1, 2 Peter and Jude Through the Centuries. Rebecca Skaggs

Чтение книги онлайн.

Читать онлайн книгу 1, 2 Peter and Jude Through the Centuries - Rebecca Skaggs страница 24

1, 2 Peter and Jude Through the Centuries - Rebecca Skaggs

Скачать книгу

on 1 Peter, PLSupp).

      This metaphor has some notable effects in culture as well. For example, in 1760, Anne Steele was inspired by 1 Peter 1:24 to write a poem entitled “Life is a span, a fleeting hour.” Steele captures the sense of the transience of life, seen through the lens of hope conveyed in the passage of Peter. She had certainly experienced suffering in an extraordinary way: she lost her mother at the age of three, became an invalid following an accident when she was 19, and finally her fiancé drowned on the day of their wedding. Hope still characterized her life and she cheerfully assisted her father in ministry for the rest of her life. Her poem was set to music in 1875 by John B. Dykes and is still popular, being included in 159 hymnals.

      Life is a span, a fleeting hour;

      How soon the vapour flies!

      Man is a tender transient, flow’r,

      That e’en in blooming dies.

      The once‐lov’d form, now cold and dead,

      Each mournful thought employs;

      And nature weeps her comforts fled,

      And wither’d all her joys.

      But wait the interposing gloom,

      And lo! stern winter flies;

      And, dress’d in beauty’s fairest bloom,

      The flow’ry tribes arise.

      Hope looks beyond the bounds of time,

      When what we now deplore

      Shall rise in full immortal prime

      And bloom to fade no more.

      Then cease, fond nature! cease thy tears;

      Religion points on high:

      There everlasting spring appears,

      And joys that cannot die.

      (hymnary.org)

      Johannes Brahms (1833–1897) based the second movement of his Requiem, “Denn alles Fleisch, es ist wie Gras” (translation: “For all Flesh is as Grass”), on this metaphor and cited 1 Peter 1:24, even though the same metaphor is in Isaiah 40: 6–8. As is customary for German requiems, it is scored for full symphony, including strings and harp, woodwinds, brass, and timpani accompanied by full chorus. Interestingly, the beginning of the movement is used in the opening credits of the BBC documentary film series The Nazis: A Warning from History, and segments are repeated during the closing credits. Clearly this is a radical shift from the meaning of the text of 1 Peter, but is another example of material from 1 Peter being used without the knowledge of its connection to the text of 1 Peter.

      Overview

      This is the second of the three metaphors Peter uses to illustrate the transformed life. Together, they provide aspects of the new existence, contrasting this new existence with their old life: the grass focuses on the transience of life (fleeting like grass) versus the eternality of life in Christ; the milk metaphor highlights the intimate relationship with God which the new existence makes possible; and finally, the living stones describe the new community into which they are incorporated by the new life. The metaphors also reintroduce and elaborate the main themes of this section: for example, the characteristics of the life they have left behind. Lists of vices and virtues are a common rhetorical device in the Jewish and Hellenistic worlds as well as in the Christian tradition. This list, in particular (2:1), is relatively short and appears to generalize the categories of evil and wickedness. The author broadens the meaning of the terms for “malice” and “deceit” by using the adverb “all” (pas). These characterize the life they have left behind representing forms of behavior that “oppose the ethos and practice of love” to which they have recently been called (cf. Green, 2007: 52). They are now asked to leave behind this former lifestyle and to move forward into their new, transformed life, described in terms of motivation and growth.

      Ancient Receptions

      The imagery of the metaphors is of interest to the ancient writers. For example, Didymus the Blind comments, “This verse upsets the heretics, who like to think that natures are good or bad in themselves and thereby cannot be changed” (Comm. on 1 Peter, PG 39: 1761–1762: my tr.). Hilary of Arles allegorizes the milk metaphor in an intriguing way (clearly, he is using one of the medieval exegetical methods. See Lubac, 2000):

      Milk has three forms which can be compared to doctrine, that is, the liquid, cheese, and butter. Liquid milk is the literal sense of Scripture, cheese is the moral sense, and butter is the spiritual sense. (Intro. Comm. on 1 Peter, PLSupp 3: 88, ACC)

      Oecumenius stresses still another issue:

      These words say a great deal, for it is unworthy of those who have been born again to an incorruptible life to be ensnared by evil and to prefer things which have no existence to that which truly exists. (Comm. on 1 Peter, PG 119: 529: ccel.org)

      Andreas follows Paul in interpreting the milk metaphor; in fact, he paraphrases 1 Corinthians 3:2 (Catena). Bede also follows Paul, but goes further to relate the metaphor to the teaching of disciples by the priests: “the priests supply elementary doctrine, which is the rational milk without guile. But they also provide the solid food of more sublime doctrine to those who are more nearly perfect” (On the Tabernacle and Its Vessels, 2.10.81: TTH 18: 90: ccel.org).

      However this metaphor is understood, it had significant impact on church ritual and in fact was involved in the baptismal ceremonial ritual in the early church. Tertullian says it was a sign of new birth, and denoted the communicants’ adoption into God’s family (Tertullian, De cor. Mil. c. 3). St. Jerome connects this to the passage in 1 Peter 2:1–3 about milk (Comment. in Es. LV, 1). Clement of Alexandria also comments on this custom:

      As soon as we are born, we are nourished with milk, which is the nutriment of the Lord; and when we are born again, we are honored with the hope of rest by the promise of Jerusalem which is above, where it is said to rain milk and honey: for by these material things we are assured of that sacred food. (Clem. Alex. 1:6, 103: FC)

      Included in the third Council of Carthage is the explanation that milk and honey had a unique consecration distinct from that of the Eucharist:

Скачать книгу