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issues. The fundamental question put forward by the author is whether the dynamism of major universities is an adequate indicator of the intellectual vitality of the civilizations from which they originate.

      This original analytical approach sheds new light on the rise of Chinese universities, the decline of American public universities that are increasingly deprived of resources by the States that fund them, the decline of Japanese universities reluctant to play the internationalization card, the efforts of French and German universities to rise in the rankings, or the absence of universities in India, Africa (except South Africa) and Latin America. In this context, Professor Leprévost devotes a fascinating chapter to Russia, studying the “5-100” initiative in detail, which is aimed at placing five universities among the top 100 in the world. This chapter sheds interesting light on the record of investment by the Russian government and the characteristics of the university system, inherited from the Soviet era, that hamper the development of Russian universities, such as the separation between research academies and universities, and governance arrangements reflecting a mentality of control from the national authorities.

      The answers in this book are organized in three main chapters. First, Professor Leprévost identifies leading universities on the basis of their results in the main international rankings. He then examines their geographical position within the framework of the seven great civilizations defined by Samuel Huntington. After a very instructive detour through Russia, he finally looks at the role of leading universities in contemporary societies and the tension between the traditional logic of contributing to the public good, and the distortions introduced by the new conception of education as a private investment.

      Professor Leprévost ends his book with an incursion into the world of literature, evoking in turn Paul Valéry, Virginie Despentes, Ian Manook and Michel Houellebecq. This last part is an unprecedented way of illustrating, through a few well-chosen quotations, the evolution of contemporary society and its universities under the weight of demographic trends and technological change, resulting in the increasing automation and robotization of production processes. Allow yourself to be seduced by this original book which, with undeniable writing talent, paints a picture of international rankings and higher education, skillfully mixing geopolitics, the world of universities and literature.

      Jamil SALMI

      International expert in university transformation; distinguished Professor of Higher Education Policy at Diego Portales University (Santiago de Chile)

      Washington DC

      August 2020

      Preface

      Elements of Genesis

      “Where are you going?” the boy asked.

      “Far out to come in when the wind shifts.

      I want to be out before it is light.”

      Ernest Hemingway (1952, p. 3).

      The first ideas for this work were jotted down on paper in 2016 while I was living in St. Petersburg, Russia. The initial project involved writing an article on Russian universities by only looking at the international rankings established by Times Higher Education. Many footnotes were already covering the content; limiting oneself to the Times ranking alone was becoming less common. Attending a workshop at MIT in Boston and a conference in Berkeley led me to rethink things. The thinking became more refined as the article grew (without, however, guaranteeing the transfer of proportions). Some ideas were specific to the Russian context, while others took on a more generic turn. The article became a short memo. Then, the idea of writing a book came up, along with the hesitations and doubts that such a long-term commitment implies. Therefore, while writing the book, we decided to make it short and compact to preserve our breath. The book continued to be enriched with new incisions and footnotes, as old ones migrated and mutated into sketches of new paragraphs and chapters. I was aiming for a maximum of 26,000 words like The Old Man and the Sea (Hemingway 1952). The comparison with Hemingway ends there: I went overboard.

      The (methodical) reader traditionally begins a book by reading the preface. However, the preface, as is the case here, is often the last thing the author writes (before getting down to the “polishing” of the text and the editorial discussions). He explains certain choices, sets out his final thoughts and shares his more or less melancholy questions about what will happen next, as an existential void begins to appear.

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