Smells. Robert Muchembled

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such trades were also a source of odour pollution for the surrounding area. The fumes from lime kilns were so harmful that Ramazzini professed himself astonished they were allowed in urban centres at all. He also expressed great sympathy for night soil men, who risked losing their sight, though he did believe that the fetid air they breathed in protected them from the plague, and the same for leather curriers. Like Ramazzini, some doctors believed that one cure for airborne contagion was breathing in an even fouler smell, advising readers to protect their health by sniffing at a latrine every morning. This was a serious medical opinion, not folk wisdom; its popularity among the poorest sections of society was doubtless due to the fact that it was free. In 1777, the book’s young French translator added a long note on the extreme dangers faced by night soil men in Paris.25 Fatal suffocation was a real risk on opening a latrine, particularly if it was to be scraped down, which meant disturbing the thick crust of solid matter that settled at the bottom beneath the liquid. The rotting excrement released a dangerous, fetid sewer gas called ‘mofette’ (English has adopted the French term) or ‘plomb’ (the French term for lead, as the symptoms were thought to be similar to those of lead poisoning). The gas sometimes caught fire, as in Lyon in July 1749. The night soil men took vital precautions, including rubbing their hands and faces with vinegar. If a worker fell unconscious after breathing the fumes, he was rubbed down with vinegar, which was also held under his nose, and tobacco smoke was blown over him. He then took a dose of theriac. The 22-year-old translator, the son of an Enlightenment apothecary and himself later to become a well-respected physician and chemist, was still bound up in medical superstition. Cases of fatal sewer gas poisoning among night soil men remained a cause for medical research throughout the nineteenth century.26

      He seems to have found them less offensive to visit, however, than those of oil producers, leather curriers, catgut string makers, butchers, fishmongers, cheesemongers and candle makers. Such places, he wrote, turned his stomach and gave him headaches and nausea. He thought it right that tanners and curriers should be relegated to the fringes of towns and cities, for fear that their odour might befoul the air breathed by people living nearby. The same was true of candle makers, whose workshops he described as ‘noisome’; their boiling cauldrons full of tallow from goats, pigs and cattle ‘throw out a nauseous foul stench that spreads to all the surrounding area’. As the demand for bleached thread and collars and wig powder grew, particularly over the course of the eighteenth century, starch production became a growth industry. Ears of corn were left to soak in water until they germinated, then fulled, generating an unbearable stench that left him feeling unwell.

      Graveyards were also a cause of disease, not only for grave diggers. Ramazzini’s French translator must have handed his work in to the publisher shortly before the 1776 order to relocate France’s graveyards out of urban centres, as he complains that it has not yet been done and lists the harmful consequences of their presence, pointing out that keeping the dead cheek by jowl with the living is a dangerous practice, with doctors blaming outbreaks of disease on it. On a more positive note, however, he records that over the past two decades Europe has woken up to the risks of ‘mephitic vapours’.

      Much of Ramazzini’s moral censure was reserved for the peasantry, though even then his scholarly superiority and scorn for the rustic masses remained moderate in expression. He simply expressed disapproval of their ‘slothful carelessness in heaping up the dung intended to improve their grounds, right outside their cow byres and pigsties, and just by the door of their dwellings, and keeping it there all summer as a nosegay’. At that rate, he concluded, ‘the air they live in must be polluted with the foul vapours that rise constantly’.

      The myth of the terrible stench polluting the country air spread along with the ‘civilizing process’ from the seventeenth century on, when life in urban centres and at court was increasingly shaped by refined codes of civility that rejected animality and gave rise to new expectations of modest behaviour. Previously, bodily functions were openly carried out in public. Even the king gave audiences from his commode, a practice that proved fatal to Henri III of France, stabbed to death while on the ‘throne’ by the monk Jacques Clément. People would relieve themselves wherever convenient. The seventeenth-century scholar Antoine Furetière recounted an anecdote from the court of Louis XIII in which the queen’s gentleman usher let go of her hand to go and urinate on a wall hanging. The great puddle that formed at the feet of Mademoiselle de Lafayette on another occasion simply made the king laugh. It was common to urinate in corners, on staircases and particularly in fireplaces.30 While such behaviour met with increasing disapproval among the upper classes, it remained common practice lower down the social scale, feeding into elite attitudes of scorn for the masses.

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