With reference to the work of Hsu Huang (2001), Hillier and Tzortzi emphasize “two key themes embodied in the spatial layout of the modern museum: organized walking and the congregation of visitors. The former is realized by the organization of spaces into visitable sequences so as to map knowledge, and the latter is manifested by the creation of gathering spaces, the integration core, where the congregation takes place” (2006, 292).8 8 Claire, “Roll Up and Roll Out: The Final Push for SI,” Imperial War Museums Social Interpretation Blog. Accessed July 22, 2014. http://blogs.iwm.org.uk/social-interpretation/category/qr-codes/.
9 9 Claire, “Roll Up and Roll Out” (see n. 8).
10 10 Assmann (2008, 98) sees the “canon” as an “active” mode of cultural memory in the museum in terms of that which is on show and visible to visitors, whereas the “archive” is a “passively stored memory” comprising objects stored and out of sight.
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