found her flat. Mike’s mother lived in an apartment in the same building, and while some of her friends had advised her not to live so closely with her in-laws, Cassandra had had no hesitation about accepting. She had never known her own mother and father. They had died when she was only a child, and she had been brought up by her mother’s cousin, a spinster lady with no aspirations to motherhood. Still, Aunt Esme, as she had preferred to be called, had done her best to give the girl a good home, and if it had been lacking in affection, it had at least given Cassandra her interest in art and design. Aunt Esme taught history at a girls’ school in Richmond, but in her spare time she devoured the art galleries, spending hours at the National Gallery or the Tate, reading avidly about painters and sculptors, their lives and their masterpieces, and the influences that coloured their work. It was during the course of these expeditions that Cassandra began to take notice of colour and texture, began to distinguish between the brush-strokes of a master and the amateurish offerings she produced. She learned that there was more to being an artist than the desire to set down on paper or canvas some face full of character, or a colourful London street scene. Her talent lay not in reproducing fine detail but in creating it, in blending together the imaginative with the functional to effect a design, both pleasing and practical. She was not an artist, she was a designer, using other people’s art to good advantage, and without Mike’s intervention in her life she might well have become
