Spies in St. Petersburg. Katherine Woodfine
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Inside the safe, she found the leather folder stamped with the familiar symbol of the twisting gold dragon. She’d recognised it at once: after all, she’d seen a Casselli painting kept inside one just like it before, in circumstances she was not likely to forget. She grasped it and pulled it out – and then at last, the precious painting was in her hands.
Her skin prickled with the excitement and strangeness of it. She’d been hunting for The Red Dragon for a long time; it was hard to believe that the painting, which was supposed to have been destroyed centuries ago when a British ship was set upon by pirates, was really here, in this house in West London – and she had it at last! But she knew there was no time to hang about feeling pleased with herself. Quickly, she closed the safe and then the cabinet door: no sense in making it completely obvious that a burglary had taken place.
Silent in her satin slippers, she went back out into the long hallway. But before she could take another step, she realised that someone was approaching. Not Rupert but an older man with white hair and a bristling moustache, talking in a low voice to his companion, a middle-aged man in evening dress. Lil knew that the man with the white hair was Sir Edwin himself.
There was no time for her to get away, but Lil had done this kind of thing far too many times to panic. By the time Sir Edwin and his friend reached the study door, they saw nothing but a young lady examining her reflection in a looking glass, her fluffy ostrich-feather fan cast down on a polished table at her side.
She turned, as if startled, and bowed her head politely – her cheeks pink, as though she was embarrassed to have been caught preening before the mirror. Sir Edwin gave her an indulgent smile and said ‘Good evening’, before disappearing with his friend into the study.
The second the door had closed behind them, Lil lifted the fan, revealing beneath it the painting in its folder.
Really, you never knew when a fan was going to come in handy, she reflected, as she swiftly picked up the folder and darted away down the hall.
She’d already planned her route out of the house, and now she went swiftly through the green baize door that led to the servants’ quarters – knowing quite well that none of the grand party guests would follow her there. With the painting tucked under her arm, she went lightly down the stairs – past a busy kitchen full of steam and rattling saucepans, where Cook was yelling at someone about oysters, past the Butler’s pantry, past a confused-looking boot boy – and then out of the servants’ entrance and into the yard.
She’d stashed an old carpet bag amongst some bushes in the garden. Under cover of the shrubbery, she retrieved it, and a moment later the white evening gown was hidden beneath an ordinary brown coat, and the red roses by a plain brown felt hat. The painting was tucked inside the carpet bag, carefully cushioned by her fluffy fan. Now she was no debutante but an ordinary girl – perhaps a housemaid on her night off – walking briskly, but in no special hurry, down the street towards Park Lane where she could catch an omnibus.
Somewhere behind her, in the yard of Sir Edwin’s mansion, she heard the sound of running footsteps. A voice yelled out; electric torches were flashed into the darkness of the garden. So they already knew the painting was gone? That was rather interesting. Had Rupert cottoned on and raised the alarm – or had Sir Edwin opened his safe and noticed his painting was missing?
Just the same, she forced herself to stroll on towards the bus stop without speeding up. She didn’t even flinch when a motor car came roaring out of Sir Edwin’s driveway, rushing past her at top speed. She knew that hurrying would only make her look suspicious – and besides, there was not the smallest chance that Sir Edwin, or Rupert, or any of the party guests would make a connection between the elegant young lady in white and the ordinary girl in the brown coat, waiting for the omnibus with a shabby carpet bag at her side.
The omnibus rumbled up, and Lil hopped aboard. ‘Good evening,’ she said cheerfully to the conductor, casting a last glimpse over her shoulder at the bright golden lights of Sir Edwin’s mansion, before the omnibus carried her and the dragon painting safely away, into the London night.
Twelve hours later she was walking over the cobbles towards the headquarters of the Secret Service Bureau. Both the evening dress and the old brown coat had vanished, and she was dressed in her own clothes, but the carpet bag was still close at her side. A light rain was falling, but it was warm for September and Lil didn’t bother with an umbrella. She whistled a tune as she walked, making a passing gentleman, with bowler hat and newspaper, throw her a disapproving frown.
Lil did not care a bit for anyone’s disapproval. She was quite used to being thought unladylike. Besides, that morning, she felt more cheerful than she had since she’d returned from Paris three months ago. She’d spent ages tracking down The Red Dragon – and at last she’d found it. She’d discovered the painting; she’d removed it secretly from the Grenville house; and now she was on her way to deliver it to the Chief, who she knew would be jolly pleased with her. She hopped over a puddle and gave a beaming smile to a telegraph boy on a bicycle – who was so startled that he almost crashed into a lamp-post.
Her plan had worked awfully well, she reflected. She’d been spot on when she’d guessed that Rupert would be the best way of getting to the painting. She wondered whether he’d confessed to showing it to a mysterious young lady, whose name he didn’t know. If so, she guessed he would be in rather hot water with his father this morning.
Poor old Rupert. He wasn’t a bad sort, really. Doing this job was a peculiar thing sometimes: it did seem rotten, taking advantage of a fellow like that. Left to her own devices, Lil was really rather a straightforward sort of person. She’d have preferred to have marched up to Rupert, shaken his hand heartily and said: ‘Hullo there, I hear you’ve got a rather important painting – I’m afraid I’m going to have to take it off your hands.’ But of course, that sort of thing would not wash when you were working as an undercover spy.
It still felt odd thinking of herself as a spy at all. It seemed no time since she’d been in the classroom at school, scribbling notes to her chums or playing tricks on the mistresses instead of practising her ladylike deportment. Then a few dull months at home, followed by the blissful escape of running off to London to go on the stage. Although being an actress had been marvellous, of course, somehow it had never been all she’d dreamed. Perhaps it was because she always had to play such idiotic characters – weedy ingénues who wept or fainted away at the first sign of excitement. Or perhaps it was because the work she’d begun doing with Sophie had been so much more thrilling. Working with her best friend was tremendous fun, and detective work was always exciting. She’d soon discovered she loved undercover work: it was rather like acting, but without the footlights or greasepaint, the smoke and mirrors. She had to use all her charm, her instincts and her quick brain – and it satisfied her like nothing else.
Now, here she was: co-owner of Taylor & Rose, the detective agency she and Sophie had founded together. The agency had been in business just over two years, and their most important client was the Secret Service Bureau.
The Bureau was a top-secret government agency, responsible for intelligence work. Since Taylor & Rose had been hired by the Bureau, their lives – which had already been rather interesting – had become very interesting indeed. Earlier that year, Lil had been sent on an assignment to a royal castle, where she’d discovered a plot to kidnap the prince and princess of Arnovia, helped them escape, and then foiled a second kidnap attempt in Paris with Sophie’s help. It had all been as exciting as the plot of a shilling