Art and Objects. Graham Harman

      1  Cover

      2  Front Matter

      3  Abbreviations

      4  Preliminary Note Notes

      5  Introduction: Formalism and the Lessons of Dante Notes

      6  1 OOO and Art: A First Summary Heidegger’s Insight: The Concealed and the Unconcealed Husserl’s Insight: Objects and Qualities Metaphor and its Implications Notes

      7  2 Formalism and its Flaws Beauty The Sublime OOO and Kantian Formalism Notes

      8  3 Theatrical, Not Literal Art and Objecthood Theatrical Aesthetics Adventures of Absorption Notes

      9  4 The Canvas is the Message Fried contra Greenberg Background and Foreground The Limits of Flatness Notes

      10  5 After High Modernism The Other “Bergs” T.J. Clark vs. The Petty Bourgeoisie Krauss: Background as Simulacrum Rancière: The Distribution of the Sensible Notes

      11  6 Dada, Surrealism, and Literalism Literalism and Modernism Dada and Literalism Surrealism and Literalism Conclusions Notes

      12  7 Weird Formalism Bad New Days Five Implications Notes

      13  Works Cited

      14  Index

      15  End User License Agreement

      1  Cover

      2  Table of Contents

      3  Begin Reading

      1  iii

      2  iv

      3  vi

      4  vii

      5  viii

      6  ix

      7  x

      8  xi

      9  xii

      10  1

      11  2

      12  3

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