By now, Mark’s football skills had attracted the interest of several professional teams, not least Manchester United, as well as Huddersfield Town and Rochdale, but a severe groin injury curtailed what had been a promising soccer career. (Being only three years older than David Beckham and also a midfielder, it would have made an enticing team sheet at Old Trafford.) At the time, he was devastated, as soccer had been his main ambition in life. But, like Gordon Ramsay before him, football’s loss was certainly another profession’s gain. Years later, on tour with Take That, Mark would always take a football to play with inside the cavernous venues, hotel rooms or studios, earning him the nickname ‘Booter’.
As with much of the band, Mark left school aged 16 and got a job, initially in a fashionable clothes shop called Zuttis, then for some time as an electrician’s mate, before moving up the career ladder to Barclays Bank in Oldham. The owner of Zuttis, Maggie Hughes, told Rick Sky that he not only impressed her but ‘quite a few girls too…he just wanted to earn some money and was really nice, with a big, beaming, bubbling smile on his face.’ Despite his apparently meek demeanour, Maggie says Mark was a natural salesman because of the warmth of his personality. (Later, Zuttis would make one of Mark’s first ever pair of stage trousers, a see-through nylon number). The Barclays position was destined to last only eight weeks, as another part-time job was about to introduce him to a new friend who would help alter his life forever.
Eager to work, before his final exams Mark had also taken a job as a tea-boy and office hand at the local Strawberry Studios on weekends (his sister Tracey was already working part-time there). Mark soon befriended a local boy who was there to work on his demos…Gary Barlow. Mark often went to Gary’s house to listen to his songs and watch his friend cut and chop ideas onto his four-track Portastudio. It was a natural progression for Mark to start singing on the demos, and before long the duo formed their first band together, using the dubious moniker of The Cutest Rush. The idea was to perform cover versions as well as Gary’s own material. The fledgling band never actually gigged but it did cement the friendship and perfectly prime two members of Take That for their future careers. Meeting with Gary had an indelible effect on Mark and his ambition shifted from the world of football to that of music.
Singers Wanted: Singers and dancers wanted for a new boy band. If you have what it takes, call Nigel Martin-Smith at his Half Moon Chambers office.
Actual text of the audition advert for Take That in the Sun
There were two immediate predecessors to Take That, one British and one American. South London boys Bros were blond near-identical twins playing high-energy, cleverly crafted pop music and selling so many records to teenage girls that legions of so-called Brosettes followed their every move. Lead singer Matt and his drummer twin Luke, as well as their childhood friend Craig on bass, sold millions of records in the late Eighties, changed popular fashions with their Grolsch bottle-top shoe decorations and generated a hysteria among their fans that many observers likened to Beatlemania—when they did a signing in HMV Oxford Street, 11,000 fans turned up. Songs such as ‘When Will I Be Famous?’ and ‘I Owe You Nothing’ shifted hundreds of thousands of copies in a career that included eight Top Ten hits and two No. 1 records.
Just as Bros’s reign over the charts was coming to a close, an American group called New Kids on the Block took over the mantle. Already massive in the USA, where they played to football stadiums full of hyperventilating teenage girls, New Kids on the Block invaded the UK’s shores in 1989. They were originally conceived as an alternative to New Edition, Bobby Brown’s early Jackson Five-inspired group who had a hit in 1983 with ‘Candy Girl’. Blending the vocal talents and personalities of Donnie Wahlberg, Jordan Knight, Jon Knight, Danny Wood and Joe McIntyre was a masterstroke for New Edition producer Maurice Starr. Five was a magic number—it had worked for the Jacksons, the Osmonds, New Edition and now New Kids on the Block.
Joe McIntyre was only 14 years old on their 1986 debut, but within a year of 1988’s album Hangin’ Tough they were the biggest act in America. They cracked Britain too. Between ‘You Got It (The Right Stuff)’ in 1989 and ‘If You Go Away’ in 1991, New Kids on the Block scored eleven Top Twenty hits in Britain. Private jets, mansions, fast cars, all the signs of multi-million-dollar success abounded. Hysteria was the air their fans breathed. A management team who could market this new phenomenon properly had a licence to print money.
Nigel Martin-Smith was still a young entrepreneurial businessman watching all of these chart developments with great interest. His Manchester-based modelling agency was very successful and he was well-known in the north-west entertainment circles. However, he had designs on a much grander scale. His idea would turn him into one of the most famous pop managers of all-time.
Pop legend has it that Nigel had followed New Kids on the Block’s career closely, but when he actually saw them in person at a TV studio in Manchester, he was of the opinion that they were rude and arrogant. Noticing their behaviour had absolutely no effect whatsoever on their popularity, he’d thought to himself how massive a boy band could be if they were polite, professional and nice to deal with. He was also keen to recruit them from the North, rather than London as was often the norm for pop bands.
Fermenting this idea in his mind, Nigel then had that fateful meeting with Gary Barlow and played the demo tape the young songwriter had given him. Suddenly, almost out of nowhere, Nigel had the centrepiece of his concept: a young, experienced, gifted and very hard-working singer-songwriter. All he needed now was a band to mould around him.
Gary said he had a friend by the name of Mark Owen who was a good singer and great personality, so Nigel met up with him and immediately saw the potential. The jigsaw was coming together nicely. Then, on that day in late 1989 when Jason Orange and Howard Donald walked into Nigel’s offices looking for help booking dance work, Nigel knew immediately that his band was quickly gelling around him. He’d seen Jason Orange on The Hit Man and Her and after meeting Howard was impressed by both their dancing skills, but rather than offer them agency services or management guidance as a dance duo, as they had hoped, he surprised them both by suggesting they enrol in a boy band he was putting together. Jason was very reluctant and at first shunned the idea. Admirably, he spoke with his personnel manager at the council about his concerns over the showbiz proposal. Howard was keen from the start and needed no enticing. Eventually, Jason was persuaded by Nigel to meet up with Mark and Gary, whereupon the foursome got on famously and the nucleus of Take That was forged.
Given Take That’s relationship with, and profile in, the British tabloids, it seems only fitting that the elusive fifth member that was to complete the band’s line-up came to them through an advertisement in the Sun. His name was Robert Peter Williams and his mum went with him to the audition. This green-eyed Stoke-on-Trent boy would go on to become the biggest male solo star of the Nineties and the new millennium, but for now he was literally just an exuberant, hopeful kid turning up for an audition. Entertainment was in his blood: his mum was a singer and his father, Peter Conway, had been a highly regarded comedian who appeared on the TV talent show New Faces in the same year that Robbie was born (13 February 1974). Later regarded as Take That’s joker, Robbie admits that his first ever record was Alexi Sayle’s ‘Ullo John Got a New Motor?’. Typically, Robbie has the most glamorous of stars to share his birthday with, including Oliver Reed, George Segal and Peter Gabriel.
In light of his later battles with alcohol, it seems sadly incongruous that Robbie earliest years were spent growing up in a pub, The Red Lion, which his parents ran (he is the only Take Thatter not to be born and bred in Manchester). His now famous obsession with Port Vale Football Club was perhaps inevitable, considering his parents’ drinking hole was right next to the club’s grounds. (On one match day he showered the passing crowds with his mum’s undies.)
