Museum Theory. Группа авторов

      16 Elkins, J. 2004. Pictures and Tears: A History of People Who Have Cried in Front of Paintings. New York: Routledge.

      17 Grossberg, L. 1997. Bringing It All Back Home: Essays on Cultural Studies. Durham, NC: Duke University Press.

      18 Guattari, F. 1995. Chaosmosis: An Ethico-Aesthetic Paradigm. Translated by P. Bains and J. Pefanis. Sydney: Power.

      19 Harris, J. 2001. The New Art History: A Critical Introduction. London: Routledge.

      20 Hetherington, K. 1997. “Museum Topology and the Will to Connect.” Journal of Material Culture 2(2): 199–218.

      21 Kristeva, J. 1986. Powers of Horror: An Essay in Abjection. New York: Columbia University Press.

      22 Massumi, B. 2011. Semblance and Event: Activist Philosophy and the Occurrent Arts. Cambridge, MA: MIT Press.

      23 Thrift, N. 2008. Non-representational Theory: Space/Politics/Affect. London: Routledge.

      24 Tlili, A. 2008. “Behind the Policy Mantra of the Inclusive Museum: Receptions of Social Exclusion and Inclusion in Museum and Science Centres.” Cultural Sociology 2(1): 123–147.

      25 van Alphen, E. 2012. “Making Sense of Affect.” In Francis Bacon: Five Decades, edited by A. Bond, pp. 65–73. Sydney: Art Gallery of New South Wales.

      26 Vergo, P., ed. 2000. The New Museology. London: Reaktion.

      27 Wallach, A. 2003. “Norman Rockwell at the Guggenheim.” In Art and Its Publics: Museum Studies at the Millennium, edited by A. McClellan, pp. 97–115. Oxford: Blackwell.

      Janice Baker is Lecturer in the School of Media, Culture, and Creative Arts at Curtin University, Australia. Her current research explores encounters with material culture and difference through fictional representations of museum artifacts as cinematic images.