what?’ I say.
‘Just pay the man,’ says Nash, shoving me.
They’re all sneering at me now, so I toss the man a credit.
He makes a big show of biting the coin, then fetches this long pole with an insulated grip at one end. A thick cable snakes away from it through the dirt, towards an ancient power pack. On the grip is a crude trigger.
‘Done this before?’
I’ve no idea what he’s on about and shake my head.
The twist sees the pole; it howls and flings itself to the back of the alcove. The man presses the trigger and I hear an electric whine. Casually, he touches the pole’s tip against one of the bars. BANG! There’s a blinding flash. Showers of yellow sparks make us all duck and I smell the familiar hot stench of arc welding.
The iron bar glows red where the tip touched it.
Oh my Saviour. The twist’s skin, all those wounds. I know why now.
‘Have fun,’ says the man, handing me the pole. ‘You got one minute. And don’t get too close. If the twist tags you, that’s your problem not mine.’
I think I’m going to puke, but Nash’s face is a mask, stretched taut with anticipation. He licks his lips and pushes me forward.
‘You heard him – make it dance.’
‘I don’t want to,’ I moan. ‘Somebody else do it.’
This is sick. In my head I see Rona’s I told you so face.
‘You big, soft gom,’ growls Nash. ‘The thing’s not human. Doesn’t matter how bad you burn it, it’ll be okay tomorrow. These monsters heal so fast.’
Not human. But it was once, wasn’t it?
I stare in horror at the twist as it grovels and whimpers at the back of its cage. Okay, so maybe it is a monster now, like they keep telling us. What do I know? I’m a nobody from the arse end of the Barrens. But it sounds human.
‘Come on,’ says Vijay. ‘Don’t be a wimp.’
I look at Mary, but her lip curls.
‘Stop wetting yourself. Get stuck in!’ shouts Nash.
The old man wants the business too. He thrusts his face real close.
‘Y’ain’t no stinking twist-lover, are ya?’
Faces in the crowd are staring now. My skin crawls, but what can I do? Nothing. I know – we all know – what happens to twist-lovers, those fools who preach the heresy that twists aren’t evil, just another human species. They end up hanging from trees, their eyes pecked out. I grit my teeth, step up to the bars.
Only for my legs to be kicked out from under me.
The ground leaps up and smashes into my back. For several seconds all I can do is lie there groaning, struggling to catch my breath. Too late I remember the pole I’m holding is a weapon, before a booted foot grinds that hand into the soil. I look up to see my attacker standing over me – a little guy with white dreads, shabby leather overalls, eyes hidden by mirrored sunglasses. In each lens, I see my shocked face, gob open, gasping for air. Two me’s, like I’m an ident too.
He pushes the shades up into his dreads and he . . . is a girl.
A girl with death in her dark green eyes.
‘So you like torturing twists, do you?’ she hisses.
‘Drop dead,’ I say, wheezing.
Big mistake. I see now what she’s pointing at me – a snub-nosed flamer, a weapon so lethal it’s banned even on dump worlds.
She leans down and presses the flamer’s barrel into my forehead.
‘Wrong answer.’
The gun’s a blur, so I focus on the girl’s face. Pale, tough-looking, about my age. Black thumb-thick bars painted across her cheekbones. Teardrop tattoo dripping from her left eye. Those long, greasy dreads, bleached white.
And she looks mad as hell.
‘No, wait!’ I say. ‘I –’
A bald guy in matching leathers and face paint hauls the girl off me. He’s massive, double ugly and looks even meaner than she is. I like him already.
‘What the hell are you doing, Sky?’
He wrenches the flamer from the girl’s hand and shoves her away. She glares at him like she’ll argue, but settles for making a gun shape with her hand and pretend-shooting me.
She stalks off then, limping badly.
Baldy waves her flamer at us. ‘Anybody see what happened?’
Nobody wants to die so nobody answers.
The man grunts with obvious satisfaction. ‘Good. You keep it that way.’
He pockets the gun and follows the girl towards the exit. Our stunned silence is broken by a slow, leathery slapping sound. The twist is sitting up at the back of its cage now and it’s clapping.
Slowly, miserably, I pick myself up.
‘Wow, Kyle,’ says Nash, poking me with his finger. ‘You just got your head kicked in by some gimp windjammer girl.’
‘That right?’ I say.
He opens his mouth to make another smart-arse comment.
I don’t give him the chance.
All my life I’ve been scared of thugs like Nash, but it’s like I’m suddenly possessed by rage. Or maybe it’s shame. I snap his head back with a punch. He staggers and goes down. When he gets back up, he’s clutching his mouth and cursing me, blood dribbling thick and red between his fingers.
‘You so had that coming, Nash,’ I say.
It’s not like I want to go, after everything that happened. I volunteer to look after our campsite. But Clayton, who’s as close to a leader as we’ve got, and no fool, says I go to the Unwrapping and Nash stays as punishment for fighting. So here I am the next day, wedged inside the arena again, ten rows or so back from the stage. We’ve been here for hours already. Today’s another hot one, and I see storm clouds gathering out west on the horizon. The mood is serious now. Apart from a few stalls selling spiced meat snacks, the merchants are gone. The bars are all closed too.
Clayton says we’re here to witness, not be entertained. He’s warned us to be on our best behaviour.
I’m
