with the twelve to eighteen months, Stef. It could happen sooner.”
“Even six months is too late.”
“Look, I’m not going to fight with you.” Mitch paused. “Finish up the union film, take a couple of months off and you can start Rhode Island. We can use that to fund Greece, if you need to. You can work with the still photos they’ll take during the excavation. You’ve always had a genius for that.”
“Thanks for the vote of confidence.”
Mitch sighed. “You’ve been waiting a decade to do this. What’s another year?”
It was the difference between crucial footage and telling a dead story, Stef wanted to roar. It was squandering a golden opportunity to tell the story he wanted, the only story that really mattered to him.
Instead, he held on to his control. “Look, Mitch, keep the pressure on them. And do me a favor—don’t stop looking.”
Stef hung up the phone and stood for a moment. Then he kicked his chair and sent it spinning in circles. Against the wall, grainy black-and-white footage showed a frame of union men pelting scabs with rocks.
The phone rang again, and this time he picked it up with a snarl. “Costas.”
“You’ve got a bark on you, boy. Gus Stirling here. Got a minute?”
Stef’s face relaxed. “Gus. It’s good to hear your voice. How’ve you been?”
“Good. I hear your union piece is supposed to premiere next month.”
Stef glanced at the screen. “Assuming I finish the edit.”
“You always were a perfectionist. Did my cousin at the Greek Film Commission take care of you?”
“He was a godsend. Pushed through all the permits in record time. I owe him one. You, too.”
“I didn’t do anything much, it was all Louie. He’s a good man to know.”
“I’ll say. What can I do to thank him?”
Gus chuckled. “Buy him a glass of ouzo when you get to Athens. He’ll like that.”
“Consider it done, assuming I ever get over there.”
“What do you mean? I thought you said the permits came through.”
Frustration started to simmer again in Stef’s blood. “They did. Unfortunately, there’s been a holdup in funding. Hopefully not long, but it looks like I won’t be going over for a couple of months, at least.”
“So what are you going to do when your union piece is done?”
Stef shrugged, forgetting Gus couldn’t see him. “I don’t know, preproduction? A vacation? Set up on a street corner and beg for money?”
Gus snorted. “If I know you, preproduction was done six months ago, and you’ve never taken a vacation in all the time I’ve known you. And you never beg.”
“Maybe it’s time I started. They’re excavating a key site over there in about eight weeks. If I miss that, I miss the heart of the doc.” And he missed the chance to pick up a clue about his grandfather, he thought. “I’ve got to find a way to go, and until I do, I can’t really get into anything serious.”
“Sure you can, if it’s small enough.”
This wasn’t just a social call, Stef realized suddenly, staring at the flickering black-and-white footage on the wall. “What’s on your mind, Gus?”
He could hear the smile in the older man’s voice. “That obvious, huh? I used to be better at this.”
“That’s the problem with getting in the habit of shooting straight with someone. You tend to lose the art of B.S.”
“A symptom of my advancing age, no doubt. Well, let me just cut to the chase. I could help you out with your funding problems. As you know, I’m the head of a little consortium that funds a couple of small films a year. Though, I’ve got a little problem to take care of before I can really afford to think about that.”
Here it came, Stef thought. “And that would be?”
Gus coughed. “I’ve got a project that needs a director. The person scheduled to do it ducked out unexpectedly, and the shooting’s supposed to start next week.”
Something had Stef’s radar going haywire. “What is it?”
“Cable documentary, a one-hour pilot.”
“What’s the topic?”
“It’s an alternative lifestyles thing.”
“You mean sex,” Stef said flatly.
“Sex,” Gus agreed.
His first inclination was to say hell no, but the prospect of being able to get his Greek documentary off the ground had him pausing. “Who’s the producer?”
“She’s new to the game, but I’ve been teaching her the ropes the past few years. I think you’ll find her tough and fair.”
“Who, Gus?”
“My goddaughter, Sabrina Pantolini.”
Like an icy wave, memories swamped him and robbed him of breath. Laughing eyes, a mouth always curved up in some sort of devilment, a body greedy for his touch. Eight years before, when he’d been in grad school, Sabrina Pantolini had been his lover.
Eight years before, she’d been his love.
Film had been what he’d lived and breathed, the drive for success pumping through his veins. Still, even he wasn’t immune to a woman like Sabrina. She’d taught him about life beyond film, brought him out into the fresh air. Taught him what it was like to love and be loved.
And she had taught him about betrayal.
“Oh, come on Gus, you know better than to ask something like this. A sex documentary is bad enough, but with her?”
“She’s grown up a lot, Stef. She’s serious about this.”
“This week.”
“And the week before, and the five years before that,” Gus said reprovingly. “She’s paid her dues and been part of some damned fine work. I should know—she’s been doing it for me.”
How was it that he hadn’t known about this, Stef asked himself. He certainly hadn’t missed her face in any of the glossy newsstand magazines. She unveiled a new grand career every week, or so it seemed, in between showing up at the hot parties with some good-looking guy on her arm. Not that that bothered him, he thought, loosening his jaw. The past was the past.
And he hadn’t exactly been celibate himself, not that any of them had stuck. There had been other women, but none who felt right in his arms, none who tasted right. None who had been able to make him laugh and feel truly light
