rel="nofollow" href="#ulink_15d73805-3d4b-5ad5-8b5d-de3e6ac7d7b2">Further Reading
7 “CONGO AS IT IS?”: Curatorial Reflections on Using Spatial Urban History in the Memory of Congo: The Colonial Era Exhibition
“Belgium exhumes its colonial demons”?
(Re)presenting Congo’s colonial past
Visualizing the “color bar”
Living apart together
Blurring the image of the dual city
Spatializing cosmopolitanism
Visualizing violence
Whose Congo?
Acknowledgments
Notes
References
8 BETWEEN THE ARCHIVE AND THE MONUMENT: Memory Museums in Postdictatorship Argentina and Chile
Reasserting truth: Santiago de Chile’s Museum of Memory and Human Rights
Arts of memory: Rosario’s Museum of Memory
Conclusion
Notes
References
9 THE GENDER OF MEMORY IN POSTAPARTHEID SOUTH AFRICA: The Women’s Jail as Heritage Site
Cinema and the media
Monuments
The Women’s Jail
Conclusion
Acknowledgments
Notes
References
11 PART II: Social Agency and the Museum 10 AN ETHNOGRAPHY OF REPATRIATION: Engagements with Erromango, Vanuatu Repatriation The Vanuatu Kaljoral Senta Erromango Barkcloth Knowledge Forms of repatriation Repatriation and return Notes References 11 OF HERITAGE AND HESITATION: Reflections on the Melanesian Art Project at the British Museum References 12 THE BLACKFOOT SHIRTS PROJECT: “Our Ancestors Have Come to Visit” Planning the Blackfoot Shirts Project The Blackfoot shirts in Canada The responses of high school and college students Knowledge repatriation: Museum and community expectations Concluding thoughts Notes References 13 “GET TO KNOW YOUR WORLD”: An Interview with Jim Enote, Director of the A:shiwi A:wan Museum and Heritage Center in Zuni, New Mexico The origins of a museum for the Zuni people Thinking about collective knowledge: An interview with Jim Enote Conclusions and future conversations Notes References 14 THE PARO MANENE PROJECT: Exhibiting and Researching Photographic Histories in Western Kenya Luo photographs “Looking past”: Interpretive frameworks and local expectations The exhibitions Photographic homecomings Conclusion Notes References 15 REANIMATING CULTURAL HERITAGE: Digital Curatorship, Knowledge Networks, and Social Transformation in Sierra Leone The Sierra Leonean object diaspora and its remittances Reanimating museum objects in digital space From source communities to knowledge networks Working across the digital divide Strengthening relationships, building capacity Reanimating cultural heritage, reanimating civil society? Notes References 16 ON NOT LOOKING: Economies of Visuality in Digital Museums To look or not to look? Not looking Access
