Museum Practice. Группа авторов

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of the twenty-first century. In fact, the reliance on codes alone too often becomes a justification for museums to avoid difficult ethics conversations, particularly around values, principles, and social responsibility. The new museum ethics represents an opportunity for growth, rather than a burden of compliance.

      Engaging in the new museum ethics is a twenty-first-century skill that museum and museum studies leaders must build among students, professionals, and communities. The new ethics is a powerful tool to effect organizational change and work toward social responsibility. It has the capacity to strengthen public trust by equipping museum practitioners to deal sensitively and fairly with the shifting ethical terrain, now and in the future. To develop a level of comfort with ethical decision-making based on a range of social concerns, is to accept the complexity and dynamism of ethics discourse that both reflects and shapes the real issues that museums encounter.

      APPENDIX: LIST OF CONTRIBUTORS TO THE MUSEUM ETHICS NETWORK BY EACH WORKSHOP

Workshop, date, and venue List of contributors
AHRC Ethics Research Network Workshop 1: Social Engagement December 5, 2011 School of Museum Studies, University of Leicester David Anderson Paul Basu James Dempsey Jocelyn Dodd David Fleming Graeme Gooday John Jackson Ceri Jones Janet Marstine Nick Merriman Eithne Nightingale Mark O’Neill Nick Poole Jette Sandahl Amanda Wallace
AHRC Ethics Research Network Workshop 2: Transparency March 1, 2012 Manchester Museum, Manchester James Dempsey Jocelyn Dodd John Jackson Ceri Jones Rob Lawlor Janet Marstine Christopher Megone Eithne Nightingale Mike Pickering Nick Poole Jan Ramirez Jette Sandahl
AHRC Ethics Research Network Workshop 3: Shared Guardianship of Collections June 28, 2012 Natural History Museum, London Paul Basu Maurice Davies James Dempsey Jocelyn Dodd Graeme Gooday Ceri Jones Janet Marstine Christopher Megone Nick Merriman Eithne Nightingale Nick Poole Jette Sandahl Paul Tapsell Janet Ulph Amanda Wallace
AHRC Ethics Research Network Workshop 4: Moving Beyond Canonicity October 18, 2012 Victoria and Albert Museum, London David Anderson Paul Basu Patricia Cronin Jocelyn Dodd Jamie Dow John Jackson Ceri Jones Megan Kime Janet Marstine Christopher Megone Nick Merriman Eithne Nightingale Nick Poole Jette Sandahl Richard Sandell Matt Smith
AHRC Ethics Research Network Workshop 5: Sustainability February 21, 2013 National Museum of Wales, Cardiff David Anderson Jocelyn Dodd Robert Janes Ceri Jones Tony Kendle Megan Kime Janice Lane Christopher Megone Eithne Nightingale Nick Poole Jette Sandahl

      1 1 The authors are grateful to the Arts and Humanities Research Council for its support of the research network. We thank our partner institutions, the Museums Association and IDEA CETL, University of Leeds, and the participants in the network. We also very much appreciate the helpful comments on this chapter from our colleague Simon Knell.

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      Geismar, Haidy. 2008. “Cultural Property, Museums and the Pacific: Reframing the Debates.” International Journal of Cultural Property 15(2): 109–122. doi:10.1017/S0940739108080089.

      Gosden, Chris, and F. Larson. 2007. Knowing Things: Exploring the Collections at the Pitt Rivers Museum, 1884–1945. Oxford: Oxford University Press.

      Hein, Hilde. 2000. The Museum in Transition: A Philosophical Perspective. Washington, DC:Smithsonian Institution.

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      Lynch, Bernadette T. 2011. “Collaboration, Contestation, and Creative Conflict: On the Efficacy of Museum/Community Partnerships.” In The Routledge Companion to Museum Ethics, edited by Janet Marstine, 146–163. London: Routledge.

      Marstine, Janet. 2011a. “The Contingent Nature of the New Museum Ethics.” In The Routledge Companion to Museum Ethics, edited by Janet Marstine, 3–25. London: Routledge.

      Marstine, Janet. 2011b. “Preface.” In The Routledge Companion to Museum Ethics, edited by Janet Marstine, xxiii–xxv. London: Routledge.

      Marstine, Janet. 2012. “Situated Revelations: Radical Transparency in the Museum.” In New Directions in Museum Ethics, edited by Janet Marstine, Alexander Bauer, and Chelsea Haines, 1–23. London: Routledge.

      Museums Association. 2008. “Code of Ethics for Museums.” Accessed September 23, 2014. http://www.museumsassociation.org/ethics/code-of-ethics.

      Museums Association. 2013. “Museums Change Lives: The MA’s Vision for the Impact of Museums.” Accessed September 23, 2014. http://www.museumsassociation.org/download?id=1001738.

      National Museums Liverpool. 2013. “Mission, Values and Strategic Plan.” Accessed September 23, 2014. http://www.liverpoolmuseums.org.uk/about/corporate/strategic-plan.

      Nightingale, Eithne, and Chandan Mahal. 2012. “The Heart of the Matter: Integrating Equality and Diversity into the Policy and Practice of Museums and Galleries.” In Museums, Equality and Social Justice, edited by Richard Sandell and Eithne Nightingale, 13–37. London: Routledge.

      Pickering, Michael. 2011. “Dance through the Minefield: The Development of Practical Ethics for Repatriation.” In The Routledge Companion to Museum Ethics, edited by Janet Marstine, 256–274. London: Routledge.

      RCMG (Research Centre for Museums and Galleries). 2007. “The Madonna of the Pinks.” Accessed September 23, 2014. http://www2.le.ac.uk/departments/museumstudies/rcmg/projects/madonna-of-the-pinks.

      RCMG (Research Centre for Museums and Galleries). 2013. “Developing a Research Network to Advance 21st-Century Museum Ethics in Theory and Practice.” Accessed September 23, 2014. http://www2.le.ac.uk/departments/museumstudies/rcmg/projects.

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