A History of Solitude. David Vincent

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ailments had no single diagnosis or prognosis, but a pronounced rejection of society featured in every account and at every stage of the illness. According to Zimmermann,

      The withdrawal from company was often the first visible sign of a looming mental crisis. ‘When persons begin to be melancholy,’ observed William Buchan’s contemporary bestseller Domestic Medicine, ‘they are dull, dejected, timorous, watchful, fond of solitude, fretful, fickle, captious, and inquisitive, solicitous about trifles, sometimes niggardly, at other times prodigal.’46 Increasingly the sufferer could find no source of pleasure except in the denial of intercourse with those who might have been able to help them out of their deepening depression. Philippe Pinel’s influential Treatise on Insanity of 1801, set out for the coming century the principal characteristics of the illness: ‘The symptoms generally comprehended by the term melancholia are taciturnity, a thoughtful pensive air, gloomy suspicions, and a love of solitude.’47 How an individual arranged his or her social life was now the legitimate concern of European doctors. Too much time alone immediately raised warning flags. Medical textbooks routinely devoted a section on solitude in their advice on the causes and treatment of the most pervasive form of mental illness. Pathological melancholy was distinguished from the increasingly fashionable ‘white’ melancholy, a condition professed by those with a pronounced literary sensibility, denoting a low-key withdrawal for the purpose of observing the lessons of nature and the rural world.48 Thomas Gray, author of the most widely read poem on country life in the second half of the eighteenth century, mocked his own predilections:

      Mine, you are to know, is a white Melancholy, or rather Leucocholy for the most part; which though it seldom laughs or dances, not ever amounts to what calls Joy or Pleasure, yet is a good easy sort of a state, and ca ne laisse que de s’amuser. The only fault of it is insipidity; which is apt now and then to give a sort of Ennui.49

      ‘Black’ melancholy was altogether more serious, a one-way journey towards a complete breakdown of mental and physical health.

      This long catalogue of the numerous causes which conduct to Solitude, is closed by Religion and Fanaticism. The former leads to the serenity and quiet of retirement, from the purest and noblest of considerations, the best propensities, and the finest energies. It is the passion of the strongest and best regulated minds. The latter is a rebellion against nature; a violation and perversion of reason; a renunciation of virtue; the folly and vice of narrow and oblique understandings; produced by a misapprehension of the Deity, and an ignorance of themselves.50

      Zimmermann had no argument with religion itself. A Swiss Protestant, he was at ease with his denomination’s mixed economy of private prayer and collective worship. His problem was with the eremitical tendency in the Catholic Church, whose influence had been curtailed but by no means obliterated by the Reformation. The objection was not just to current monastic practice, limited as it was even in the Catholic regions of Europe. Rather, Zimmermann was exercised by the broader status and moral authority of the tradition of seclusion rooted in the desert hermits of the fourth century, who in turn were seeking to replicate Christ’s sojourn in the wilderness.51 He aimed his fire directly at the founding fathers of the Catholic Church: ‘So far were these madmen, who are deemed to be the stars of the infant Church, from understanding human nature, that they employed their knowledge to exact from themselves and their proselytes everything unnatural and impracticable.’52 What he repeatedly termed ‘fanaticism’ had no place in the rational, sociable culture of late eighteenth-century urban Europe.53

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